論福樓拜長篇小說中的死亡意識
發(fā)布時間：2018-10-25 20:12
【摘要】：福樓拜是十九世紀(jì)現(xiàn)實主義的杰出代表，他對十九世紀(jì)末至二十世紀(jì)的文學(xué)，尤其是現(xiàn)代主義文學(xué)的發(fā)展產(chǎn)生了極其深遠(yuǎn)的影響。福樓拜長篇小說中的死亡意識指的不僅僅是自然現(xiàn)象中肉體的死亡，更是指精神層面的空虛與無價值。這也是福樓拜的死亡意識與其他作家所描繪的死亡的不同之處，更是可貴之處。 福樓拜的死亡意識在學(xué)術(shù)界并未得到重視。對于福樓拜的研究大多集中于福樓拜的現(xiàn)實主義寫作手法以及小說中單純對于死亡的描寫�，F(xiàn)有的研究并沒有將死亡意識與虛無主義相聯(lián)系而進(jìn)行探究。福樓拜的死亡意識已經(jīng)遠(yuǎn)遠(yuǎn)不止是死亡那么簡單，，而是具有深層的意義。 本文分為四部分。第一部分為緒論，這一部分主要介紹國內(nèi)外對于福樓拜的研究以及本文選擇研究福樓拜死亡意識的價值與意義。 第二部分為福樓拜長篇小說中死亡意識的成因。在成因中，從個體經(jīng)歷中的疾患與缺憾以及時代變遷下的閱歷與影響兩方面揭示了福樓拜死亡意識形成的原因。童年經(jīng)歷使福樓拜最初接觸到死亡現(xiàn)象，身體上的疾患與感情上的缺憾使福樓拜對于死亡有了更深層的認(rèn)識。同時，在社會時代與文學(xué)思潮的影響下，福樓拜的死亡意識最終形成。 第三部分為福樓拜長篇小說中的死亡意識。這一部分主要從死亡意識的藝術(shù)表現(xiàn)及現(xiàn)實考量來綜合分析死亡意識的內(nèi)涵。死亡不僅是肉體的死亡，它還有更深層的含義，通過對愛情的死亡、事業(yè)的失敗、信仰的破滅等文本現(xiàn)象的分析，表明了這些都是生命無意義、無價值的體現(xiàn)。同時，這一部分還闡釋了死亡意識所具有的現(xiàn)代性與社會性。 第四部分為福樓拜長篇小說中死亡書寫的美學(xué)意義。福樓拜的死亡意識是對傳統(tǒng)觀念中死亡是崇高的這一認(rèn)識的否定。在福樓拜的筆下，每個小人物身上都具有死亡意識，他們的生存都是毫無價值與意義的。同時，也揭示了福樓拜死亡意識所體現(xiàn)的虛無主義。 綜上所述，本文就是通過以上四部分對福樓拜長篇小說中的死亡意識進(jìn)行研究。
[Abstract]:Flaubert was an outstanding representative of realism in the nineteenth century. He had a profound influence on the development of literature from the end of the nineteenth century to the twentieth century, especially the modernist literature. The consciousness of death in Flaubert's novels refers not only to the death of the body in the natural phenomenon, but also to the emptiness and lack of value in the spiritual level. This is the difference between Flaubert's consciousness of death and the death described by other writers. Flaubert's consciousness of death has not been paid much attention to in academic circles. Most of the studies on Flaubert focus on Flaubert's realistic writing techniques and the pure description of death in his novels. Existing studies have not explored the connection between death consciousness and nihilism. Flaubert's consciousness of death is far more simple than death, but has deep meaning. This paper is divided into four parts. The first part is the introduction, this part mainly introduces the domestic and foreign research on Flaubert and the value and significance of the study of Flaubert's consciousness of death. The second part is the cause of death consciousness in Flaubert's novels. In the cause of formation, the causes of the formation of Flaubert's death consciousness are revealed from two aspects: the disease and the defect in the individual experience and the experience and influence under the change of the times. The childhood experience made Flaubert come into contact with the phenomenon of death at first, and physical illness and emotional imperfection made Flaubert have a deeper understanding of death. At the same time, under the influence of social times and literary thoughts, Flaubert's consciousness of death finally formed. The third part is the consciousness of death in Flaubert's novels. This part mainly analyzes the connotation of death consciousness from its artistic expression and realistic consideration. Death is not only the death of the body, but also the deeper meaning. Through the analysis of the death of love, the failure of the cause and the disillusionment of faith, it is shown that these are the embodiment of life without meaning and value. At the same time, this part also explains the modernity and sociality of death consciousness. The fourth part is the aesthetic significance of death writing in Flaubert's novels. Flaubert's consciousness of death is a negation of the traditional idea that death is noble. In Flaubert's writings, every little man has a sense of death, and their existence is worthless and meaningless. At the same time, it also reveals the nihilism embodied in Flaubert's death consciousness. To sum up, this paper studies the consciousness of death in Flaubert's novels through the above four parts.
【學(xué)位授予單位】：哈爾濱師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2012
【分類號】：I565.074
本文編號：2294720
[Abstract]:Flaubert was an outstanding representative of realism in the nineteenth century. He had a profound influence on the development of literature from the end of the nineteenth century to the twentieth century, especially the modernist literature. The consciousness of death in Flaubert's novels refers not only to the death of the body in the natural phenomenon, but also to the emptiness and lack of value in the spiritual level. This is the difference between Flaubert's consciousness of death and the death described by other writers. Flaubert's consciousness of death has not been paid much attention to in academic circles. Most of the studies on Flaubert focus on Flaubert's realistic writing techniques and the pure description of death in his novels. Existing studies have not explored the connection between death consciousness and nihilism. Flaubert's consciousness of death is far more simple than death, but has deep meaning. This paper is divided into four parts. The first part is the introduction, this part mainly introduces the domestic and foreign research on Flaubert and the value and significance of the study of Flaubert's consciousness of death. The second part is the cause of death consciousness in Flaubert's novels. In the cause of formation, the causes of the formation of Flaubert's death consciousness are revealed from two aspects: the disease and the defect in the individual experience and the experience and influence under the change of the times. The childhood experience made Flaubert come into contact with the phenomenon of death at first, and physical illness and emotional imperfection made Flaubert have a deeper understanding of death. At the same time, under the influence of social times and literary thoughts, Flaubert's consciousness of death finally formed. The third part is the consciousness of death in Flaubert's novels. This part mainly analyzes the connotation of death consciousness from its artistic expression and realistic consideration. Death is not only the death of the body, but also the deeper meaning. Through the analysis of the death of love, the failure of the cause and the disillusionment of faith, it is shown that these are the embodiment of life without meaning and value. At the same time, this part also explains the modernity and sociality of death consciousness. The fourth part is the aesthetic significance of death writing in Flaubert's novels. Flaubert's consciousness of death is a negation of the traditional idea that death is noble. In Flaubert's writings, every little man has a sense of death, and their existence is worthless and meaningless. At the same time, it also reveals the nihilism embodied in Flaubert's death consciousness. To sum up, this paper studies the consciousness of death in Flaubert's novels through the above four parts.
【學(xué)位授予單位】：哈爾濱師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2012
【分類號】：I565.074
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