從后殖民主義角度解讀《接骨師之女》
發(fā)布時間：2018-10-12 16:03
【摘要】：譚恩美是當今活躍在美國文壇第二代優(yōu)秀的美籍華裔女作家，她創(chuàng)作的《喜福會》一問世就獲得了廣泛的認可。在當代美國文學(xué)的發(fā)展歷程中，譚恩美被列入美國文學(xué)史的重要經(jīng)典作家，成為眾多研究者的討論對象�！督庸菐熤肥瞧淅^《喜福會》后的又一暢銷著作，該作品講述的是三代母女的成長糾葛。作者以其敏銳的洞察力和絕妙的敘述技巧，通過母女關(guān)系這一隱喻，傳達了自己對當今世界中西方文化交流現(xiàn)狀的態(tài)度和觀點。 本文包含六部分： 緒論分為三小節(jié)。第一小節(jié)概述了美國華裔文學(xué)的發(fā)展現(xiàn)狀；第二小節(jié)主要介紹了美籍華裔作家譚恩美和她的文學(xué)地位以及她的作品《接骨師之女》;第三小節(jié)梳理了當今國內(nèi)外文學(xué)界對《接骨師之女》的研究現(xiàn)狀，簡要闡述了本文的研究意義。 第二章對本文的研究方法進行了詳細說明，即本文將以賽義德的“他者”概念和霍米巴巴的“第三空間”概念為理論基礎(chǔ)，從后殖民主義角度探析主人公重塑身份的意義。 第三章從種族、性別以及語言三方面分析主人公露絲及其母親盧琳的他者形象，從而揭示出她們生活中所面臨的身份缺失的困境。 第四章主要分析了游離于中國與美國、過去與現(xiàn)在的露絲如何在現(xiàn)實生活中追尋并超越過去，，從不同的方面尋找自我，構(gòu)建身份。 第五章闡述了露絲通過自己的努力最終達到的和諧狀態(tài)：一方面改善了母女關(guān)系，另一方面改變了與愛人的相處方式，從此過著幸福和諧的日子。與此同時，她也找到了一種凌駕于中美文化差異沖突之上的“第三空間”，即兩種文化的和諧與并存。 第六章，基于以上章節(jié)的分析，本文得出：作為第二代美籍華裔的代表，露絲成功的顛覆了在白人和西方人眼中的“他者”形象，而成為一個吸收雙重文化并且擁有自己獨特人格魅力的美籍華裔。
[Abstract]:Amy Tan is the second generation Chinese American female writer who is active in the American literary world. In the course of the development of contemporary American literature, Amy Tan was listed as an important classical writer in the history of American literature and became the object of discussion by many researchers. The work is about three generations of mothers and daughters of the growth of entanglement. With his keen insight and excellent narrative skills, the author conveys his attitude and views on the current situation of cultural exchanges between China and the West through the metaphor of mother-daughter relationship. This paper consists of six parts: the introduction is divided into three sections. The first section summarizes the development of Chinese American literature; The second section mainly introduces Tan En-mei and her literary status and her work "the daughter of the bone catcher". The third section combs the present situation of the domestic and foreign literary circles' research on the "the daughter of the bone catcher". The research significance of this paper is briefly expounded. The second chapter explains the research method in detail, that is, based on the concept of "other" by said and the concept of "third space" by HomiBaba, this paper explores the significance of the protagonist's remolding identity from the perspective of post-colonialism. The third chapter analyzes the other images of Ruth and her mother Lu Lin from three aspects of race, gender and language, thus revealing the dilemma of lack of identity in their life. The fourth chapter mainly analyzes how Ruth, in the past and present, sought and transcended the past in real life, looking for herself from different aspects and constructing her identity. Chapter five expounds the harmonious state that Ruth achieved through her own efforts: on the one hand, she improved the mother-daughter relationship, on the other hand, she changed her way of getting along with her lover, and from then on she lived a happy and harmonious life. At the same time, she also found a kind of "the third space", that is, the harmony and coexistence of the two cultures. Chapter VI, based on the analysis of the above chapters, concludes that as the representative of the second generation of Chinese Americans, Ruth successfully subverts the "other" image in the eyes of whites and Westerners. And to become an absorption of dual culture and have their own unique personality charm of Chinese Americans.
【學(xué)位授予單位】：江西師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2012
【分類號】：I712.074
本文編號：2266741
[Abstract]:Amy Tan is the second generation Chinese American female writer who is active in the American literary world. In the course of the development of contemporary American literature, Amy Tan was listed as an important classical writer in the history of American literature and became the object of discussion by many researchers. The work is about three generations of mothers and daughters of the growth of entanglement. With his keen insight and excellent narrative skills, the author conveys his attitude and views on the current situation of cultural exchanges between China and the West through the metaphor of mother-daughter relationship. This paper consists of six parts: the introduction is divided into three sections. The first section summarizes the development of Chinese American literature; The second section mainly introduces Tan En-mei and her literary status and her work "the daughter of the bone catcher". The third section combs the present situation of the domestic and foreign literary circles' research on the "the daughter of the bone catcher". The research significance of this paper is briefly expounded. The second chapter explains the research method in detail, that is, based on the concept of "other" by said and the concept of "third space" by HomiBaba, this paper explores the significance of the protagonist's remolding identity from the perspective of post-colonialism. The third chapter analyzes the other images of Ruth and her mother Lu Lin from three aspects of race, gender and language, thus revealing the dilemma of lack of identity in their life. The fourth chapter mainly analyzes how Ruth, in the past and present, sought and transcended the past in real life, looking for herself from different aspects and constructing her identity. Chapter five expounds the harmonious state that Ruth achieved through her own efforts: on the one hand, she improved the mother-daughter relationship, on the other hand, she changed her way of getting along with her lover, and from then on she lived a happy and harmonious life. At the same time, she also found a kind of "the third space", that is, the harmony and coexistence of the two cultures. Chapter VI, based on the analysis of the above chapters, concludes that as the representative of the second generation of Chinese Americans, Ruth successfully subverts the "other" image in the eyes of whites and Westerners. And to become an absorption of dual culture and have their own unique personality charm of Chinese Americans.
【學(xué)位授予單位】：江西師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2012
【分類號】：I712.074
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