柳美里家庭作品中日本女性家庭觀的轉(zhuǎn)變
發(fā)布時間：2018-10-12 08:47
【摘要】：柳美里（1968～）出生于日本，在日韓國人二代。從幼年時代起，因為在日韓國人身份以及無法敞開心扉與他人溝通，經(jīng)常被同學(xué)欺負(fù)。中學(xué)時代，柳美里經(jīng)歷了離家出走和自殺未遂，這樣的生活經(jīng)歷對她的文學(xué)創(chuàng)作產(chǎn)生了很大的影響。 高中一年級退學(xué)后，，柳美里加入了東由多加的劇團(tuán)，迎來了人生的巨大轉(zhuǎn)機(jī)。在東由多加的鼓勵與幫助下，柳美里作為作家亮相。她的作品以自己的家庭狀況和親身經(jīng)歷為題材，主要分為兩類：一類以《家庭電影》為代表，這部獲得芥川獎的作品講述的是20年前就已經(jīng)分崩離析的家庭為了實拍一部反映一家人現(xiàn)實生活的紀(jì)錄片，又重聚一堂，作品展現(xiàn)了傳統(tǒng)家庭的解體。但是柳美里并非一味地為血緣家庭解體的不幸大唱挽歌，同時也在思考和嘗試一種可以取代傳統(tǒng)家庭的新型家庭模式；另一類以自傳體小說《命》四部曲為代表，描寫了柳美里與已婚男子相戀、未婚懷孕、對方變心后被拋棄，之后與患癌癥的前男友東由多加再會，和東由多加及嬰兒相互扶持共同生活的感人故事。小說中描述的由不同血緣、不同姓氏組成的家庭是有悖于傳統(tǒng)家族制和家庭制度的，這表明作者要試圖建立一個作為嶄新共同體而存在的家庭。 柳美里的作品曾獲得芥川獎、泉鏡花獎，在日本國內(nèi)極為暢銷。由于作品深刻反映了現(xiàn)代家庭的解體，尤其受到女性讀者的歡迎。作品還被搬上熒幕，且譯作在中韓等多國出版。 探究家庭崩潰緣由，探索家庭的再生，這些構(gòu)成了柳美里小說的主題。作品深刻反映了現(xiàn)代女性家庭觀的轉(zhuǎn)變。在晚婚、不婚現(xiàn)象逐年顯著的日本，現(xiàn)代女性的獨立意識提高，期待建立一種不拘泥于血緣關(guān)系的，在精神上能相互支持的現(xiàn)代家庭模式。因此，事實婚這樣的新的家庭形式悄然產(chǎn)生。 本論文通過分析柳美里以家庭為題材的作品，進(jìn)而探索日本女性的現(xiàn)代家庭觀。論文由序論、正文和結(jié)論三部分構(gòu)成。 緒論部分介紹柳美里及其主要作品。歸納總結(jié)中日相關(guān)先行研究，闡明研究方法，提出論文的寫作目的。 正文分為四章。第一章總結(jié)近代日本女性文學(xué)中以家庭為題材的作品概況，并且研究作為其中一份子的柳美里私小說的特點。第二章通過分析柳美里的代表性作品，分析比較其中的家庭模式。第三章從柳美里在日韓國人的身份、家庭構(gòu)成以及柳美里所處的社會環(huán)境三方面入手，探究其家庭觀出現(xiàn)的原因。第四章結(jié)合日本社會現(xiàn)實，論證現(xiàn)代日本女性家庭觀的變遷，并以目前日本社會流行的事實婚為例探究一種相互扶持的新型家庭關(guān)系。 結(jié)論總括全篇，并提出論文的不足之處和進(jìn)一步的研究方向。
[Abstract]:Yoo Mei-li (1968 ~) was born in Japan, in the second generation of Koreans in Japan. Since childhood, Korean identity in Japan and the inability to open their hearts to communicate with others, often bullied by classmates. In high school, Liu Mei-li experienced running away from home and attempted suicide, which had a great influence on her literary creation. After dropping out of first grade high school, Liu Mei-li joined Dongyidoga's troupe and ushered in a huge turnaround in life. With the encouragement and help of Dongyu, Liu Mei-li appeared as a writer. Her works are based on her own family situation and personal experience, and are divided into two main categories: one is represented by "Family Film". The Mustard Prize is about a broken family 20 years ago, reunited to make a documentary about the real life of the family. It shows the disintegration of the traditional family. But Liu did not blindly sing elegiac songs for the misfortune of the breakup of a blood family, but was also thinking about and trying a new family model that could replace the traditional family; another type was represented by the autobiographical novel "Life", a quadrangle. Liu Meili and married men love, unmarried pregnant, the other was abandoned after a change of heart, and then with the cancer of the ex-boyfriend Dong Yujia farewell, and Dong Yujia and the baby to support each other's moving story. The novel describes a family composed of different blood and surnames, which is contrary to the traditional family system and family system, which indicates that the author is trying to establish a family as a new community. Liu Mei-li 's works have won the Kuagawa Award, the Springs Mirror Award, in Japan extremely popular. Because the work deeply reflects the disintegration of the modern family, it is especially popular with female readers. Works were also brought to the screen, and translated in China and South Korea and other countries published. Exploring the cause of family collapse and the regeneration of family constitute the theme of Liu Mei-li 's novels. The works deeply reflect the transformation of modern female family view. In Japan, where the phenomenon of late marriage and non-marriage is obvious year by year, the independence consciousness of modern women is improved, and they expect to establish a modern family model which is not tied to blood relations and can support each other in spirit. Thus, a new form of family, such as de facto marriage, emerged quietly. By analyzing Liu Mei-li 's works on family, this paper explores the modern family view of Japanese women. The thesis consists of three parts: preface, text and conclusion. The introduction introduces Liu Meili and his main works. Summarize the related research, clarify the research methods, and put forward the purpose of writing the thesis. The text is divided into four chapters. The first chapter summarizes the family-related works in modern Japanese female literature and studies the characteristics of Liu Mei-li 's private novels as one of them. The second chapter analyzes the representative works of Liu Meili and compares the family patterns. The third chapter explores the reasons for the emergence of Liu Mei-li 's family view from three aspects: the identity of Liu Mei-li in Japan, the composition of the family and the social environment in which Liu Mei-li is located. The fourth chapter discusses the changes of modern Japanese female family concept and explores a new type of family relationship which supports each other by taking the popular de facto marriage in Japanese society as an example. Conclusion the whole paper is summarized, and the deficiency and further research direction of the thesis are put forward.
【學(xué)位授予單位】：遼寧大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：I313.074
[Abstract]:Yoo Mei-li (1968 ~) was born in Japan, in the second generation of Koreans in Japan. Since childhood, Korean identity in Japan and the inability to open their hearts to communicate with others, often bullied by classmates. In high school, Liu Mei-li experienced running away from home and attempted suicide, which had a great influence on her literary creation. After dropping out of first grade high school, Liu Mei-li joined Dongyidoga's troupe and ushered in a huge turnaround in life. With the encouragement and help of Dongyu, Liu Mei-li appeared as a writer. Her works are based on her own family situation and personal experience, and are divided into two main categories: one is represented by "Family Film". The Mustard Prize is about a broken family 20 years ago, reunited to make a documentary about the real life of the family. It shows the disintegration of the traditional family. But Liu did not blindly sing elegiac songs for the misfortune of the breakup of a blood family, but was also thinking about and trying a new family model that could replace the traditional family; another type was represented by the autobiographical novel "Life", a quadrangle. Liu Meili and married men love, unmarried pregnant, the other was abandoned after a change of heart, and then with the cancer of the ex-boyfriend Dong Yujia farewell, and Dong Yujia and the baby to support each other's moving story. The novel describes a family composed of different blood and surnames, which is contrary to the traditional family system and family system, which indicates that the author is trying to establish a family as a new community. Liu Mei-li 's works have won the Kuagawa Award, the Springs Mirror Award, in Japan extremely popular. Because the work deeply reflects the disintegration of the modern family, it is especially popular with female readers. Works were also brought to the screen, and translated in China and South Korea and other countries published. Exploring the cause of family collapse and the regeneration of family constitute the theme of Liu Mei-li 's novels. The works deeply reflect the transformation of modern female family view. In Japan, where the phenomenon of late marriage and non-marriage is obvious year by year, the independence consciousness of modern women is improved, and they expect to establish a modern family model which is not tied to blood relations and can support each other in spirit. Thus, a new form of family, such as de facto marriage, emerged quietly. By analyzing Liu Mei-li 's works on family, this paper explores the modern family view of Japanese women. The thesis consists of three parts: preface, text and conclusion. The introduction introduces Liu Meili and his main works. Summarize the related research, clarify the research methods, and put forward the purpose of writing the thesis. The text is divided into four chapters. The first chapter summarizes the family-related works in modern Japanese female literature and studies the characteristics of Liu Mei-li 's private novels as one of them. The second chapter analyzes the representative works of Liu Meili and compares the family patterns. The third chapter explores the reasons for the emergence of Liu Mei-li 's family view from three aspects: the identity of Liu Mei-li in Japan, the composition of the family and the social environment in which Liu Mei-li is located. The fourth chapter discusses the changes of modern Japanese female family concept and explores a new type of family relationship which supports each other by taking the popular de facto marriage in Japanese society as an example. Conclusion the whole paper is summarized, and the deficiency and further research direction of the thesis are put forward.
【學(xué)位授予單位】：遼寧大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：I313.074
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