【摘要】：希臘神話與中國(guó)神話、印度神話、埃及神話并列為四大神話體系。由于自然和社會(huì)條件的差異，希臘神話在死亡敘事上與東方大相庭徑，這為本文的寫作提供了無限的契機(jī)。本文以“古希臘神話傳說中的死亡母題研究”為題，著重闡述古希臘神話中死亡母題。探究死亡母題的特質(zhì)，是理解西方文化體系的一個(gè)獨(dú)特視角。 “緒論”。闡述本文的研究背景，指出對(duì)古希臘神話進(jìn)行死亡母題研究的意義，，從而明確本文的研究方法及研究思路，并進(jìn)一步指出本文的研究定位，為下文的論述奠定基礎(chǔ)。 第二章“古希臘神話傳說中四種死亡母題類型”。本章是本文論述的重點(diǎn)和難點(diǎn)。第一節(jié)“懲罰型死亡母題”是神話故事的主體部分。這類故事中死亡主體之死源于神對(duì)人的懲罰，其中分為侵犯神祗、冒犯其親屬、侵犯其所屬物、與神祗競(jìng)技以及男性人類對(duì)女神的侵犯五種類型。第二節(jié)“復(fù)仇型死亡母題”主要論述神話故事中因被復(fù)仇而慘遭罹難的死亡主體，分為女性復(fù)仇性死亡和男性復(fù)仇性死亡兩類。第三節(jié)“主動(dòng)型死亡母題”是指死亡主體為了特定的價(jià)值去向而放棄生的權(quán)利，為“道”而超越死亡的類型，具體分為榮譽(yù)而亡、愛情與死亡以兩類。第四節(jié)“無辜型死亡母題”，死亡主體本身并無致命的過錯(cuò)，但是由于其它原因而被剝奪生命的故事類型，又分為神神的矛盾和獻(xiàn)祭兩類。 第三章“古希臘神話傳說中死亡母題生成的基礎(chǔ)”。分別從思維、認(rèn)識(shí)、自然及社會(huì)四個(gè)角度，解釋和論證古希臘神話中這種獨(dú)特死亡現(xiàn)象產(chǎn)生的土壤。 第四章“古希臘神話傳說中死亡母題的特點(diǎn)”，分別從形式和內(nèi)容兩個(gè)角度，總結(jié)并歸納古希臘神話中死亡母題敘事的的特點(diǎn)。希臘神話死亡母題敘事從形式上呈現(xiàn)出寫實(shí)與詩意交融的特點(diǎn)，而從內(nèi)容上則表現(xiàn)為強(qiáng)烈的人本主義色彩。 最后結(jié)語部分是對(duì)全文的總結(jié)與升華，從文學(xué)角度探討希臘神話死亡母題的意義。
[Abstract]:Greek mythology, Chinese mythology, Indian mythology and Egyptian mythology are all four mythological systems. Because of the difference between the natural and social conditions, Greek mythology is in the same way as the East in the narrative of death, which provides an infinite opportunity for the writing of this paper. This paper focuses on the motif of death in ancient Greek mythology, focusing on the study of the motif of death in ancient Greek mythology. Exploring the characteristics of the motif of death is a unique angle of view to understand the western cultural system. Introduction. This paper expounds the research background of this paper, points out the significance of the study on the motif of death in ancient Greek mythology, so as to clarify the research methods and research ideas of this paper, and further points out the research orientation of this paper, which lays a foundation for the following discussion. Chapter two: four types of death motif in ancient Greek mythology and legends. This chapter is the focus and difficulty of this paper. The first section is the main part of the myth story. The death of the subject of death in this kind of story stems from God's punishment of man, which is divided into five types: infringing gods, offending their relatives, infringing their objects, competing with gods and attacking goddesses by men. The second section, "revenge death motif", mainly discusses the subject of death in mythical stories, which is divided into two categories: female revenge death and male revenge death. The third section "active death motif" refers to the death subject giving up the right to live for the sake of specific value, transcending the type of death for the sake of "Tao", specifically divided into honor and death, love and death in two categories. In the fourth section, "innocent death motif", the subject of death has no fatal fault, but the story type of being deprived of life because of other reasons is divided into two categories: contradiction of God and sacrifice. The third chapter is the foundation of the formation of the motif of death in ancient Greek myths and legends. From four angles of thinking, understanding, nature and society, this paper explains and proves the soil of this unique death phenomenon in ancient Greek mythology. Chapter four, "the characteristics of death motif in ancient Greek mythology and legend", summarizes and summarizes the characteristics of the narrative of death motif in ancient Greek mythology from two angles of form and content. The narrative of death motif of Greek mythology presents the characteristics of the blending of realism and poetry in form, while the content shows strong humanism. The last part is the summary and sublimation of the full text, from the literary point of view to explore the significance of Greek mythology death motif.
【學(xué)位授予單位】：湖南大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2012
【分類號(hào)】：I545.077

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