論《弗蘭德公路》中“同時性”敘述
發(fā)布時間：2018-10-04 20:59
【摘要】：《弗蘭德公路》是法國新小說作家克勞德·西蒙代表作之一,是一部具有后現(xiàn)代性質的經(jīng)典作品。目前,國內學者將研究重點集中在：戰(zhàn)爭、死亡、性愛主題,形式方面的繪畫結構、巴洛克結構和意識流等。然這些主題、形式方面的特征只是作品顯性表現(xiàn),形成這些特征的內在因素是敘述方面的“同時性”。 因親歷戰(zhàn)爭和對生活的獨特體驗,西蒙在小說中以“回憶”作結構,引進電影、繪畫領域技巧,對場景和畫面進行拼貼、并置,并在敘述中頻繁穿插,不斷進行反復敘述,將回憶、想象、夢境結合,造成小說時空的混亂,從而在敘述方式上表現(xiàn)出“同時性”特征。而這敘述的“同時性”又在深層意義上暗合了人類一種生存狀態(tài)與生命體驗,使作品內涵獲得延伸。同時,“同時性”取代傳統(tǒng)線性敘述,造成敘事時間的混亂,在敘事內容上產生諸多不確定性和缺項,給讀者閱讀設置了障礙,對讀者接受形成一種召喚結構,客觀上要求讀者進行創(chuàng)造性閱讀,即讀者須對小說進行重讀,并在重讀中進行填補,這對讀者閱讀產生一定影響,進一步改變著現(xiàn)代讀者閱讀習慣及方式�！巴瑫r性”對讀者的積極參與提出要求,西蒙以此為契機,將“同時性”敘述方式與社會現(xiàn)狀聯(lián)系起來。現(xiàn)代社會中人與人的關系變得冷漠,從而造成彼此的不理解,西蒙的創(chuàng)新處就在于將小說作為讀者參與、再創(chuàng)造的一個窗口,進而提供了使人們實現(xiàn)精神層面主動交流和溝通的一種可能。
[Abstract]:Flanders Highway is one of the masterpieces of French novel writer Claude Simon, and it is a postmodern classic work. At present, domestic scholars focus on: war, death, sexual themes, formal painting structure, Baroque structure and stream of consciousness. However, the characteristics of these themes and forms are only the explicit manifestations of the works, and the internal factors that form these characteristics are the "synchronism" of narration. Because of his own experience of war and life, Simon used "memory" as a structure in his novel, introducing film and painting techniques, collating scenes and pictures, and constantly interposing them in narratives. The combination of recollection, imagination and dreams leads to the chaos of time and space of the novel, thus showing the characteristic of "synchronism" in the narrative style. And the narration of "synchronism" in the deep sense of a living state and life experience, so that the connotation of the work has been extended. At the same time, "synchronism" replaces the traditional linear narration, resulting in confusion of narrative time, many uncertainties and lack of items in the narrative content, setting up obstacles for readers to read, and forming a kind of calling structure for readers to accept. Objectively speaking, it requires the reader to read creatively, that is, the reader should reread the novel and fill in it, which has a certain influence on the reader's reading, and further changes the reading habits and ways of modern readers. "synchronism" demands the active participation of readers, and Simon takes this as an opportunity to link the narration of "synchronism" with the present social situation. In modern society, the relationship between people becomes indifferent, resulting in mutual incomprehension. Simon's innovation lies in taking the novel as a window for readers to participate and create again. Furthermore, it provides a possibility for people to communicate and communicate actively on the spiritual level.
【學位授予單位】：云南大學
【學位級別】：碩士
【學位授予年份】：2012
【分類號】：I565.074
本文編號：2251860
[Abstract]:Flanders Highway is one of the masterpieces of French novel writer Claude Simon, and it is a postmodern classic work. At present, domestic scholars focus on: war, death, sexual themes, formal painting structure, Baroque structure and stream of consciousness. However, the characteristics of these themes and forms are only the explicit manifestations of the works, and the internal factors that form these characteristics are the "synchronism" of narration. Because of his own experience of war and life, Simon used "memory" as a structure in his novel, introducing film and painting techniques, collating scenes and pictures, and constantly interposing them in narratives. The combination of recollection, imagination and dreams leads to the chaos of time and space of the novel, thus showing the characteristic of "synchronism" in the narrative style. And the narration of "synchronism" in the deep sense of a living state and life experience, so that the connotation of the work has been extended. At the same time, "synchronism" replaces the traditional linear narration, resulting in confusion of narrative time, many uncertainties and lack of items in the narrative content, setting up obstacles for readers to read, and forming a kind of calling structure for readers to accept. Objectively speaking, it requires the reader to read creatively, that is, the reader should reread the novel and fill in it, which has a certain influence on the reader's reading, and further changes the reading habits and ways of modern readers. "synchronism" demands the active participation of readers, and Simon takes this as an opportunity to link the narration of "synchronism" with the present social situation. In modern society, the relationship between people becomes indifferent, resulting in mutual incomprehension. Simon's innovation lies in taking the novel as a window for readers to participate and create again. Furthermore, it provides a possibility for people to communicate and communicate actively on the spiritual level.
【學位授予單位】：云南大學
【學位級別】：碩士
【學位授予年份】：2012
【分類號】：I565.074
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