論井上靖西域題材小說(shuō)中的中國(guó)人物形象
發(fā)布時(shí)間：2018-08-11 21:11
【摘要】：井上靖（1907—1991）是日本著名的詩(shī)人、作家、評(píng)論家，一生發(fā)表了許多深受人民喜愛(ài)的作品并在世界廣為傳播。在井上靖的創(chuàng)作中，中國(guó)題材歷史小說(shuō)是非常有特色的一部分。從1950年創(chuàng)作出的第一篇有關(guān)中國(guó)西域文化的小說(shuō)《漆胡樽》開(kāi)始，隨后接連創(chuàng)作了一系列以中國(guó)西域?yàn)楸尘暗臍v史小說(shuō)。1965年，井上靖將這些作品集結(jié)出版，取名《西域小說(shuō)集》，這是世界上第一部以中國(guó)西域?yàn)槲幕尘岸鴦?chuàng)作的歷史小說(shuō)集�！段饔蛐≌f(shuō)集》共收《漆胡樽》《異域之人》《樓蘭》《敦煌》《洪水》等十部作品。分析這些作品中作者所刻畫的中國(guó)人物形象及其成因，探討中國(guó)人物形象塑造的意義，有助于加深對(duì)井上靖文學(xué)的全面理解，為重新認(rèn)識(shí)井上作品在日本戰(zhàn)后文學(xué)史上的地位提供新的視點(diǎn)。 《西域小說(shuō)集》塑造了三類中國(guó)人物形象：熱愛(ài)事業(yè)、雄毅英武的武人形象，執(zhí)著學(xué)問(wèn)、淳樸誠(chéng)實(shí)的文人形象，忠于愛(ài)情、婀娜多姿的美人形象。井上靖筆下這些中國(guó)人物形象的形成，既滲透著日本社會(huì)的中國(guó)觀念，是日本人心目中中國(guó)人形象的藝術(shù)再現(xiàn)；又是井上靖?jìng)€(gè)人中國(guó)觀念的體現(xiàn)，是井上靖對(duì)中國(guó)人民友好感情的形象載體；還是井上靖?jìng)€(gè)人獨(dú)特經(jīng)歷的對(duì)象化，在這些人物身上打上了井上靖?jìng)€(gè)人的鮮明印記。井上靖筆下這些中國(guó)人物形象具有重要的價(jià)值和意義，，對(duì)井上靖而言，這些人物形象為其以后中國(guó)歷史題材小說(shuō)創(chuàng)作奠定了基調(diào)，而且從創(chuàng)作手法上豐富了他小說(shuō)創(chuàng)作的風(fēng)格；對(duì)日本文學(xué)史而言，是日本文學(xué)傳統(tǒng)的延續(xù)，體現(xiàn)了日本文學(xué)的審美意識(shí)；對(duì)中日文化交流而言，是當(dāng)代中日文學(xué)與文化交流的重要標(biāo)志。
[Abstract]:Inoue Yasushi (1907-1991) is a famous poet, writer and critic in Japan. In the creation of Inoue Yasushi, Chinese historical novels are a very distinctive part. From 1950, the first novel about Chinese Western region culture, "Zhai Hu Dou", a series of historical novels with Chinese Western region as the background were created. In 1965, Inoue Yasushi published these works together. This is the first collection of historical novels written in the world under the cultural background of the Western regions of China. The collection of stories in the Western region contains ten works, such as "Zaihutaru", "the people of other lands", "Dunhuang", "Flood", and so on. It is helpful to deepen the understanding of Inoue Yasushi literature by analyzing the Chinese characters and their causes, and discussing the significance of the Chinese characters' portrayal. To provide a new perspective on the position of Inoue's works in the history of Japanese postwar literature. The Collection of Western novels molds three types of Chinese characters: love of cause, the image of Xiongyi and Yingwu, and persistent learning. Honest literati image, loyal to love, graceful beauty image. The formation of these Chinese characters in Inoue Yasushi's works not only permeates the Chinese concept of Japanese society, but also reflects the Chinese image of Japanese people and Inoue Yasushi's personal Chinese concept. It is the image carrier of Inoue Yasushi's friendly feelings to the Chinese people, or the objectification of Inoue Yasushi's unique personal experience, which has put the distinct mark of Inoue Yasushi on these characters. The Chinese characters in Inoue Yasushi's works have important value and significance. To Inoue Yasushi, these characters set the tone for the creation of Chinese historical novels in the future, and enrich the style of his novel creation in terms of creative techniques. For the history of Japanese literature, it is the continuation of Japanese literary tradition and embodies the aesthetic consciousness of Japanese literature, and the important symbol of contemporary Sino-Japanese literature and cultural exchange for Sino-Japanese cultural exchange.
【學(xué)位授予單位】：湘潭大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：I313.074
本文編號(hào)：2178246
[Abstract]:Inoue Yasushi (1907-1991) is a famous poet, writer and critic in Japan. In the creation of Inoue Yasushi, Chinese historical novels are a very distinctive part. From 1950, the first novel about Chinese Western region culture, "Zhai Hu Dou", a series of historical novels with Chinese Western region as the background were created. In 1965, Inoue Yasushi published these works together. This is the first collection of historical novels written in the world under the cultural background of the Western regions of China. The collection of stories in the Western region contains ten works, such as "Zaihutaru", "the people of other lands", "Dunhuang", "Flood", and so on. It is helpful to deepen the understanding of Inoue Yasushi literature by analyzing the Chinese characters and their causes, and discussing the significance of the Chinese characters' portrayal. To provide a new perspective on the position of Inoue's works in the history of Japanese postwar literature. The Collection of Western novels molds three types of Chinese characters: love of cause, the image of Xiongyi and Yingwu, and persistent learning. Honest literati image, loyal to love, graceful beauty image. The formation of these Chinese characters in Inoue Yasushi's works not only permeates the Chinese concept of Japanese society, but also reflects the Chinese image of Japanese people and Inoue Yasushi's personal Chinese concept. It is the image carrier of Inoue Yasushi's friendly feelings to the Chinese people, or the objectification of Inoue Yasushi's unique personal experience, which has put the distinct mark of Inoue Yasushi on these characters. The Chinese characters in Inoue Yasushi's works have important value and significance. To Inoue Yasushi, these characters set the tone for the creation of Chinese historical novels in the future, and enrich the style of his novel creation in terms of creative techniques. For the history of Japanese literature, it is the continuation of Japanese literary tradition and embodies the aesthetic consciousness of Japanese literature, and the important symbol of contemporary Sino-Japanese literature and cultural exchange for Sino-Japanese cultural exchange.
【學(xué)位授予單位】：湘潭大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：I313.074
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