芥川龍之介的文學作品與中國情結(jié)研究
發(fā)布時間:2018-08-02 20:33
【摘要】:芥川龍之介是日本大正時期的杰出作家,短篇小說巨匠。他的作品意蘊深厚,他的筆法冷靜犀利。他有著繼承了“和漢洋”三種文學淵源的,超乎大正時期一般作家的文學素養(yǎng);也正因為如此,芥川龍之介擁有為數(shù)眾多的國內(nèi)外的忠實讀者?上г1927年,,即芥川龍之介35歲之時,他在懷著對未來的“朦朧的不安”而自殺之后,全世界的讀者都嗟嘆著又一位文壇巨匠的英年早逝;而對于芥川龍之介的各種藝術(shù)主張的討論,如對于《地獄變》中的藝術(shù)至上主義,對于《羅生門》中的利己主義等方面的熱議與爭論,一直沒有停止過。然而,在筆者涉及的這一主題,即“芥川龍之介與中國”這一關(guān)于芥川學術(shù)研究的重要方面卻一直鮮有人涉及。雖然近年來這一領(lǐng)域的關(guān)注度有了很大提高,但也僅限于“芥川的創(chuàng)作與對中國古籍的借鑒”等傳統(tǒng)課題的研究。筆者認為,中國的幻象以及芥川龍之介的中國之行對他的影響之大,延續(xù)時間之長,值得深思。本論文擬對“芥川龍之介的中國情結(jié)”這一課題入手,并運用比較文學方面的影響研究理論,結(jié)合詳實而富有成效的資料,進行更加深化的認識與研究。
[Abstract]:Akutagawa Lonosuke was an outstanding writer in Japan's Taisho period and a masterpiece of short stories. His works have profound implications and his style of writing is cool and sharp. He inherited the three literary sources of "and the Han Ocean", which is beyond the literary literacy of the general writers during the period of Dazheng, and because of this he has a large number of loyal readers at home and abroad. Unfortunately, at the age of 35 in 1927, after he committed suicide with a "hazy unease" about the future, readers around the world lamented the premature death of another literary magnate; However, the discussion on the various artistic ideas of Akutagawa Lung-suke, such as the art supremacy in Hell change and the egoism in Luo Shengmen, has never stopped. However, there has been little concern in this subject, that is, the important aspect of the academic research of mustard Sichuan and China. Although the attention in this field has been greatly improved in recent years, it is limited to the study of the traditional topics such as the creation and reference to the ancient books of China. The author thinks that the illusions of China and Akutagawa's visit to China have a great influence on him, and the duration is so long that it is worth pondering. This paper intends to start with the subject of "the Chinese complex of Mustakawa Longshisuke", and use the theory of influence research in comparative literature, combining with detailed and fruitful data, to carry out a deeper understanding and study.
【學位授予單位】:內(nèi)蒙古師范大學
【學位級別】:碩士
【學位授予年份】:2012
【分類號】:I313.074
本文編號:2160645
[Abstract]:Akutagawa Lonosuke was an outstanding writer in Japan's Taisho period and a masterpiece of short stories. His works have profound implications and his style of writing is cool and sharp. He inherited the three literary sources of "and the Han Ocean", which is beyond the literary literacy of the general writers during the period of Dazheng, and because of this he has a large number of loyal readers at home and abroad. Unfortunately, at the age of 35 in 1927, after he committed suicide with a "hazy unease" about the future, readers around the world lamented the premature death of another literary magnate; However, the discussion on the various artistic ideas of Akutagawa Lung-suke, such as the art supremacy in Hell change and the egoism in Luo Shengmen, has never stopped. However, there has been little concern in this subject, that is, the important aspect of the academic research of mustard Sichuan and China. Although the attention in this field has been greatly improved in recent years, it is limited to the study of the traditional topics such as the creation and reference to the ancient books of China. The author thinks that the illusions of China and Akutagawa's visit to China have a great influence on him, and the duration is so long that it is worth pondering. This paper intends to start with the subject of "the Chinese complex of Mustakawa Longshisuke", and use the theory of influence research in comparative literature, combining with detailed and fruitful data, to carry out a deeper understanding and study.
【學位授予單位】:內(nèi)蒙古師范大學
【學位級別】:碩士
【學位授予年份】:2012
【分類號】:I313.074
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本文編號:2160645
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