論《紐約三部曲》對(duì)傳統(tǒng)偵探小說(shuō)的顛覆
發(fā)布時(shí)間：2018-07-29 20:52
【摘要】：眾所周知，作為最流行的文學(xué)分支，偵探小說(shuō)深受偵探及大眾的喜愛(ài)。然而，傳統(tǒng)的偵探小說(shuō)卻被近年來(lái)文學(xué)界冉起的新星保羅·奧斯特所徹底顛覆。保羅·奧斯特(Paul Auster)是美國(guó)當(dāng)代最受矚目和最勇于創(chuàng)新的小說(shuō)家之一，集小說(shuō)家、劇作家、詩(shī)人、電影導(dǎo)演、譯者等多重身份于一身。目前，奧斯特著有十八部小說(shuō)，三部回憶錄，一部詩(shī)選，一部評(píng)論集和四部電影劇本。其玄學(xué)偵探小說(shuō)《紐約三部曲》是倍受國(guó)際贊譽(yù)的經(jīng)典代表作，是一本混合著各種元素的非同凡響的小說(shuō)集，由《玻璃城》、《鬼魂》和《幽室》構(gòu)成。在這本玄學(xué)偵探小說(shuō)集中，三個(gè)獨(dú)特的故事結(jié)合成一本充滿驚奇趣味又令人深思的玄學(xué)偵探小說(shuō)，帶領(lǐng)讀者體驗(yàn)探索自我和生存意義的冒險(xiǎn)之旅。 在奧斯特聲名鵲起的同時(shí)，他的《紐約三部曲》受到了人們的廣泛關(guān)注，并從后現(xiàn)代主義、解構(gòu)主義、黑暗中的自我追尋等方面進(jìn)行了闡釋。在這個(gè)領(lǐng)域中閱讀并搜集了許多相關(guān)資料以后,筆者發(fā)現(xiàn)《紐約三部曲》中對(duì)傳統(tǒng)偵探小說(shuō)的顛覆主題是一個(gè)值得研究的方向，因?yàn)檫@部小說(shuō)中無(wú)時(shí)無(wú)刻不充斥著對(duì)迷失的當(dāng)代美國(guó)人和荒謬、不確定的社會(huì)現(xiàn)實(shí)的描寫(xiě)。從敘事主題，敘事結(jié)構(gòu)和語(yǔ)言方面對(duì)文本顛覆主題的分析，可以幫助我們更加透徹的理解小說(shuō)的深度內(nèi)涵及作者的創(chuàng)作思路。在《紐約三部曲》這一值得探索的文章中，不但采用了后現(xiàn)代主義文學(xué)中的一些技巧，還揉和了玄學(xué)等哲學(xué)思想，去形成顛覆傳統(tǒng)的反偵探敘事風(fēng)格。文中所蘊(yùn)涵的獨(dú)特的玄學(xué)風(fēng)格以及對(duì)自我和生存意義的探索都賦予了傳統(tǒng)偵探小說(shuō)甚至當(dāng)代美國(guó)文學(xué)作品一種罕有的哲學(xué)深度。有鑒于此，本論文將選取玄學(xué)偵探小說(shuō)的特色作為切入點(diǎn)，采取分析語(yǔ)言、身份、敘事結(jié)構(gòu)的脈絡(luò)框架，對(duì)小說(shuō)中的“顛覆”主題加以解讀，從而進(jìn)一步探討當(dāng)今人的內(nèi)心的矛盾和外界社會(huì)的混亂。 本文由導(dǎo)論，正文和結(jié)論三部分組成，主要內(nèi)容如下： 導(dǎo)論部分主要是對(duì)本論文理論結(jié)構(gòu)的簡(jiǎn)要介紹，以及奧斯特的創(chuàng)作歷程和作品的概括性的文學(xué)綜述。通過(guò)對(duì)該小說(shuō)的研究現(xiàn)狀進(jìn)行梳理，指出了本論文的研究目的及該小說(shuō)在工業(yè)化社會(huì)進(jìn)程中蘊(yùn)藏的現(xiàn)實(shí)意義。 第二部分是正文，由四章組成： 第一章簡(jiǎn)要介紹了傳統(tǒng)偵探小說(shuō)和玄學(xué)偵探小說(shuō)的一些原則和特色。在具體論述《紐約三部曲》對(duì)傳統(tǒng)偵探小說(shuō)的顛覆前，本論文從玄學(xué)角度開(kāi)始分析此小說(shuō)。第一部分簡(jiǎn)要闡述了傳統(tǒng)偵探小說(shuō)的定義、主要原則、破案遵循的邏輯程序；第二部分介紹了玄學(xué)偵探小說(shuō)的定義、特色，并加入了其與傳統(tǒng)偵探小說(shuō)的總體比較，以此為以下三章提供有力的現(xiàn)實(shí)背景和理論支撐。 第二章研究了《紐約三部曲》從主題方面對(duì)傳統(tǒng)偵探小說(shuō)的顛覆，闡述了當(dāng)人類面對(duì)當(dāng)前荒謬、無(wú)意義的世界時(shí)產(chǎn)生的迷失以及無(wú)聲的反抗。本章分為三部分：第一部分介紹小說(shuō)主人公模糊的自我身份和對(duì)其真正身份的追尋；第二部分分別闡述了三個(gè)偵探故事中的“自我”與“他人”的關(guān)系，揭示主人公試圖從其他人的注視中追尋自我的過(guò)程；而第三部分則論述了敘事角度的轉(zhuǎn)換。就某種意義而言，此章正是奧斯特對(duì)自己身份和處境的解讀。 第三章主要分析了此小說(shuō)從敘事結(jié)構(gòu)方面對(duì)傳統(tǒng)偵探小說(shuō)的顛覆。第一部分闡述了該小說(shuō)采用獨(dú)特的時(shí)空框架顛覆了傳統(tǒng)偵探小說(shuō)中罪案的時(shí)空順序；第二部分展示了這三個(gè)玄學(xué)偵探故事中的故事套盒技法，如小說(shuō)中插入的艾倫·坡的偵探理論、霍桑的小說(shuō)中的“威克菲爾德”，及梭羅的《瓦爾登湖》；在第三部分，，傳統(tǒng)偵探小說(shuō)中的因果關(guān)系和“圓滿”被《紐約三部曲》中的開(kāi)放式結(jié)局所顛覆,這不僅造成了讀者的迷茫和挫敗感，也迫使讀者進(jìn)一步思考人類生存的意義。 第四章主要致力于研究《紐約三部曲》從語(yǔ)言方面對(duì)傳統(tǒng)偵探小說(shuō)的顛覆。第一部分簡(jiǎn)述了偵探小說(shuō)中語(yǔ)言功能的轉(zhuǎn)換，并進(jìn)一步指出人類在運(yùn)用語(yǔ)言解碼這個(gè)世界時(shí)的無(wú)能為力以及語(yǔ)言對(duì)文學(xué)創(chuàng)作過(guò)程的阻礙；第二部分不但分析了語(yǔ)言能指和所指的不確定性和不充分性，而且解析了奧斯特對(duì)名人軼事的戲仿，在此基礎(chǔ)上形成對(duì)傳統(tǒng)偵探小說(shuō)中語(yǔ)言的勸誡說(shuō)教作用的顛覆。 結(jié)論部分主要對(duì)前面的論述進(jìn)行總結(jié)，并點(diǎn)出本論文的創(chuàng)作目的。同時(shí),通過(guò)對(duì)《紐約三部曲》中顛覆主題的研究，給予該作品適當(dāng)評(píng)價(jià)。總之，讀者不難看到在這個(gè)墮落、混亂的世界人類進(jìn)行的痛苦卻不懈的探索。該作品不但突出了時(shí)代精神和當(dāng)代美國(guó)人為理解生活、理解自我而上下求索的精神歷程，更為讀者留下自由思考的空間。同時(shí)，奧斯特對(duì)傳統(tǒng)偵探小說(shuō)的顛覆實(shí)驗(yàn)也為后世偵探小說(shuō)的寫(xiě)作提供了嶄新的藍(lán)本。
[Abstract]:As is known to all, as the most popular branch of literature, detective stories are deeply loved by detectives and the masses. However, the traditional detective stories have been completely subverted by the new star Paul Oster in recent years. Paul Oster (Paul Auster) is one of the most prominent and innovative novelists in the United States, a novelist and a drama. The author, the poet, the film director, the translator and other multiple identities. At present, ooter has eighteen novels, three memoirs, a poets, a review and four screenplays. His metaphysical detective novel, the New York trilogy is a classic masterpiece of international praise, and is an uncommon collection of various elements. In this metaphysical detective novel, three unique stories are combined into a mysterious and thought-provoking mystery detective story, which leads the reader to experience the adventurous journey of exploring self and the meaning of survival.
At the same time as Aust's fame, his "New York Trilogy" has been widely paid attention to and explained from postmodernism, deconstruction, and self pursuit in the dark. After reading and collecting a lot of relevant information in this field, I found the subversion of the traditional detective novels in the "New York Trilogy". The topic is a worthwhile direction, because the novel is full of the description of the lost contemporary American and the absurd and uncertain social reality. The analysis of the subversion of the text from the narrative theme, the narrative structure and the language can help us to understand the depth of the novel and the author's creation. In this article, the New York trilogy, which is worth exploring, not only adopts some techniques in postmodernist literature, but also combines philosophical ideas such as metaphysics to form an anti detective narrative style that subverts the tradition. The unique metaphysical style contained in the article and the exploration of the meaning of self and survival have endowed the traditional detective. The novel is even a rare philosophical depth of contemporary American literary works. In view of this, this thesis will select the characteristics of metaphysics detective novels as a breakthrough point, take the framework of language, identity, narrative structure, interpret the theme of "subversion" in the novel, and further explore the inner contradictions and external societies of the present. The confusion of the meeting.
This paper consists of three parts: introduction, main body and conclusion.
The introduction is a brief introduction to the theoretical structure of this paper, as well as the literary history of Oster's creation and the general literature review of the works. By combing the current research status of the novel, the purpose of the study and the practical significance of the novel in the process of industrial society are pointed out.
The second part is the text, which is composed of four chapters.
The first chapter briefly introduces the principles and features of the traditional detective novels and metaphysics novels. The first part of this thesis begins with the metaphysics of this novel before the subversion of the "New York Trilogy" to the traditional detective novels. The second part introduces the definition and characteristics of metaphysics detective novels, and adds the overall comparison with the traditional detective novels, which provides a powerful realistic background and theoretical support for the following three chapters.
The second chapter studies the subversion of the New York trilogy on the theme of the traditional detective novels, and expounds the lost and silent resistance when human beings face the present absurd and meaningless world. This chapter is divided into three parts: the first part introduces the vague ego of the hero of the novel and the pursuit of its true identity; the second part The relationship between "self" and "others" in the three detective stories is explained, and the process of trying to pursue the ego in the eyes of other people is revealed, while the third part discusses the transformation of the narrative angle. In a sense, this chapter is the interpretation of his own body and situation.
The third chapter mainly analyzes the subversion of the novel from the narrative structure to the traditional detective novels. The first part expounds that the novel subverts the time and space sequence of the crime in the traditional detective novels by using the unique space-time frame, and the second part shows the techniques of the case set in the three metaphysical detective stories, such as the Alan inserted in the novel. The detective theory of Poe, "Wakefield" in Hawthorne's novels, and Thoreau's "Walden Lake"; in the third part, the causality and the "perfect" in the traditional detective novels are subverted by the open ending in the New York trilogy, which not only causes the confusion and frustration of the readers, but also compels the readers to think further about the human existence. Meaning.
The fourth chapter mainly focuses on the study of the subversion of the New York trilogy on the traditional detective novels. The first part briefly describes the transformation of language functions in detective stories, and further points out the inability of human beings to decode the world in the use of language and the obstacles of language to the process of literary creation; the second part is not only analyzed. The indeterminacy and inadequacy of language refers to and refers to, and parses the parody of orst's anecdote to celebrities. On this basis, it forms a subversion of the role of persuasion and sermon in the traditional detective novels.
The conclusion is mainly to sum up the previous discussion and point out the purpose of this paper. At the same time, through the study of the subversion of the New York trilogy, it gives the work a proper evaluation. In a word, it is not difficult for the readers to see the unremitting exploration of the pain and suffering in this fallen and chaotic world. The work not only highlights the essence of the times. The spiritual journey of God and contemporary Americans to understand life, to understand oneself and to seek the spiritual journey of the up and down, left the reader free to think more space. At the same time, the subversion experiment of the traditional detective novels also provides a new blueprint for the writing of later detective stories.
【學(xué)位授予單位】：遼寧大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2012
【分類號(hào)】：I712.074
本文編號(hào)：2153983
[Abstract]:As is known to all, as the most popular branch of literature, detective stories are deeply loved by detectives and the masses. However, the traditional detective stories have been completely subverted by the new star Paul Oster in recent years. Paul Oster (Paul Auster) is one of the most prominent and innovative novelists in the United States, a novelist and a drama. The author, the poet, the film director, the translator and other multiple identities. At present, ooter has eighteen novels, three memoirs, a poets, a review and four screenplays. His metaphysical detective novel, the New York trilogy is a classic masterpiece of international praise, and is an uncommon collection of various elements. In this metaphysical detective novel, three unique stories are combined into a mysterious and thought-provoking mystery detective story, which leads the reader to experience the adventurous journey of exploring self and the meaning of survival.
At the same time as Aust's fame, his "New York Trilogy" has been widely paid attention to and explained from postmodernism, deconstruction, and self pursuit in the dark. After reading and collecting a lot of relevant information in this field, I found the subversion of the traditional detective novels in the "New York Trilogy". The topic is a worthwhile direction, because the novel is full of the description of the lost contemporary American and the absurd and uncertain social reality. The analysis of the subversion of the text from the narrative theme, the narrative structure and the language can help us to understand the depth of the novel and the author's creation. In this article, the New York trilogy, which is worth exploring, not only adopts some techniques in postmodernist literature, but also combines philosophical ideas such as metaphysics to form an anti detective narrative style that subverts the tradition. The unique metaphysical style contained in the article and the exploration of the meaning of self and survival have endowed the traditional detective. The novel is even a rare philosophical depth of contemporary American literary works. In view of this, this thesis will select the characteristics of metaphysics detective novels as a breakthrough point, take the framework of language, identity, narrative structure, interpret the theme of "subversion" in the novel, and further explore the inner contradictions and external societies of the present. The confusion of the meeting.
This paper consists of three parts: introduction, main body and conclusion.
The introduction is a brief introduction to the theoretical structure of this paper, as well as the literary history of Oster's creation and the general literature review of the works. By combing the current research status of the novel, the purpose of the study and the practical significance of the novel in the process of industrial society are pointed out.
The second part is the text, which is composed of four chapters.
The first chapter briefly introduces the principles and features of the traditional detective novels and metaphysics novels. The first part of this thesis begins with the metaphysics of this novel before the subversion of the "New York Trilogy" to the traditional detective novels. The second part introduces the definition and characteristics of metaphysics detective novels, and adds the overall comparison with the traditional detective novels, which provides a powerful realistic background and theoretical support for the following three chapters.
The second chapter studies the subversion of the New York trilogy on the theme of the traditional detective novels, and expounds the lost and silent resistance when human beings face the present absurd and meaningless world. This chapter is divided into three parts: the first part introduces the vague ego of the hero of the novel and the pursuit of its true identity; the second part The relationship between "self" and "others" in the three detective stories is explained, and the process of trying to pursue the ego in the eyes of other people is revealed, while the third part discusses the transformation of the narrative angle. In a sense, this chapter is the interpretation of his own body and situation.
The third chapter mainly analyzes the subversion of the novel from the narrative structure to the traditional detective novels. The first part expounds that the novel subverts the time and space sequence of the crime in the traditional detective novels by using the unique space-time frame, and the second part shows the techniques of the case set in the three metaphysical detective stories, such as the Alan inserted in the novel. The detective theory of Poe, "Wakefield" in Hawthorne's novels, and Thoreau's "Walden Lake"; in the third part, the causality and the "perfect" in the traditional detective novels are subverted by the open ending in the New York trilogy, which not only causes the confusion and frustration of the readers, but also compels the readers to think further about the human existence. Meaning.
The fourth chapter mainly focuses on the study of the subversion of the New York trilogy on the traditional detective novels. The first part briefly describes the transformation of language functions in detective stories, and further points out the inability of human beings to decode the world in the use of language and the obstacles of language to the process of literary creation; the second part is not only analyzed. The indeterminacy and inadequacy of language refers to and refers to, and parses the parody of orst's anecdote to celebrities. On this basis, it forms a subversion of the role of persuasion and sermon in the traditional detective novels.
The conclusion is mainly to sum up the previous discussion and point out the purpose of this paper. At the same time, through the study of the subversion of the New York trilogy, it gives the work a proper evaluation. In a word, it is not difficult for the readers to see the unremitting exploration of the pain and suffering in this fallen and chaotic world. The work not only highlights the essence of the times. The spiritual journey of God and contemporary Americans to understand life, to understand oneself and to seek the spiritual journey of the up and down, left the reader free to think more space. At the same time, the subversion experiment of the traditional detective novels also provides a new blueprint for the writing of later detective stories.
【學(xué)位授予單位】：遼寧大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2012
【分類號(hào)】：I712.074
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相關(guān)期刊論文 前5條
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