【摘要】：田納西·威廉斯是美國(guó)南方文學(xué)的杰出代表，在美國(guó)戲劇界享有崇高的威望，是繼奧尼爾后最偉大的劇作家之一。他在一生中創(chuàng)作了無(wú)數(shù)的戲劇佳作，這些戲劇作品與其人生經(jīng)歷及當(dāng)時(shí)歷史背景有著千絲萬(wàn)縷的聯(lián)系。其中，《欲望號(hào)街車》是他最具盛名的作品之一。它于1948年為田納西·威廉斯贏得了普利策戲劇獎(jiǎng)，從而享譽(yù)戲劇界�！队�(hào)街車》描述了淑女布蘭琪從南方夢(mèng)幻莊園到新奧爾良妹妹家中遭受精神和身體方面的打擊以致于被送至瘋?cè)嗽旱墓适隆W(xué)術(shù)界對(duì)主人公布蘭琪的研究主要側(cè)重于布蘭琪的人物性格、悲劇成因，或是從與當(dāng)時(shí)時(shí)代背景相關(guān)聯(lián)的父權(quán)社會(huì)或女性主義角度進(jìn)行分析，而鮮有人把布蘭琪作為“悲劇英雄”作為切入點(diǎn)進(jìn)行分析闡述。本論文作者將從“悲劇英雄”入手，對(duì)主人公布蘭琪做出綜合性分析。此論文將重點(diǎn)研究以下三個(gè)問(wèn)題：一、為什么布蘭琪可以被看作是一位悲劇英雄？二、為什么布蘭琪能夠被塑造為一位悲劇英雄？三、是什么因素導(dǎo)致了布蘭琪的悲劇人生？ “悲劇英雄”這一術(shù)語(yǔ)可以追溯到古希臘時(shí)期。隨著歷史的發(fā)展，可以擔(dān)任“悲劇英雄”的角色歷經(jīng)了從神到英雄再到普通人的改變。這對(duì)“悲劇英雄”內(nèi)涵的擴(kuò)展有著重要的意義，也為本文的研究提供了可行性。 田納西·威廉斯作為一個(gè)美國(guó)南方作家，他的作品給予了南方淑女諸多的關(guān)注。他筆下的南方女性具有著獨(dú)特的特點(diǎn)。她們雖然孤獨(dú)、懦弱、痛苦，卻一生跟命運(yùn)與時(shí)代做著不懈的斗爭(zhēng)�！队�(hào)街車》作為一部現(xiàn)代美國(guó)戲劇，其主人公布蘭琪作為南方傳統(tǒng)文化的代表，在擁護(hù)南方傳統(tǒng)文化和追尋女性權(quán)利與自由方面做出了巨大的犧牲，這也是她作為“悲劇英雄”的精神所在。這種精神的塑造與悲劇理論的發(fā)展以及威廉斯的個(gè)人經(jīng)歷有著不可割舍的聯(lián)系。然而，，布蘭琪終抵不過(guò)個(gè)人性格缺陷、家庭以及社會(huì)形勢(shì)的牽絆，最終走上了一條“不歸路”。
[Abstract]:Tennessee Williams is one of the greatest playwrights after O'Neill. In his life, he created numerous excellent plays, which are inextricably linked to his life experience and historical background at that time. Among them, desire Street car is one of his most famous works. It won the Pulitzer Prize for Drama for Tennessee Williams in 1948. The Street car of desire describes the story of Lady Bran Kee being sent to a madhouse from her southern Neverland estate to her sister's home in New Orleans. The academic research on the protagonist Bran Kee mainly focuses on the characters of Bran Qi, the causes of tragedy, or from the perspective of patriarchal society or feminism related to the background of the times. But few people take Bran Qi as the tragic hero as the breakthrough point to carry on the analysis elaboration. The author will make a comprehensive analysis of the protagonist Bran Qi from tragedy Hero. This paper will focus on the following three questions: first, why can Bran Qi be regarded as a tragic hero? Second, why can Bran Qi be portrayed as a tragic hero? Third, what causes Bran Qi's tragic life? The term "tragic hero" dates back to ancient Greece. With the development of history, the role of "tragic hero" has changed from god to hero to ordinary people. This is of great significance to the expansion of the connotation of "tragic Hero" and provides the feasibility for the study of this paper. Tennessee Williams, as a southern American writer, paid much attention to Southern ladies in his works. The southern women in his works have unique characteristics. Although they are lonely, cowardly and painful, they struggle with fate and the times all their lives. As a modern American drama, the protagonist, Bran Qi, is the representative of the traditional culture of the South. She made great sacrifices in supporting the traditional culture of the South and pursuing the rights and freedoms of women, which is her spirit as a tragic hero. The shaping of this spirit is closely related to the development of tragedy theory and Williams' personal experience. However, Bran finally failed to overcome personality defects, family and social constraints, and finally embarked on a "no return."
【學(xué)位授予單位】：曲阜師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：I712.073

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