【摘要】：《茶花女》是十九世紀(jì)法國作家、戲劇家小仲馬創(chuàng)作的小說和話劇,意大利歌劇作曲家威爾第據(jù)此創(chuàng)作了歌劇。這幾種不同藝術(shù)形式的作品均大獲成功。 本文針對(duì)小說、話劇、歌劇這三種不同藝術(shù)形式對(duì)《茶花女》這一故事的轉(zhuǎn)換,觀察不同形式的敘述方式與表現(xiàn)手段在這一過程中的運(yùn)用,并重點(diǎn)分析了歌劇語言的藝術(shù)表現(xiàn)功能。 本文分為四個(gè)章節(jié)。第一章介紹小仲馬與威爾第的作品的創(chuàng)作的背景和故事梗概；第二章對(duì)小說、話劇、歌劇三者不同的結(jié)構(gòu)分析,從情節(jié)的增刪和各自不同的敘事角度等方面進(jìn)行分析；第三章對(duì)三種形式中的人物設(shè)置和人物形象進(jìn)行分析；第四章從“歌劇的敘事語言”的角度來審視歌劇語言的特殊表現(xiàn)性,進(jìn)而進(jìn)一步理解歌劇語言的藝術(shù)特征；最后得出結(jié)論。
[Abstract]:Camellia is a novel and play by French writer and dramatist Dumas in the nineteenth century, according to which Italian opera composer Verdi wrote the opera. These various forms of art have been a great success. This article aims at three different artistic forms of novel, drama and opera to transform the story of "Camellia Girl", and observe the use of different forms of narration and means of expression in this process. And analyzes the artistic expression function of opera language. This paper is divided into four chapters. The first chapter introduces the background and the story outline of the works of Dumas and Verdi, the second chapter analyzes the different structure of novels, drama and opera, and analyzes them from the aspects of plot addition and deletion and their different narrative angles. The third chapter analyzes the characters and characters in the three forms, the fourth chapter examines the special expressiveness of opera language from the angle of "the narrative language of opera", and further understands the artistic characteristics of opera language. Finally, a conclusion is drawn.
【學(xué)位授予單位】：上海音樂學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2012
【分類號(hào)】：I565.074;J832

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本文編號(hào)：2136353