【摘要】：壺井榮于1899年8月5日出生在香川縣坂手村41號(hào)屋,是巖井藤吉和ァ(?)(筆者注：此處無(wú)對(duì)應(yīng)漢字譯法)的第五個(gè)女兒。是哥哥彌三郎給榮取名的。父親藤吉是制作醬油桶的工匠,手藝高超,全盛期擁有三家醬油店的客戶,還帶著好幾個(gè)其他手藝人,脾氣好,性格開(kāi)朗。母親ァ(?)母性的感情極為豐富,生養(yǎng)了十個(gè)孩子(榮有一個(gè)哥哥,四個(gè)姐姐,一個(gè)弟弟,三個(gè)妹妹),還收養(yǎng)了一對(duì)無(wú)父無(wú)母的姐弟。榮的和藹可親的奶奶經(jīng)常給孩子們講過(guò)去的故事和傳說(shuō),還給他們唱歌。算上在家里勞動(dòng)的其他工匠,家里經(jīng)常住著二十多人,在物質(zhì)上雖然不十分富裕,可是精神上榮及家人卻過(guò)得非常開(kāi)心。家里每天縈繞著民謠兒歌的歡樂(lè)音符,一家人其樂(lè)融融,共享天倫之樂(lè)。在這樣的大家族成長(zhǎng)的榮,感受到那種對(duì)毫無(wú)血緣關(guān)系的人也傾注真心關(guān)愛(ài)的人情味,并且深受影響。 如上所述,我對(duì)深受大家族制度影響的壺井榮作品中的家族形象產(chǎn)生了濃厚的興趣,試圖通過(guò)碩士論文的寫(xiě)作,探明壺井榮文學(xué)作品中的家族形象及其作品形成的社會(huì)背景和要因。 本文基本按照五個(gè)章節(jié)進(jìn)行探討。序章主要介紹作家壺井榮相關(guān)的先行研究,研究方法和本論文的創(chuàng)新之處。第一章主要介紹壺井榮的親生父母家的情況和結(jié)婚后的家庭情況,并由此把握她的親子關(guān)系,家庭關(guān)系。并且將會(huì)簡(jiǎn)單介紹壺井榮的年譜。第二章主要分析壺井榮的處女作《蘿卜纓》,體會(huì)作品中表現(xiàn)出的親子之間深深的羈絆,對(duì)無(wú)私之愛(ài)的贊美,由此感受到壺井榮內(nèi)心深處的母性情懷。第三章在基于日本傳統(tǒng)家族制度的基礎(chǔ)上,主要分析大家族變遷史的作品《歷史》,以及以其婚后生活為原型創(chuàng)作的《雜居生活》,在體味作品中洋溢的家族之愛(ài)的同時(shí),分析作品中的家族形象。并且試圖辨明作品與作家實(shí)際體驗(yàn)的差異。第四章通過(guò)精讀以壺井妹妹妹的婚姻破裂為契機(jī)創(chuàng)作的作品《妻之座》,《拍岸之波》,將其與早期類(lèi)似題材的作品《普羅文士之妻的日記》進(jìn)行對(duì)比,來(lái)剖析作品中隱含的壺井榮的創(chuàng)作意圖,對(duì)夫妻關(guān)系的反思。同時(shí)也會(huì)涉及對(duì)榮和德永直之間關(guān)于小說(shuō)《妻之座》和《青草的熱氣》問(wèn)題論爭(zhēng)的介紹。第五章在前章探討內(nèi)容的基礎(chǔ)上,從壺井榮小說(shuō)的創(chuàng)作方法,故事發(fā)生的場(chǎng)所,主題,作為普羅文學(xué)的特別存在的四個(gè)方面,來(lái)總結(jié)壺井榮作品的特征。
[Abstract]:Kuroi Rong was born on August 5, 1899 in House 41, Sakhand Village, Xiangchuan County. (note to the author: there is no corresponding translation of Chinese characters here) the fifth daughter. Gothamicaro named Rong. My father Fujii is a craftsman who makes soy sauce barrels. He has excellent craftsmanship. He owns three soy sauce shops in the heyday. He also has several other craftsmen, good temper and cheerful personality. Mother's (?) She had ten children (Rong had one brother, four sisters, one younger brother, three sisters) and adopted a pair of siblings without father or mother. Rong's granny often tells her children stories and legends of the past and sings to them. Among the other artisans who work at home, more than 20 people often live in the family. Although not very rich in material terms, they are very happy in spirit and in their families. The happy notes of folk songs haunt the family every day. The glory of growing up in such a large family, feel the kind of people who have no blood relationship with the true love of humanity, and deeply affected. As mentioned above, I was very interested in the family image in the great family system and tried to write my master's thesis. To find out the family image in the literary works and the social background and reasons of its formation. This article basically carries on the discussion according to five chapters. The preface mainly introduces the first research, the research methods and the innovation of this paper. The first chapter mainly introduces the situation of Kudai Rong's biological parents' family and the family situation after marriage, and then grasps her parent-child relationship and family relationship. And will briefly introduce the Chronicle of Kokujing Rong. The second chapter mainly analyzes Ku Jing-rong 's first work "turnip tassel", experience the deep fetters between parents and children in the works, praise the selfless love, and thus feel the maternal feelings in the heart of Ku Jing-rong. The third chapter, based on the traditional Japanese family system, mainly analyzes the works "History" of the history of the changes of the large families, and the "mixed Life", which is based on the prototype of his married life, while appreciating the love of the family in his works. Analyze the family images in the works. It also tries to distinguish the difference between the works and the writer's actual experience. The fourth chapter contrasts it with the earlier works "the Diary of Provency's wife" by carefully reading the works "the seat of the wife" and "the Wave of the Shore", which are created at the turning point of the broken marriage of Kutsui Mei, and compare it with the earlier works of "the Diary of Provency's wife". To analyze the implied creative intention of Kudai Rong, to reflect on the relationship between husband and wife. It will also involve an introduction to the controversy between Rong and Deyong about the novel "the seat of the wife" and "the Heat of the Grass". On the basis of the previous chapter, the fifth chapter summarizes the characteristics of Ku Jing-rong 's novels from four aspects: the creation method, the place where the story takes place, and the theme, which is the special existence of the general literature.
【學(xué)位授予單位】：華中師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類(lèi)號(hào)】：I313.074

【參考文獻(xiàn)】

相關(guān)期刊論文 前10條

1 盧艷萍;;唱著童謠,吹著蒲公英——《蒲公英》賞析[J];初中生;2010年Z2期

2 蘇白英;;珍愛(ài)生命,守望和平——壺井榮《二十四只眼睛》賞析[J];考試周刊;2010年23期

3 李丹明;;戰(zhàn)爭(zhēng)陰霾下的壺井榮的文學(xué)創(chuàng)作[J];首都師范大學(xué)學(xué)報(bào)(社會(huì)科學(xué)版);2013年S1期

4 石坂昌三 ,陳篤忱;以生動(dòng)的畫(huà)面向名片《二十四只眼睛》挑戰(zhàn)[J];世界電影;1990年04期

5 王國(guó)均;;壺井榮《蒲公英》的文體及其主題考辨[J];日本學(xué)論壇;2007年03期

6 劉立念;淺析《蒲公英》的內(nèi)容和形式[J];語(yǔ)文教學(xué)與研究;2004年28期

7 徐承平;圖示難點(diǎn)釋 復(fù)習(xí)重點(diǎn)明——“蒲公英”教學(xué)淺談[J];中學(xué)語(yǔ)文教學(xué)參考;1994年11期

8 黎平;試論《壺井榮童話》[J];浙江師范學(xué)院學(xué)報(bào);1983年03期

9 世欽;在敘事過(guò)程中抒發(fā)感情——《報(bào)春花》賞析[J];新聞與寫(xiě)作;1996年04期

10 許家澍;;《蒲公英》譯文指瑕[J];語(yǔ)文教學(xué)通訊;1993年07期

，

本文編號(hào)：2118803