本文選題：創(chuàng)傷 + 敘事結(jié)構(gòu)��； 參考：《河北大學(xué)》2012年碩士論文

【摘要】：1993年，托妮·莫里森榮獲諾貝爾文學(xué)獎(jiǎng)。她是獲得此殊榮的第一位美國(guó)黑人作家，也是繼賽珍珠之后第二位獲得諾貝爾文學(xué)獎(jiǎng)的美國(guó)女性，她的小說(shuō)成就標(biāo)志著20世紀(jì)美國(guó)黑人文學(xué)史上繼賴特、艾里森之后的又一座高峰。她的作品深刻揭示了廣大黑人在遭受種族歧視和壓迫下痛苦的創(chuàng)傷歷史，呼吁黑人建構(gòu)本民族文化，追求個(gè)性自我。她的處女作《最藍(lán)的眼睛》一問(wèn)世，立即引起美國(guó)文壇的重視，在今天，《最藍(lán)的眼睛》已成為美國(guó)女性文學(xué)經(jīng)典作品，也成為研究莫里森不可或缺的重要部分。作為美國(guó)黑人女作家的托尼莫里森身上流著與黑人同胞相同的血液，，她的作品觸及種族和壓迫，關(guān)注殘酷的種族歧視和性別歧視給黑人的壓迫。作為一名才華橫溢的作家,莫里森運(yùn)用獨(dú)特的寫(xiě)作技巧和駕馭語(yǔ)言的高超技術(shù),以震撼人心的語(yǔ)言使其作品具有深刻的創(chuàng)傷感。本論文期冀從托尼莫里森的創(chuàng)傷敘事的角度來(lái)看《最藍(lán)的眼睛》，看托尼莫里森通過(guò)巧妙的創(chuàng)傷敘事結(jié)構(gòu)，創(chuàng)傷敘事聲音以及獨(dú)特的創(chuàng)傷話語(yǔ)道盡黑人在殘酷的白人社會(huì)中所受的創(chuàng)傷。 本論文共分為五章，第一章主要介紹了莫里森的生平和寫(xiě)作生涯以及創(chuàng)傷理論。第二章主要對(duì)這一小說(shuō)特殊的敘事結(jié)構(gòu)進(jìn)行了分析，主要介紹了小說(shuō)春夏秋冬四大板塊的組合和銜接以及作者對(duì)小說(shuō)引子的精心的謀篇布局，四大季節(jié)并不以大自然的規(guī)則出現(xiàn)，而是以秋天開(kāi)始，模糊和無(wú)序深切地展現(xiàn)了黑人在白人世界中所受到的創(chuàng)傷。而作者對(duì)于引子的安排更使我們讀者在強(qiáng)烈的對(duì)比中看見(jiàn)了黑人正于水深火熱中，承受著巨大創(chuàng)傷卻無(wú)力改變現(xiàn)狀。第三章是對(duì)小說(shuō)各種的敘事聲音進(jìn)行分析，多視角聲音敘事-----第一視角與全視角第三視角交叉敘述和兒童克勞迪婭和成年克勞迪婭的敘述，藍(lán)調(diào)音樂(lè)敘事，讓讀者如同身臨其境地感受著黑人所正經(jīng)歷的深切的創(chuàng)傷。莫里森通過(guò)各種聲音的講述使讀者深刻地感受到小說(shuō)中彌漫的濃濃創(chuàng)傷情節(jié)，各種視角地娓娓道來(lái)，讓我們深信小說(shuō)的真實(shí)性并深刻體會(huì)到這種透徹心扉的創(chuàng)傷感。在第四章中，本論文主要是從創(chuàng)傷話語(yǔ)這一方面進(jìn)行分析，具體從民俗及神話話語(yǔ)以及文章中反復(fù)出現(xiàn)的過(guò)度詞化、排印、重復(fù)等這幾種話語(yǔ)形式進(jìn)行分析。通過(guò)對(duì)這幾種形式的話語(yǔ)的分析，莫里森讓讀者清楚地看到了白人文化給黑人帶來(lái)的巨大創(chuàng)傷，使他們自然而然地將白人的價(jià)值觀和審美觀自我內(nèi)化，最終不能找到正確的定位和歸屬感而迷失自我。第五章是本論文的總結(jié)性章節(jié)，對(duì)本論文進(jìn)行了總結(jié)。
[Abstract]:In 1993, Toni Morrison was awarded the Nobel Prize for Literature. She is the first black American writer to receive this honor, and the second American woman to receive the Nobel Prize for Literature after Pearl Buck. Her novel achievements mark Wright's successor in the history of American black literature in the 20th century. Another peak after Allison. Her works deeply reveal the traumatic history of black people suffering from racial discrimination and oppression, and appeal to blacks to construct their own national culture and pursue their individuality. Her first work, the Bluest eyes, immediately attracted the attention of American literary circles. Today, the Bluest Eye has become a classic of American women's literature and an indispensable part of the study of Morrison. As an American black woman writer, Tony Morrison has the same blood as her black countrymen. Her works touch on race and oppression, and focus on the oppression of black people caused by cruel racial discrimination and sexist discrimination. As a talented writer, Morrison uses his unique writing skills and the superb skill of controlling language to make his works deeply traumatic. This paper looks forward to looking at the Bluest eyes from the perspective of Toni Morrison's trauma narrative, and looking at Tony Morrison's ingenious trauma narrative structure. The trauma narrative voice and the unique trauma discourse speak of the trauma suffered by black people in the cruel white society. The first chapter introduces Morrison's life, writing career and trauma theory. The second chapter mainly analyzes the special narrative structure of the novel, mainly introduces the combination and cohesion of the four major sections of the novel, spring, summer, autumn and winter, and the author's careful layout of the novel introduction. The four seasons do not appear according to the rules of nature, but start in autumn. The blur and disorder deeply reveal the trauma of black people in the white world. And the author's arrangement of the introduction makes us readers see in a sharp contrast that the black man is suffering from great trauma but unable to change the present situation. The third chapter is the analysis of all kinds of narrative sounds in the novel, the multi-perspective voice narration-the first angle of view and the full perspective of the third angle of cross-narration and the narration of children Claudia and adult Claudia, the narration of blues music, the first angle of view and the full angle of view of the third angle of view. Let the reader feel the deep trauma the Negro is experiencing. Morrison makes the reader deeply feel the thick traumatic plot in the novel through the narration of various kinds of voices, and narrates from various angles of view, which makes us believe in the authenticity of the novel and deeply experience this kind of deep sense of trauma. In the fourth chapter, this thesis is mainly from the trauma discourse, specifically from the folklore and mythological discourse, as well as the article repeatedly appeared in the excessive words, typography, repetition and other discourse forms to analyze. Through his analysis of these several forms of discourse, Morrison gives readers a clear picture of the great trauma caused by white culture to black people, who naturally internalize white values and aesthetic values. Ultimately, I can't find the right position and sense of belonging and lose myself. The fifth chapter is the summary of this paper.
【學(xué)位授予單位】：河北大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2012
【分類號(hào)】：I712.074

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