本文選題：葉山嘉樹(shù) + 小林多喜二�。� 參考：《華中師范大學(xué)》2014年碩士論文

【摘要】：葉山嘉樹(shù)和小林多喜二都是日本有名的無(wú)產(chǎn)階級(jí)文學(xué)作家,他們分別創(chuàng)作了很多優(yōu)秀的無(wú)產(chǎn)文學(xué)作品。說(shuō)起他們各自的代表作,不用說(shuō),葉山嘉樹(shù)的是長(zhǎng)篇小說(shuō)《生活在海上的人們》,而小林多喜二的則是中篇小說(shuō)《蟹工船》。而且,在日本20世紀(jì)2、30年代的無(wú)產(chǎn)階級(jí)文學(xué)運(yùn)動(dòng)的過(guò)程中,身處不同的文學(xué)陣營(yíng)的他們兩位作家所創(chuàng)作的這兩部代表作卻有著很多相似的地方。因此,本論文從上面提到的這兩部作品中出現(xiàn)的海上勞動(dòng)者形象這一角度出發(fā),分析和探討它們的相同點(diǎn)和不同點(diǎn),并考察了這兩部作品中描寫(xiě)的勞動(dòng)斗爭(zhēng)和當(dāng)時(shí)的日本無(wú)產(chǎn)階級(jí)運(yùn)動(dòng)的關(guān)聯(lián)。本論文有以下七個(gè)部分構(gòu)成： 前言部分,回顧了筆者與葉山嘉樹(shù)和小林多喜二這兩位作家的“認(rèn)識(shí)”過(guò)程,并且簡(jiǎn)單說(shuō)明了以這兩部作品為例的原因。在兩部作品中,主人公都是在出海的船上工作的底層勞動(dòng)者,主題都是這些勞動(dòng)者發(fā)動(dòng)的罷工以及斗爭(zhēng)。 在第一章里,首先,簡(jiǎn)單的分別介紹了葉山嘉樹(shù)和小林多喜二的生涯以及所創(chuàng)作的文學(xué)作品。在20世紀(jì)2、30年代的日本無(wú)產(chǎn)階級(jí)文學(xué)運(yùn)動(dòng)中,兩位作家處在不同的文學(xué)陣營(yíng)中,這在他們所創(chuàng)作的文學(xué)作品中也多有反映。因此,接著簡(jiǎn)單介紹了葉山嘉樹(shù)在文藝戰(zhàn)線(xiàn)派的活動(dòng)情況和小林多喜二在戰(zhàn)旗派的活動(dòng)情況,并且探討了各自所屬文學(xué)派別給二位作家?guī)?lái)的影響。最后,分別從中國(guó)和日本兩方面總結(jié)歸納了關(guān)于二位作家以及他們的作品的先行研究。 第二章里,主要論述了作為本論文的研究對(duì)象的兩部作品《生活在海上的人們》和《蟹工船》。在第一節(jié),簡(jiǎn)單介紹了《生活在海上的人們》的故事梗概,并說(shuō)明了它在日本文學(xué)史上的重要意義。第二節(jié)則簡(jiǎn)單介紹了《蟹工船》的主要梗概,并說(shuō)明了它在文學(xué)史上的存在意義。第三節(jié)則把這兩部作品進(jìn)行了對(duì)比分析,考察了兩部作品的相似點(diǎn)和不同點(diǎn)。 第三章里,主要圍繞著兩部作品中出現(xiàn)的海上勞動(dòng)者的形象進(jìn)行了分析。就像上面說(shuō)過(guò)的那樣,在兩部作品中,主人公都是在出海的船上工作的底層勞動(dòng)者,主題都是這些勞動(dòng)者發(fā)動(dòng)的罷工以及斗爭(zhēng),但是這些勞動(dòng)者形象既有相同之處也有不同之處,所以分別從勞動(dòng)形態(tài)、勞動(dòng)者姿態(tài)、反抗方式和斗爭(zhēng)理論這三個(gè)角度進(jìn)行了探討。 第四章中,主要圍繞這兩部作品和當(dāng)時(shí)日本社會(huì)發(fā)生的勞動(dòng)運(yùn)動(dòng)進(jìn)行了闡述。第一節(jié)里探討了兩部作品中出現(xiàn)的海上勞動(dòng)者形象的特征。第二節(jié),從這兩部小說(shuō)的特征到二位作家的創(chuàng)作風(fēng)格的不同都進(jìn)行了考察。第三節(jié)則以?xún)刹孔髌分忻鑼?xiě)的勞動(dòng)斗爭(zhēng)(罷工)和當(dāng)時(shí)的日本無(wú)產(chǎn)階級(jí)運(yùn)動(dòng)的關(guān)聯(lián)為中心進(jìn)行了論述。 結(jié)語(yǔ)部分,對(duì)上面的所有內(nèi)容進(jìn)行了歸納總結(jié),提出了結(jié)論和今后的研究課題。 第七部分,是參考文獻(xiàn)和謝詞。
[Abstract]:Yeh Yamamatsu and Kobayashi Kobayashi are famous proletarian literary writers in Japan. Speaking of their respective masterpieces, it goes without saying that Ye Shanjia's novel, people living at Sea, is the novella Crab Boat. Moreover, in the process of the proletarian literature movement in Japan in the 1920s and 1930s, there were many similarities between the two masterpieces written by their two writers in different literary camps. Therefore, from the point of view of the above mentioned two works, this paper analyzes and discusses their similarities and differences. The relation between the labor struggle described in the two works and the Japanese proletarian movement at that time was investigated. This thesis is composed of the following seven parts: the preface part reviews the process of "cognition" between the author and the two writers, Ye Shanjia and Xiaolin Duoxi, and simply explains the reasons for taking these two works as an example. In both works, the protagonist is the bottom-class laborer who works on a boat at sea on the subject of strikes and struggles by these laborers. In the first chapter, firstly, it introduces the career of Ye Shan-shu and Yuki Olam respectively and their literary works. In the Japanese proletarian literature movement in the 1920s and 1930s, the two writers were in different literary camps, which was also reflected in their literary works. Therefore, this paper briefly introduces the activities of Ye Shanjia in the literary and artistic front and the activities of Xiaolin Duoxier in the flag school, and probes into the influence of their respective literary schools on the two writers. Finally, the author summarizes the two writers and their works from two aspects: China and Japan. In the second chapter, two works, people living at Sea and Crab boats, which are the objects of this thesis are discussed. In the first section, a brief introduction to the story of people living at sea is given, and its significance in the history of Japanese literature is explained. The second section briefly introduces the main outline of Crab boat, and explains its existence significance in the history of literature. The third section compares the two works and examines their similarities and differences. The third chapter, mainly around the two works appeared in the image of the sea workers were analyzed. As mentioned above, in both works, the protagonists are the underclass workers who work on the boat at sea, and the theme is the strikes and struggles launched by these workers. But there are similarities and differences in the images of these workers, so this paper discusses the labor form, the attitude of workers, the way of resistance and the theory of struggle. The fourth chapter focuses on the two works and the labor movement in Japanese society at that time. The first section discusses the features of the images of the sea laborers in the two works. The second section, from the characteristics of the two novels to the two writers of the different writing style are investigated. The third section discusses the relation between the labor struggle (strike) and the Japanese proletarian movement. In the conclusion part, all the above contents are summarized, and the conclusions and future research topics are put forward. The seventh part is the references and thanks words.
【學(xué)位授予單位】：華中師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類(lèi)號(hào)】：I313.074

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本文編號(hào)：2020575