本文選題：故鄉(xiāng) + 背景��； 參考：《遼寧大學(xué)》2014年碩士論文

【摘要】：對(duì)于莫言來(lái)說(shuō)，�？思{和馬爾克斯是“兩座灼熱的高爐”，對(duì)他的文學(xué)創(chuàng)作產(chǎn)生過(guò)重要的影響，“我覺(jué)得我們就像是冰塊，如果離他們太近，就很容易被迫融化。但是這兩位風(fēng)格化的作家，就像鴉片一樣，一旦吸到之后，很容易上癮。他們會(huì)產(chǎn)生極大的磁性，吸引你去模仿。這就像是《百年孤獨(dú)》中，吉普賽人帶到馬貢多的磁鐵一樣，，會(huì)吸走許多東西�！雹倌敲丛谀詫�(duì)�？思{的接受與改造中，首先就要講到莫言家鄉(xiāng)高粱地上的傳奇世界。某種程度上，我們可以說(shuō)是福克納的“約克納帕塔法縣”為我們帶來(lái)了莫言傳奇的“高密東北鄉(xiāng)”。雖然莫言和福克納所處的地域與時(shí)代都有很大的差異性，但從他們的創(chuàng)作中我們卻可以發(fā)些許多可比之處，異樣的童年經(jīng)驗(yàn)與生活經(jīng)歷對(duì)于他們的創(chuàng)作都產(chǎn)生了驚人的相似影響。 �？思{把他的郵票大小的故鄉(xiāng)描寫(xiě)成為通往世界的通道，這就是他筆下所虛構(gòu)出的約克納帕塔法縣。在這個(gè)龐大的文學(xué)世系中，我們不僅僅可以領(lǐng)略到一般的美國(guó)南方鄉(xiāng)土文學(xué)中南北戰(zhàn)爭(zhēng)前后美國(guó)南方的歷史文化，而且更加可以體會(huì)到作者對(duì)人類(lèi)命運(yùn)的關(guān)照。而多年后位于世界另一端的莫言也以他所構(gòu)建的“高密東北鄉(xiāng)王國(guó)”向�？思{致敬，在他的作品中，我們也同樣看到了作家故鄉(xiāng)高密的歷史變遷和故鄉(xiāng)人民在不同歷史時(shí)期的生活。 福克納是向歷史的深處看的，在他的作品中，一切都會(huì)被往昔所“奴役”，往昔可以壓倒一切。無(wú)獨(dú)有偶，在世界的另一端，莫言似乎也在用著這樣一種回首的姿態(tài)在向�？思{致敬。在莫言的作品中，深沉的文明批判主題深藏于謳歌原始生命力的主題中，而這其中無(wú)時(shí)不流露出他向后看的歷史時(shí)間意識(shí)。在他的筆下，文明被視作一個(gè)壓抑性的機(jī)制，他毫不客氣地將文明置于生命力的對(duì)立面，由此反觀現(xiàn)代人所普遍面臨著的生存困境。這其中都深藏著二者在人類(lèi)生存困境之上的非常規(guī)的生命觀。 在小說(shuō)的藝術(shù)創(chuàng)作上，�？思{與莫言都是偉大的革命者，他們都敢于并成功地對(duì)各自的作品中的藝術(shù)手法做了一些偉大探索與突破，他們擅長(zhǎng)用多角度的敘述手法、人物的內(nèi)心獨(dú)白與意識(shí)流以及交錯(cuò)的時(shí)空和象征來(lái)豐富自己的作品。 這兩位世界文壇的巨匠都力圖在自己的故鄉(xiāng)之地上挖掘出具有普遍性的主題，而結(jié)果是，他們都早已跳出了自己的故鄉(xiāng)，同時(shí)在各自的故鄉(xiāng)世界里，莫言與�？思{又有著巨大的差異。
[Abstract]:For Mo, Faulkner and Marquez are "two hot blast furnaces" that have had an important impact on his literary creation. "I think we're like ice cubes, and if we're too close to them, it's easy to melt. But these two stylized writers, like opium, are addictive once they are sucked. They produce great magnetism and attract you to imitate. This is like the magnet that the Gypsies bring to Magondo in "100 years of Solitude". "1 so in Mo Yan's acceptance and transformation of Faulkner, the legendary world on the sorghum field in Mo Yan's hometown must be mentioned first. To some extent, we can say that Faulkner's "Yokknapatafa County" brought us the legend of Mo Yan's "Gaomi Northeast Township." Although Mo Yan and Faulkner live in different regions and times, we can make a lot of comparisons from their works. Different childhood experiences and life experiences have a striking similar impact on their creation. Faulkner described his stamp-sized hometown as a gateway to the world, his fictional Yoknapatafa county. In this vast literary lineage, we can not only appreciate the history and culture of the American South before and after the Civil War, but also appreciate the author's concern for the fate of mankind. Many years later, Mo Yan, who was on the other side of the world, paid tribute to Faulkner with his "Kingdom of the Northeast of Gaomi," in his works. We also see the high-density historical changes of the writer's hometown and the life of the people in different historical periods. Faulkner looked to the depths of history. In his works, everything was enslaved by the past, and the past could prevail. Incidentally, on the other side of the world, Mo Yan seemed to be paying homage to Faulkner with such a retrospect. In Mo Yan's works, the deep theme of civilization criticism lies in the theme of eulogizing the primitive vitality, which always reveals his historical sense of time. In his works, civilization is regarded as a repressive mechanism, he puts civilization on the opposite of vitality, and thus looks back at the living predicament that modern people generally face. There are two unconventional views of life on the plight of human existence. In the artistic creation of the novel, Faulkner and Mo Yan were both great revolutionaries. They both dared and succeeded in making some great explorations and breakthroughs in the artistic techniques in their respective works. They were good at using multi-angle narrative techniques. The character's inner monologue and stream of consciousness as well as interlaced time and space and symbol to enrich their own works. Both of the world's literary giants tried to dig up universal themes in their native land, and as a result, they both had already moved out of their own homeland, and in their own homelands at the same time, Mo Yan and Faulkner have a huge difference.
【學(xué)位授予單位】：遼寧大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類(lèi)號(hào)】：I106-03

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