本文選題：內(nèi)拉·拉森 + 《流沙》��； 參考：《華中師范大學(xué)》2012年碩士論文

【摘要】：作為第一位獲得古根海姆基金會(Guggenheim Foundation)創(chuàng)作基金的美國黑人女性作家,內(nèi)拉·拉森成為哈萊姆文藝復(fù)興的重要人物之一。拉森的作品深切關(guān)注美國非裔黑白女性混血兒的生存現(xiàn)狀以及她們的抗?fàn)帤v程。在其代表作《流沙》中,拉森探索了白人主流價值觀對美國非裔女性形象的扭曲和變形,在抨擊種族歧視的同時也鞭笞了性別歧視,文化霸權(quán)和家庭因素對黑人婦女的影響。她從種族、性別、文化和家庭等多重維度深刻揭露了黑人女性主體意識的覺醒以及其主體意識建構(gòu)所遭受的重重壓力。由于無法在雙重的種族環(huán)境中找到自己的歸屬,黑白混血兒不可避免的成為種族社會中自我定義的失敗者和犧牲品。本文通過結(jié)合小說文本對種族、性別和階級的刻畫和描寫,試從主體性的角度分析《流沙》中的主人公的人物形象,探索黑人女性主體性意識的覺醒,建構(gòu)以及其失敗的根源,旨在為國內(nèi)拉森作品研究提供一個新的切入點(diǎn)。 本文一共分為四章。第一章簡要介紹拉森的主要成就,簡要介紹作品,并對國內(nèi)外學(xué)者對其作品的研究做了梳理。第二章著重分析在多重壓力之下美國非裔女性主體意識的覺醒,其中包括她作為一個黑人的主體性意識的覺醒,以及作為一名黑人女性的主體性意識的覺醒。第三章探討了黑人女性主體性建構(gòu)失敗的根源：深受白人霸權(quán)文化入侵,種族歧視,性別歧視以及破碎家庭關(guān)系的影響,黑人女性尤其是黑白混血兒注定無法自我定義,從而無法建構(gòu)起自己的主體性。第四章是結(jié)論部分。在總結(jié)前文的基礎(chǔ)上,評述拉森通過探索多重壓迫之下非裔美國女性主體性喪失的原因,進(jìn)一步指出黑白混血兒無法自我構(gòu)建主體性的根源是其永遠(yuǎn)無法獲取的種族歸屬感。
[Abstract]:As the first female American writer to receive Guggenheim Foundation Foundation, Nera Larsen became one of the important figures in the Harlem Renaissance. Larson's works are deeply concerned about the existence of black and white women in the United States and their struggle. In his masterpiece quicksand, Larson explores the distortion and transformation of the white mainstream values to the image of African-American women, criticizing racial discrimination as well as whipping the influence of gender discrimination, cultural hegemony and family factors on black women. From the multiple dimensions of race, gender, culture and family, she deeply exposed the awakening of the subjective consciousness of black women and the pressure on the construction of the subjective consciousness of black women. Unable to find their own identity in a dual racial environment, black and white hybrids inevitably become self-defined losers and victims in racial society. By combining the depiction and description of race, sex and class in the novel text, this paper tries to analyze the characters of the protagonist in quicksand from the perspective of subjectivity, to explore the awakening, construction and failure of black women's subjectivity consciousness. The aim is to provide a new entry point for the study of Larsen's works in China. This paper is divided into four chapters. The first chapter briefly introduces Larsen's main achievements, briefly introduces his works, and combs the research of his works by domestic and foreign scholars. The second chapter focuses on the awakening of African-American women's subjective consciousness under multiple pressures, including the awakening of her subjective consciousness as a black woman and the awakening of her subjective consciousness as a black woman. The third chapter discusses the causes of the failure of the subjectivity construction of black women: influenced by the invasion of white hegemonic culture, racial discrimination, sexism and broken family relations, black women, especially black and white hybrids, are doomed to be unable to define themselves. Therefore, it is impossible to construct one's own subjectivity. Chapter four is the conclusion. On the basis of summing up the above, the author discusses the reason why African-American women lose their subjectivity under multiple oppression, and further points out that the root of black and white hybrids' inability to construct their own subjectivity is the sense of racial belonging that they can never obtain.
【學(xué)位授予單位】：華中師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2012
【分類號】：I712.074

【參考文獻(xiàn)】

相關(guān)期刊論文 前3條

1 曾艷鈺;美國黑人文學(xué)中女性形象的嬗變[J];福建外語;1999年02期

2 梁媛;;評內(nèi)拉·拉森《冒充白人》中的越界主題[J];吉林省教育學(xué)院學(xué)報;2010年12期

3 谷紅麗;《覺醒》中女性主體意識的建構(gòu)與解構(gòu)[J];四川外語學(xué)院學(xué)報;2002年01期

相關(guān)碩士學(xué)位論文 前1條

1 武清宇;論哈萊姆文藝復(fù)興時期的美國黑人女性文學(xué)[D];山東大學(xué);2008年

，

本文編號：1951476