本文選題：《所羅門之歌》 + 魔幻現(xiàn)實(shí)主義　； 參考：《杭州電子科技大學(xué)》2012年碩士論文

【摘要】：1993年托尼·莫里森成為第一位杰出的獲得諾貝爾文學(xué)獎(jiǎng)的非裔美國(guó)女作家�！端_門之歌》（1977）是莫里森的第三部小說(shuō)，作品的出版奠定了莫里森在當(dāng)代美國(guó)文壇上的重要地位。同時(shí)代的作家中也有以美國(guó)黑人在白人世界里找尋自我、尋求精神自由為主題的作品。為何唯獨(dú)莫里森的《所羅門之歌》能夠獨(dú)樹一幟，擁有如此強(qiáng)大的吸引力?這部小說(shuō)強(qiáng)大的震撼力與莫里森對(duì)魔幻現(xiàn)實(shí)主義的運(yùn)用是分不開的，這一手法變現(xiàn)實(shí)為幻想而不失其真，從而以獨(dú)特的藝術(shù)方式在更為本質(zhì)的程度上反映現(xiàn)實(shí)。這樣的寫作特色目前為止國(guó)內(nèi)外鮮有人涉足,其實(shí)是最引人注目并且最值得研究的地方。 魔幻現(xiàn)實(shí)主義是現(xiàn)代主義中獨(dú)具特色的一個(gè)分支，這類小說(shuō)其最典型的特征就是基于現(xiàn)實(shí)基礎(chǔ)上的魔幻成分，，但最終的目的是反映生活中難以解決的現(xiàn)實(shí)，尤其是集中反映二十世紀(jì)三十年代美國(guó)黑人的精神困境。因此，論文擬以魔幻現(xiàn)實(shí)主義理論為指導(dǎo)，旨在詳細(xì)地討論魔幻現(xiàn)實(shí)主義創(chuàng)作手法在《所羅門之歌》中的具體體現(xiàn)，即在小說(shuō)的主題、人物、技巧上的應(yīng)用。通過揭示作品中魔幻成分,研究黑人的真實(shí)現(xiàn)狀。而且，莫里森在《所羅門之歌》中之所以運(yùn)用拉美魔幻現(xiàn)實(shí)主義與她作為非裔美國(guó)人的個(gè)人經(jīng)歷有密切關(guān)系。通過對(duì)其背景的分析，筆者試圖更深層次地理解魔幻現(xiàn)實(shí)主義手法與《所羅門之歌》相結(jié)合的意義。 對(duì)《所羅門之歌》中魔幻現(xiàn)實(shí)主義的分析無(wú)法窮盡小說(shuō)的魅力，但莫里森展現(xiàn)了美國(guó)黑人生存現(xiàn)狀以及指出繼承黑人傳統(tǒng)文化才能獲得真正自由。美國(guó)黑人必須立足本民族文化，正視歷史，從中吸取教訓(xùn)，才能拯救未來(lái)。最后，本文得出結(jié)論：魔幻現(xiàn)實(shí)主義在《所羅門之歌》中充分展示了它的獨(dú)特藝術(shù)魅力,小說(shuō)的主題、人物、技巧就是通過魔幻現(xiàn)實(shí)主義表現(xiàn)出來(lái)，這足以證明魔幻現(xiàn)實(shí)主義在這本小說(shuō)的創(chuàng)作中占有舉足輕重的地位。
[Abstract]:In 1993, Tony Morrison became the first African-American woman writer to win the Nobel Prize for Literature. Song of Solomon (1977) is Morrison's third novel, whose publication has established Morrison's important position in contemporary American literature. Among contemporary writers, there are also works on the theme of black Americans seeking themselves and spiritual freedom in the white world. Why is Morrison's Song of Solomon the only one that has such a strong appeal? The powerful force of this novel is inseparable from Morrison's use of magic realism, which is realized as a fantasy without losing its truth, thus reflecting the reality to a more essential extent in a unique artistic way. Such writing features so far few people at home and abroad dabble, in fact, is the most noticeable and most worthy of study. Magic realism is a unique branch of modernism. The most typical feature of this kind of novel is the magic element based on reality, but the ultimate purpose is to reflect the difficult reality in life. In particular, it focuses on the spiritual plight of black Americans in the 1930's. Therefore, under the guidance of the theory of magic realism, the paper aims to discuss in detail the concrete embodiment of magic realism in the Song of Solomon, that is, the application of the theme, characters and techniques of the novel. By revealing the magical elements in the works, the real situation of black people is studied. Moreover, Morrison's use of Latin American magic realism in Song of Solomon is closely related to her personal experience as an African-American. Through the analysis of its background, the author tries to understand the significance of the combination of magic realism and songs of Solomon. The analysis of magic realism in Song of Solomon does not exhaust the charm of the novel, but Morrison shows the existence of black Americans and points out that only by inheriting black traditional culture can we obtain real freedom. Black Americans must base themselves on their own culture, face up to history and draw lessons from it in order to save the future. Finally, the paper draws a conclusion: magic realism fully demonstrates its unique artistic charm in Song of Solomon. The theme, characters and skills of the novel are manifested through magic realism. This proves that magic realism plays an important role in the creation of this novel.
【學(xué)位授予單位】：杭州電子科技大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2012
【分類號(hào)】：I712.074

【參考文獻(xiàn)】

相關(guān)期刊論文 前1條

1 田祥斌;南北美洲交相輝映的兩朵藝術(shù)奇葩——論《百年孤獨(dú)》與《所羅門之歌》的成功與魅力[J];國(guó)外文學(xué);1998年04期

本文編號(hào)：1925221