發(fā)布時(shí)間：2018-05-18 11:04

  本文選題：二元性 + 雙重人��； 參考：《南京大學(xué)》2012年碩士論文

【摘要】：在法國,乃至全世界,波德萊爾的詩歌和思想因其獨(dú)創(chuàng)性、豐富性和巨大影響力格外受到矚目,評論界不斷展開對波德萊爾的現(xiàn)代性、象征主義、神秘主義、美學(xué)等各方面的研究并取得豐碩成果,但詩人對我們的啟發(fā)不僅于此,他本身便充滿故事,他的精神與他的作品一脈相連,他的美學(xué)觀、詩歌創(chuàng)作觀與人性觀于內(nèi)在統(tǒng)一體中隱秘應(yīng)和。我眼中的波德萊爾,是處于永恒的動態(tài)平衡下的波德萊爾,像一個單擺,時(shí)刻不停地在兩極間搖晃。這是一個對生活既充滿恐懼又充滿狂喜的人,美丑、善惡的二元性充斥著他的作品和人生。本文主體部分分為三章： 第一章借用布封的“雙重人”理論探索波德萊爾的靈魂和精神世界。本文首先明確“雙重人”這一理論的內(nèi)涵(動物性與精神性對立統(tǒng)一),以及與波德萊爾人性觀的內(nèi)在關(guān)聯(lián)。之后依據(jù)波德萊爾的雙重傾向論—向善與向惡,將第一章總體分為兩部分：身體的墮落和精神的救贖。第一部分“身體的墮落”刻畫一個悲觀消極、無可救藥的波德萊爾,沉湎于肉欲、酒精和鴉片,用瞬時(shí)快感麻醉自我；第二部分通過“精神的救贖”揭示波德萊爾樂觀積極、有所追求的一面,主要表現(xiàn)在波德萊爾對精神之戀的向往,對異域風(fēng)情的尋覓,對詩歌創(chuàng)作的巨大熱情。 第二章分析探討波德萊爾詩歌作品中的二元性,指出詩歌中頻繁出現(xiàn)的“矛盾修辭法”就是其二元性在文學(xué)上的體現(xiàn)。“矛盾修辭法”在這里既是一種表現(xiàn)修辭手法,也是一種思想方法,它既創(chuàng)造了一種神奇特別的審美趣味,又賦予詩歌一種強(qiáng)健的張力。接下來,具體結(jié)合文本從美學(xué)層面的和詩歌層面分析“矛盾修辭法”的表現(xiàn)和作用。 第三章從三方面闡述促成波德萊爾內(nèi)在分裂與矛盾的原因。第一,參照帕斯卡爾辯證法“人的偉大與悲哀”以及“消遣”論論證二元性的普遍性,作為人性的常態(tài),不論是波德萊爾,還是我們每一個人,都難逃內(nèi)心的善惡之爭；第二,波德萊爾特殊童年經(jīng)歷及其與母親復(fù)雜的關(guān)系也是對其產(chǎn)生影響的重要因素。第三,糟糕的身體狀況和心理疾病給波德萊爾帶來持久的困擾,這讓他的情緒和精神狀態(tài)不斷游走在亢奮與消沉之間,此外對鴉片的依賴成癮也加重了他的分裂趨勢。 本文從善與惡、美與丑的雙重視角審視詩人和他的詩歌世界,以證明二元性不僅是詩人生活的主色調(diào),也是其作品的重要主題與特色,為認(rèn)識波德萊爾和閱讀波德萊爾開辟一條新途徑,使更多讀者在閱讀過程中獲得更深刻的體驗(yàn)和感受,豐富對自我、對人生、對人類社會的認(rèn)識和思考。
[Abstract]:In France and all over the world, Baudelaire's poems and thoughts have attracted special attention for their originality, richness and great influence. Aesthetics and other aspects of research and achieved fruitful results, but the poet's inspiration to us not only here, he is full of stories, his spirit and his work a link, his aesthetic view, The view of poetry creation and the view of human nature are secretly compatible with each other in the internal unity. Baudelaire, in my eyes, is Baudelaire in eternal dynamic balance, like a pendulum, rocking between the poles all the time. This is a person full of fear and ecstasy, beauty and ugliness, good and evil duality filled with his works and life. The main part of this paper is divided into three chapters: The first chapter explores Baudelaire's soul and spiritual world with the theory of double Man. This paper first clarifies the connotation of the theory of "double man" (unity of opposites of animality and spirituality), and its internal relation with Baudelaire's view of human nature. Then, according to Baudelaire's theory of double tendency towards good and evil, the first chapter is divided into two parts as a whole: the fall of the body and the redemption of the spirit. The first part, "physical depravity," depicts a pessimistic, hopeless Baudelaire who indulges in sensuality, alcohol, and opium and anesthetizes himself with instant pleasure. The second part reveals Baudelaire's optimism and positivity through "spiritual redemption." There are some aspects to be pursued: Baudelaire's yearning for spiritual love, search for exotic customs, and great enthusiasm for poetry creation. The second chapter analyzes the duality in Baudelaire's poetry works, and points out that the frequent appearance of "contradictory rhetoric" in poetry is the embodiment of duality in literature. Contradiction rhetoric is not only a rhetorical device but also a thought method. It not only creates a special aesthetic taste but also gives a strong tension to poetry. Then, the paper analyzes the expression and function of contradictory rhetoric from aesthetic level and poetry level. The third chapter expounds the causes of Baudelaire's internal division and contradiction from three aspects. First, referring to Pascal's Dialectics "the greatness and sadness of Man" and the "pastime" theory to demonstrate the universality of duality, as the normal state of human nature, whether Baudelaire or each of us, cannot escape the inner debate between good and evil; second, Baudelaire's special childhood experience and its complicated relationship with his mother are also important factors. Third, Baudelaire's bad physical condition and mental illness have long troubled Baudelaire, which keeps his mood and mental state moving between excitement and depression, and his addiction to opium exacerbates his tendency to split. This paper examines the poet and his poetic world from the perspectives of good and evil, beauty and ugliness, in order to prove that duality is not only the main color of the poet's life, but also the important theme and characteristic of his works. It opens up a new way to understand Baudelaire and read Baudelaire, so that more readers can get deeper experience and feeling in the process of reading, and enrich their understanding and thinking about themselves, life and human society.
【學(xué)位授予單位】：南京大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2012
【分類號】：I565.072

【參考文獻(xiàn)】

相關(guān)期刊論文 前1條

1 劉波;;“矛盾修辭”與文藝的悖論[J];法國研究;2006年01期

，

本文編號：1905589