本文選題：枕草子 + 清少納言�。� 參考：《吉林大學》2012年博士論文

【摘要】：R本的平安時代是一個絢爛多姿的盛世王朝,這個時代的政治、經濟、文化、社會等各個方面都呈現(xiàn)出欣欣向榮的狀態(tài)。平安朝時代告別了奈良時代的“唐風”文化,開始如火如荼的興起了“和風”文化。在這樣的文化背景下,相對于上古時代的國家文學,個人主體的文學創(chuàng)作開始凸顯。同時假名文學也開始蓬勃的發(fā)展起來。得益于以上的條件,平安文壇上女性作家異軍突起,物語文學、日記文學、隨筆文學等紛紛問世�！墩聿葑印繁闶莿�(chuàng)作于日本平安朝中期的著名隨筆,作者清少納言�！墩聿葑印酚砷L短不一的300余章段構成,是日本歷史上最早的隨筆文學。它與同時代的物語文學作品《源氏物語》并稱“平安文學雙壁”；與后來的《方丈記》、《徒然草》并稱日本古典文學的三大隨筆。作者清少納言在作品中記錄了宮廷出仕期間的見聞及回想,還有作者對自然、人生等的隨想和感悟。清少納言以女性特有的敏銳、纖細在作品中營造了一個真實細膩、睿智含蓄的唯美世界。 《枕草子》自成立之初就不斷地被抄寫傳閱,關于它的研究也從平安朝時代就已經開始,并且歷代不輟。尤其到了近代,日本學界關于《枕草子》的研究更擴展到底本校訂、史實考證、文本研究、批評研究等各個方面,并出現(xiàn)了與語言、篇章、詩歌等的交叉研究和比較研究。但遺憾的是,無論研究廣度和深度都遠不及與之并稱的《源氏物語》等作品。而中國文學界對《枕草子》的研究可以說是鳳毛麟角。譯著也僅見周作人、于雷和臺灣翻譯家林文月的譯本。雖然有發(fā)表于各類專業(yè)雜志的論文數(shù)十篇,以及散見于各類文學史書籍中的介紹性或綜述性的章段,但這些研究大多沿襲了日本的研究成果及學術觀點,至今尚未見研究性專著問世。可以說,國內文學界還未出現(xiàn)針對《枕草子》的專門研究。 美是《枕草子》最大的文學價值之一。本論文就從美學研究的角度切入,在充分利用文獻資料的基礎之上,以文本分析的方法對《枕草子》進行美學的分析和論證。 第一章主要對作者清少納言以及《枕草子》的書名、成書、版本等內容進行學理性的梳理和歸納。 第二章的主要內容是對《枕草子》中具有代表性的審美意象進行美學的分析色彩是日本自然審美的原初形態(tài)。第一章首先對《枕草子》中出現(xiàn)的色彩——尤其是紫色、黃色和各種配色用法進行了詳細的分析,進而討論日本在對中國的色彩文化進行受容的過程中發(fā)生了哪些變異,日本的色彩審美有哪些本土的特征然后對平安時代具有代表性的自然審美意象“雪”進行詳細的讀解,分析平安朝時期“雪”的審美意義以及由此透出的清少納言的貴族傾向。最后對“花’以梅花和櫻花為中心——進行分析,從中看出日本人對梅花與櫻花的感情變化脈絡,以及清少納言身上所保留的、依舊強烈的“唐風”文化影響。 在對審美意象詳細分析的基礎上,第三章詳細分析作者頻頻使用的美學概念“趣味,,和“哀憐”。通過對兩個概念所關照對象的特征、兩個概念的語義內涵等分析清少納言、乃至平安人的審美情趣和審美傾向。 第四章對清少納言的審美觀念進行了總結,包括以自然模仿為特征的自然觀、以女性主體意識為脈絡的倫理觀、和以貴族認同、王朝認同為主流的階級觀。 日本平安時代被譽為“美的時代”,這個時期的審美成為后世審美取向的源頭,對日本的社會、生活、文化、文學等都起到了極大的影響。而《枕草子》恰恰是這個時代王朝“美”的集中體現(xiàn)。本論文希望通過對《枕草子》的美學研究,能在一定程度上把握日本人審美活動的特質以及審美意識流變的脈絡。
[Abstract]:R this era of peace is a magnificent and colorful Dynasty, the political, economic, cultural, social and other aspects of this era are showing a state of prosperity. The peace period said farewell to the "Tang Feng" culture of the times of Nara, and began to rise as a raging "and wind" culture. In such a cultural background, relative to the ancient times, At the same time, the literary creation of the individual subject began to highlight. At the same time, the pseudonym literature began to flourish. Benefiting from the above conditions, the female writers in the peaceful literary world began to rise, the literature of the material, the diary literature, the essay literature and so on. "Pillow and grass" was a famous essay written in the middle of the peace Dynasty in Japan. "Pillow grass", composed of more than 300 chapters, is the earliest essayist literature in Japanese history. It and the literary works of the same age, "the source language" and "the double wall of peace literature"; and the later "the abbot", "the vain grass >" and the Japanese classical literature of the three essays. The views and reflections of the court during his official career, as well as the author's thoughts and feelings about nature and life.
"Occipital grass" has been copied and circulated from the beginning of its founding. The research on it has also started from the times of the peace Dynasty, and it has not dropped out of the past dynasties. Especially in modern times, the study of "pillow grass" in the Japanese academic circles has expanded to the end of the revision, historical textual research, text research, criticism research and other aspects, and appeared with language, text, poetry. However, it is regrettable that both the breadth and depth of the study are far less than the works of "the tale of the source", which is called "the tale of the source" of the Chinese literary world. The translated works only see Zhou Zuoren, Yu and the translations of the Taiwan translators, Lin Wen, although they are published in various professional magazines. There are dozens of papers, as well as introductory or summary chapters in various literary history books, but most of these studies have followed the research and academic views of Japan, and there has been no research monographs yet to come out.
Beauty is one of the greatest literary values of "occipital grass". From the perspective of aesthetic research, this paper makes an aesthetic analysis and demonstration of "occipital grass >" on the basis of full use of literature and text analysis.
The first chapter mainly summarizes and summarizes the contents of the title, book, edition and so on.
The main content of the second chapter is that the aesthetic analysis of the aesthetic image of the representative aesthetic image of "pillow grass" is the original form of natural beauty in Japan. The first chapter is a detailed analysis of the colors appearing in "occipital grass", especially purple, yellow and various colors, and then discuss the color of Japan in China. What changes have occurred in the process of cultural acceptance, what are the local characteristics of the Japanese color aesthetic and the representative natural aesthetic image "Snow" in the peace era, and analyze the aesthetic significance of the "Snow" in the period of the peace Dynasty and the aristocratic tendencies of the Qing Dynasty. Finally, the "flower" is the "flower". Taking plum blossom and cherry blossoms as the center - analysis, we can see the relationship between the Japanese and the plum blossom and the cherry blossoms, as well as the strong cultural influence of "Tang Feng".
On the basis of the detailed analysis of the aesthetic image, the third chapter analyzes the aesthetic concept of the author's frequent use of "aesthetic concept", and "pity". Through the characteristics of the two concepts, the Semantic Connotation of the two concepts, and even the aesthetic and aesthetic tendencies of the people of peace.
The fourth chapter makes a summary of the aesthetic ideas of the Qing Dynasty, including the natural view characterized by natural imitation, the ethical view of the female subject consciousness, and the class view of the aristocracy and the dynasty identity.
The peace era of Japan is known as the "age of beauty", and the aesthetics of this period has become the source of aesthetic orientation of the later generations, and has greatly influenced Japan's society, life, culture and literature. To a certain extent, we should grasp the characteristics of Japanese aesthetic activities and the thread of the evolution of aesthetic consciousness.

【學位授予單位】：吉林大學
【學位級別】：博士
【學位授予年份】：2012
【分類號】：I313.076

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