本文選題：臺港澳與海外華文小說 + 洛學“理欲”觀��； 參考：《世界華文文學論壇》2013年01期

【摘要】：二程依據(jù)其"性即理"原則,將人性二重化,使天理天性與人的自然之性對立起來,提出"存天理,去人欲"的理欲原則。千百年的傳承積淀難以逾越,后世至今的文學創(chuàng)作理念的一再復(fù)載形成了疊嶂,傳承到臺港澳與海外華文小說的創(chuàng)作中亦為鮮明。雖然作家創(chuàng)作空間自由廣大,但在對"去人欲"的反叛上仍然脫離不了二程理學的藩籬�，F(xiàn)實主義、浪漫主義文學體例創(chuàng)作都或多或少給予小說人物以活的靈魂,同時又囿于理學的范疇。并非作家本身不能去超越文體所帶來的局限空間,而是某種程度上對理學影響的認同。
[Abstract]:According to the principle of "nature is reason", the second stage makes the nature of nature opposite to the nature of man, and puts forward the principle of "keeping the reason of nature and eliminating the desire of man". Thousands of years of inheritance and accumulation is difficult to exceed, and the repeated repetition of literary creation ideas of later generations has resulted in overlapping peaks, which are also distinct in the creation of Chinese novels in Taiwan, Hong Kong, Macao and overseas. Although the author's creative space is vast, he still can not break away from the barrier of two-process science in his rebellion against "the desire to go away from others". Realism and romanticism in literary style more or less give the novel characters a living soul, but also confined to the scope of Neo-Confucianism. It is not that writers themselves cannot go beyond the limited space brought about by style, but rather the recognition of the influence of Neo-Confucianism to some extent.
【作者單位】： 河南廣播電視大學;
【分類號】：I106.4
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本文編號：1785508