本文選題：吉本芭娜娜 + 后現(xiàn)代�。� 參考：《蘇州大學(xué)》2012年碩士論文

【摘要】：吉本芭娜娜是日本當(dāng)紅女作家，與村上春樹(shù)在日本文壇分別享有天后與天皇的美稱。吉本芭娜娜的小說(shuō)深受各國(guó)讀者的喜愛(ài)，形成了“芭娜娜現(xiàn)象”。吉本芭娜娜小說(shuō)表現(xiàn)人們享受后現(xiàn)代社會(huì)高科技帶來(lái)的物質(zhì)繁榮的同時(shí)，也帶來(lái)自我迷失、情感失落、迷惘無(wú)助等精神困惑；吉本芭娜娜描述了受傷的心靈如何被治愈，又如何走出精神的困境，重新以良好的心態(tài)對(duì)待生活的過(guò)程。 本論文由緒論、結(jié)語(yǔ)和主體部分的三章組成，闡釋吉本芭娜娜小說(shuō)創(chuàng)作的后現(xiàn)代性。緒論部分介紹吉本芭娜娜的生平和創(chuàng)作基本情況，以及吉本芭娜娜的研究現(xiàn)狀。第一章從分析小說(shuō)主人公自我迷失的精神狀態(tài)到自我尋找與回歸的過(guò)程入手，，闡述后現(xiàn)代社會(huì)中人的精神狀況；第二章關(guān)注吉本芭娜娜作品中現(xiàn)實(shí)與非現(xiàn)實(shí)的交融，從神秘的夢(mèng)境與通靈感應(yīng)現(xiàn)象兩方面論述吉本芭娜娜后現(xiàn)代創(chuàng)作的特色；第三章主要從家庭、廚房、傳統(tǒng)女性形象的塑造等三個(gè)方面出發(fā)，討論吉本芭娜娜的作品在超越后現(xiàn)代、回歸傳統(tǒng)方面所做的嘗試。結(jié)語(yǔ)部分對(duì)全文進(jìn)行了總結(jié)。
[Abstract]:Yoshimoto Barna is a popular Japanese woman writer, and Murakami Haruki in the Japanese literary world, respectively enjoy the name of the emperor and the emperor.Gibbon Barnana's novels are loved by readers all over the world, forming the "Banana phenomenon".Gibbon Barnana's novels show that while people enjoy the material prosperity brought about by post-modern society's high-tech, they also bring spiritual confusion such as self-loss, emotional loss, loss and helplessness.And how to get out of the spiritual dilemma and re-treat the process of life with a good state of mind.This thesis is composed of three chapters: introduction, conclusion and main part to explain the post-modernity of Gibbon Barnana's novel creation.The introduction introduces the life and creation of Gibbon Barna, as well as the present situation of her research.The first chapter begins with the analysis of the protagonist's mental state of losing himself to the process of self-seeking and returning, and expounds the spiritual condition of human beings in the post-modern society, the second chapter focuses on the blending of reality and non-reality in Gibbon Barnana's works.From two aspects of mysterious dream and psychic induction phenomenon, this paper discusses the characteristics of Jippenana's post-modern creation. Chapter three mainly starts from three aspects: family, kitchen, traditional female image, etc.This paper discusses the attempts made by Gibbon Barnana to go beyond postmodernism and to return to tradition.The conclusion part summarizes the full text.
【學(xué)位授予單位】：蘇州大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2012
【分類號(hào)】：I313.074

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