本文選題：第五號屠場　切入點：后現(xiàn)代主義　出處：《陜西師范大學》2012年碩士論文

【摘要】：20世紀60年代,馮內(nèi)古特的小說《第五號屠場》一出版就得到人們廣泛關注和眾多評論。這部書在帶給作者寫作事業(yè)巔峰的同時,還推動了全美一時風起云涌的反戰(zhàn)運動；更甚者,人們還以作者名字“馮內(nèi)古特”命名一顆新發(fā)現(xiàn)的外太空星球,可見此書對現(xiàn)實生活所產(chǎn)生的深遠影響。通過這部小說,作者表達了對人類和現(xiàn)實的關心和擔憂,在主題立意上有獨到的見解。更值得借鑒的是作者在小說主題和寫作形式上的創(chuàng)新這為后現(xiàn)代主義和解構(gòu)主義做出了重大貢獻。 從主題內(nèi)容上來說,《第五號屠場》是一部半自傳體小說,主要基于馮內(nèi)古特在二戰(zhàn)中的親身經(jīng)歷。通過對德累斯頓大轟炸和戰(zhàn)后創(chuàng)傷的精心刻畫,這部作品表達了其深刻的反戰(zhàn)主題思想,以及對戰(zhàn)爭中毫無意義的死亡和人類尊嚴缺失的反思。在寫作形式方面,這部小說保留了傳統(tǒng)小說的一些成分,比如人物、高潮、象征等等傳統(tǒng)小說要素的出現(xiàn),但是又區(qū)別于傳統(tǒng)小說,因為作者對其各個方面都進行了解構(gòu)式的創(chuàng)新。本文就是要通過深究其獨特的后現(xiàn)代小說特點來達到深刻理解并解讀的目的。 第一章主要是對馮內(nèi)古特生平、文學作品做一簡單介紹,對《第五號屠場》情節(jié)和其在文學領域的地位進行總結(jié),并對目前針對這部作品的討論與研究進行文獻綜述。第二章重點解釋兩個有關哲學和文學上的理論：后現(xiàn)代主義和解構(gòu)主義。通過探究其產(chǎn)生原因、特點和影響,可得到重讀和闡釋這篇小說的方法論。在第三章和第四章里,主要重點放在小說的內(nèi)涵上,兩章分別研究其主題和人物。通過解構(gòu)其主題和人物,小說與傳統(tǒng)意義的小說所不同。在第五章和第六章里,主要重點放在小說的技巧上,兩章分別研究其敘事技法和修辭技法上。有了特定的內(nèi)容,再加以技巧,這部小說可以說從內(nèi)容到形式都具有創(chuàng)新性。第七章,重述這篇小說獨一無二的解構(gòu)特點。 馮內(nèi)古特敢于挑戰(zhàn)文學中的可能性,敢于打破傳統(tǒng)固有思維模式的禁錮,這對于后現(xiàn)代小說和學者來說,具有重大意義。
[Abstract]:In the 1960s, Vonnegut's novel "Slaughterhouse No. 5" received widespread attention and criticism as soon as it was published. It not only brought the author's writing career to the peak, but also promoted the anti-war movement in the United States. What's more, people have named a newly discovered outer space planet after the author's name, "Vonnegut," which shows its profound impact on real life. Through this novel, the author expresses concern and concern for human beings and reality. The author's innovation in the theme and form of writing has made great contributions to postmodernism and deconstruction. Thematically speaking, Slaughterhouse No. 5 is a semi-autobiographical novel based on Vonnegut's personal experience in World War II, through careful portrayals of the Dresden bombing and post-war trauma. The novel expresses its profound anti-war themes and reflections on the senseless death and lack of human dignity in the war. In the form of writing, the novel retains some of the elements of the traditional novel, such as characters, climax, The appearance of symbols and other elements of traditional novels, but different from those of traditional novels, Because the author has deconstructed innovation in all aspects, this paper aims to deeply understand and interpret its unique postmodern novel characteristics. The first chapter is a brief introduction to Vonnegut's life and literary works, and a summary of the plot of Slaughterhouse No. 5 and its position in the field of literature. The second chapter mainly explains two theories about philosophy and literature: postmodernism and deconstruction. The methodology of rereading and interpreting the novel can be obtained. In the third and fourth chapters, the main focus is on the connotation of the novel, and the two chapters study its theme and characters respectively. In the fifth and sixth chapters, the main focus is on the techniques of the novel. The two chapters study their narrative techniques and rhetorical techniques respectively. This novel can be said to be innovative both in content and form. Chapter 7 restates the unique deconstruction characteristics of the novel. Vonnegut dares to challenge the possibility in literature and break the imprison of the traditional thinking mode, which is of great significance to postmodern novels and scholars.
【學位授予單位】：陜西師范大學
【學位級別】：碩士
【學位授予年份】：2012
【分類號】：I712.074

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相關期刊論文 前2條

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