本文選題：死亡　切入點：混沌狀態(tài)　出處：《華中師范大學(xué)》2012年碩士論文

【摘要】：黑島傳治于昭和初年無產(chǎn)階級文學(xué)高潮期登上日本文壇。大多數(shù)無產(chǎn)階級作家在創(chuàng)作過程當(dāng)中,注重“文學(xué)與政治”的關(guān)系,注重如何將“前衛(wèi)”的問題意識以及社會問題導(dǎo)入文學(xué)作品。但是,黑島的文學(xué)創(chuàng)作卻與此不同。比起“前衛(wèi)”的問題意識,黑島似乎更關(guān)心下層人民的生活疾苦,并從中獲取創(chuàng)作題材,留下許多不朽的名篇。 一般來說,黑島的文學(xué)作品大致分為農(nóng)民文學(xué)、反戰(zhàn)文學(xué)兩類。黑島文學(xué)當(dāng)中常常出現(xiàn)對“死亡”的描寫。黑島文學(xué)中對“死亡”的描寫有哪些特點?“死亡”主題對于整個黑島文學(xué)有什么意義?本論文對以上問題進行了探討。 本論文分為以下六個部分。 “序言”和“第一章”介紹了黑島傳治的生平事跡和文學(xué)活動,并在先行研究的基礎(chǔ)上提出了本論文的研究視點。 第二章～第四章分三個部分對黑島文學(xué)中的死亡主題進行了論述。 第二章“混沌狀態(tài)”部分論述了從黑島文學(xué)全局來看,其對“死”的描寫都存在一個普遍的特點,即“死”往往伴隨著“混沌狀態(tài)”的出現(xiàn)而出現(xiàn)。 第三章“反戰(zhàn)文學(xué)中的‘內(nèi)地’”部分對黑島反戰(zhàn)文學(xué)中的死亡主題進行了論述。即,黑島反戰(zhàn)文學(xué)中的“死”幾乎都與“內(nèi)地”有著密切的關(guān)聯(lián)。“死”意味著從背井離鄉(xiāng)的狀態(tài)中得到解脫。登場人物的“死”意味著“救贖”。 第四章“農(nóng)民文學(xué)中的‘故鄉(xiāng)’”部分對黑島農(nóng)民文學(xué)中的死亡主題進行了論述。黑島農(nóng)民文學(xué)中,“故鄉(xiāng)”蘊含著重大的意義。登場人物常常因為“離開故鄉(xiāng)”而失去生的活力,從而喪命。 “結(jié)語”部分提出了結(jié)論。本論文分析總結(jié)了黑島文學(xué)中“死亡”的幾大特點。并通過對黑島文學(xué)死亡主題的分析,提出對“故鄉(xiāng)”的思考與反思是貫穿整個黑島文學(xué)的主線,農(nóng)民文學(xué)是整個黑島文學(xué)的根基。同時還指出了充滿死亡氣息的黑島文學(xué)中的“生”的機制。最后在本論文的基礎(chǔ)之上,提出了今后的研究課題。
[Abstract]:During the high tide of proletarian literature in the early years of Zhaohe, most proletarian writers paid attention to the relationship between "literature and politics" in the process of creation. Pay attention to how to introduce "avant-garde" problem consciousness and social problems into literary works. However, Kuroshima's literary creation is different. Compared with "avant-garde" problem consciousness, Kuroshima seems to be more concerned about the lives of the lower class. And from which to obtain creative themes, leaving a lot of immortal masterpieces. Generally speaking, the literary works of Heidao can be divided into peasant literature and anti-war literature. The description of "death" often appears in Heidao literature. What are the characteristics of "death" in Heidao literature? What is the meaning of the theme of "death" to the whole Heidao literature? The above problems are discussed in this paper. This paper is divided into the following six parts. The preface and the first chapter introduce the life story and literary activities of Heidao, and put forward the research viewpoint of this thesis. Chapter 2-4 discusses the theme of death in Heidao literature in three parts. The second chapter, "chaotic state", discusses that from the overall situation of Heidao literature, the description of "death" has a universal characteristic, that is, "death" often appears with the appearance of "chaotic state". The third chapter, "the mainland" in the anti-war literature, discusses the theme of death in Heidao's anti-war literature. Almost all the "death" in Kuroshima's anti-war literature is closely related to "inland". "death" means to be freed from the uprooted state, and the "death" of the onstage characters means "redemption". The fourth chapter, "hometown of Peasant Literature", discusses the theme of death in the Peasant Literature of Heidao. In the Peasant Literature of Heidao, "hometown" contains great significance. The characters on stage often leave their hometown because of "leaving hometown". And lose the vitality of life, And die. The conclusion is put forward in the "conclusion" part. This paper analyzes and summarizes the characteristics of "death" in Heidao literature. Through the analysis of the theme of "death" in Heidao literature, it points out that the reflection and reflection on "hometown" is the main line running through the whole Heidao literature. The peasant literature is the foundation of the whole Heidao literature. At the same time, it points out the mechanism of "life" in Heidao literature, which is full of death. Finally, on the basis of this paper, the author puts forward the future research topics.
【學(xué)位授予單位】：華中師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2012
【分類號】：I313.06

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本文編號：1672856