分析?思{《暄囂與騷動(dòng)》中的后現(xiàn)代主義特色
發(fā)布時(shí)間:2018-03-12 22:42
本文選題:后現(xiàn)代 切入點(diǎn):碎片化 出處:《遼寧師范大學(xué)》2014年碩士論文 論文類型:學(xué)位論文
【摘要】:威廉姆·福克納被認(rèn)為不僅是美國(guó)乃至是世界文學(xué)史上最偉大的小說(shuō)家之一。他的作品最負(fù)盛名的地方是其復(fù)雜的敘事結(jié)構(gòu)以及對(duì)語(yǔ)言和時(shí)態(tài)的靈活運(yùn)用。福克納大半生都是在密西西比州的牛津鎮(zhèn)度過(guò)的,并且這個(gè)小鎮(zhèn)也為他的文學(xué)創(chuàng)作提供了靈感。在他的一生中,他并沒(méi)有遠(yuǎn)離故土,而是努力嘗試使自己深入挖掘并且充分利用這些通過(guò)遺傳和環(huán)境帶給他關(guān)于家鄉(xiāng)的各個(gè)方面。他的大多數(shù)作品記錄了南方貴族的衰落和腐朽。作為一個(gè)后現(xiàn)代主義作家,福克納在他的文學(xué)作品中大量用后現(xiàn)代主義的思想和技巧。本論文的主要研究問(wèn)題是福克納在他的作品《喧嘩與騷動(dòng)》中如何體現(xiàn)后現(xiàn)代主義特色的。細(xì)讀文本,不難發(fā)現(xiàn)福克納在這本小說(shuō)創(chuàng)作中運(yùn)用了多種后現(xiàn)代主義特征。通過(guò)對(duì)不同敘事技巧的應(yīng)用,包括碎片化、元小說(shuō)、不確定性和互文,?思{強(qiáng)調(diào)了一種由不完整性和破碎性構(gòu)成的小說(shuō)結(jié)構(gòu),以此來(lái)揭露現(xiàn)代人的生存狀態(tài)和精神狀況。傳統(tǒng)小說(shuō)的結(jié)構(gòu)被去中心化和解構(gòu),使讀者從原有的被動(dòng)地接受文本到主動(dòng)地生成意義。《喧嘩與騷動(dòng)》不僅使讀者觀察到文學(xué)作品中文本和語(yǔ)言的建構(gòu),并且通過(guò)創(chuàng)作過(guò)程和小說(shuō)本身的建構(gòu)享受并參與作品所創(chuàng)造的世界。總之,我們可以對(duì)《喧嘩與騷動(dòng)》有一個(gè)整體的后現(xiàn)代主義的了解。作為美國(guó)最出名的作家之一,福克納不愧是一位成功的后現(xiàn)代主義者。他打破了傳統(tǒng)小說(shuō)的模式,并且通過(guò)對(duì)后現(xiàn)代主義技巧的利用創(chuàng)造出了一部精彩的故事情節(jié)復(fù)雜的小說(shuō)。
[Abstract]:William Faulkner is considered to be one of the greatest novelists not only in the United States but also in the world. His most famous works are his complex narrative structure and his flexible use of language and tense. Na spent most of his life in Oxford, Mississippi. And the town also inspired his literary creation. Throughout his life, he was not far from his native land. Instead, he tried to dig deep and take advantage of all the aspects of his hometown brought to him by heredity and the environment. Most of his works chronicled the decline and decay of the Southern aristocrats. As a postmodernist writer, Faulkner makes extensive use of postmodernism ideas and techniques in his literary works. The main problem of this thesis is how Faulkner embodies the characteristics of postmodernism in his works the Sound and the Fury. It is not difficult to find that Faulkner uses a variety of postmodernist features in his novel creation. Through the application of different narrative techniques, including fragmentation, metafiction, uncertainty and intertextuality, Faulkner emphasized a novel structure composed of imperfection and fragmentation in order to expose the living state and spiritual condition of modern people. The structure of traditional novels was decentralized and deconstructed. From the original passive acceptance of the text to the active generation of meaning. The Sound and Fury not only enables the reader to observe the construction of Chinese texts and languages in literary works, And to enjoy and participate in the world created by the creation process and through the construction of the novel itself. In a word, we can understand that there is a whole postmodernism in the Sound and the Fury. As one of the most famous writers in the United States, Faulkner is a successful postmodernist who breaks the pattern of traditional novels and creates a novel with complex storylines through the use of postmodernism techniques.
【學(xué)位授予單位】:遼寧師范大學(xué)
【學(xué)位級(jí)別】:碩士
【學(xué)位授予年份】:2014
【分類號(hào)】:I712.074
【參考文獻(xiàn)】
相關(guān)碩士學(xué)位論文 前9條
1 李茜;?思{小說(shuō)的空間敘事研究[D];鄭州大學(xué);2013年
2 邢艷;《喧嘩與騷動(dòng)》的新歷史主義剖析[D];重慶師范大學(xué);2012年
3 劉志翔;《喧嘩與騷動(dòng)》中的女性人物研究[D];遼寧大學(xué);2012年
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5 歐陽(yáng)小銀;論基督教《圣經(jīng)》對(duì)?思{文學(xué)創(chuàng)作的影響[D];湖南師范大學(xué);2011年
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