本文選題：葉芝　切入點(diǎn)：矛盾對(duì)立　出處：《合肥工業(yè)大學(xué)》2012年碩士論文　論文類(lèi)型：學(xué)位論文

【摘要】：本文主要以評(píng)傳式寫(xiě)作手法全面考察了葉芝的生平與創(chuàng)作,尤其集中探討了葉芝的面具學(xué)說(shuō)和他在《幻景》中勾勒的神秘主義體系。通過(guò)比較葉芝與王爾德面具學(xué)說(shuō)的異同,以及借用尼采有關(guān)酒神與日神精神的悲劇美學(xué)理論,本文揭示了面具學(xué)說(shuō)的理論意義及其價(jià)值。本文提出,作為葉芝矛盾詩(shī)學(xué)之集中體現(xiàn)的神秘主義力作《幻景》從根本上來(lái)看可被視為是一套復(fù)雜的象征體系。本文借用尼采的悲劇學(xué)說(shuō)剖析了葉芝體現(xiàn)于《幻景》中的悲劇性矛盾對(duì)立,認(rèn)為正是葉芝的雙重靈視賦予他既體現(xiàn)了真理同時(shí)又超越個(gè)人悲劇存在的能力。 在十九世紀(jì)浪漫派偉大作家的影響之下寫(xiě)作,葉芝根據(jù)當(dāng)代愛(ài)爾蘭變幻不定的社會(huì)和政治現(xiàn)狀不斷地做出調(diào)整,不斷地再造自己。由于一心想在心靈的作坊中鑄造出愛(ài)爾蘭的民族精神,他不斷的在捶打自己,直到把一切鍛造成一個(gè)統(tǒng)一整體。葉芝深信一切事物都源于矛盾、分裂與沖突。人必須找到自己的反自我才能最終完整。在自我與命運(yùn)的永久抗?fàn)幹腥松靡酝昝赖某尸F(xiàn)在作為一個(gè)整體的所有作品之中。葉芝的二元論思想和他的循環(huán)歷史觀表露出他的決定論傾向。他在《幻景》中構(gòu)建的神秘主義玄學(xué)體系為他的藝術(shù)提供了一個(gè)參照系,幫助他將現(xiàn)實(shí)與正義統(tǒng)一在一個(gè)思想之中。雖然《幻景》提供了一幅悲劇景觀,但作為一個(gè)關(guān)于詩(shī)學(xué)的隱喻體系,《幻景》既深深誘惑著人們,又令人不安。 本文第一章對(duì)中外葉芝研究進(jìn)行了文獻(xiàn)綜述方面的概述。第二章探討了葉芝與其時(shí)代環(huán)境的關(guān)系。第三章分別探究了葉芝自我意識(shí)的分裂、二元論思想及葉芝對(duì)作為統(tǒng)一原則的自我重塑的不懈追求。第四章詳盡分析了葉芝面具學(xué)說(shuō)的內(nèi)涵及意義。第五章從悲劇性矛盾對(duì)立的角度考察了葉芝的《幻景》。第六章概括了本文的主題思想。
[Abstract]:This paper mainly reviews Yeats's life and creation by means of criticism and biography, especially focuses on Yeats's mask theory and the mystical system he outlines in Phantom, and compares the similarities and differences between Yeats and Wang Erde's mask theory. And with the help of Nietzsche's tragic aesthetic theory about the spirit of Dionysus and the Spirit of the Sun, this paper reveals the theoretical significance and value of the theory of mask. The mystic masterpiece "Phantom", which is the epitome of Yeats's contradictory poetics, can be regarded as a complex symbolic system fundamentally. This paper uses Nietzsche's theory of tragedy to analyze Yeats's representation in Phantom. Tragic contradictions and antagonism, It is Yeats's double vision that gives him the ability to embody truth and transcend the existence of personal tragedy. In 19th century, under the influence of the great Romantic writers, Yeats constantly adjusted to the changing social and political situation in contemporary Ireland. He kept reinventing himself. Because he wanted to forge the Irish national spirit in the workshop of his heart, he kept beating himself until he forged everything into a unified whole. Yeats was convinced that everything came from contradiction. Division and conflict. One must find one's own anti-ego in order to finally be complete. In the eternal struggle between self and destiny, life is perfectly presented in all works as a whole. Yeats's dualism and him. His cycle of history reveals his determinism. The mystical metaphysical system he constructs in Phantom provides a frame of reference for his art. Although Phantom provides a tragic landscape, as a metaphorical system of poetics, Phantom not only seduces people deeply, but also disturbs people. The first chapter summarizes the literature review of Yeats research in China and abroad, the second chapter discusses the relationship between Yeats and his time environment, the third chapter explores the division of Yeats' self-consciousness. Dualism and Yeats' relentless pursuit of self-remoulding as a unified principle. Chapter 4th analyzes the connotation and significance of Yeats' mask theory in detail. Chapter 5th examines Yeats' vision from the perspective of tragic contradiction. Chapter 6th summarizes the main ideas of this paper.
【學(xué)位授予單位】：合肥工業(yè)大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2012
【分類(lèi)號(hào)】：I562.06

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本文編號(hào)：1582028