本文選題：騎兵軍　切入點(diǎn)：狂歡化　出處：《遼寧大學(xué)》2012年碩士論文　論文類型：學(xué)位論文

【摘要】：伊薩克巴別爾—俄蘇作家，新聞?dòng)浾�，猶太人出身的劇作家，而他賴以成名的作品就是《敖德薩的故事》和以布瓊尼領(lǐng)導(dǎo)的第一騎兵軍為題材的《紅色騎兵軍》。作家的童年生活艱辛困苦，又遭到大屠殺時(shí)期反猶主義的迫害，以及當(dāng)時(shí)人類歷史上正經(jīng)歷著史無前例的大規(guī)模的騎兵大屠殺又使這位年輕的猶太作家成了這場戰(zhàn)爭的見證者。巴別爾的創(chuàng)作在蘇聯(lián)文學(xué)史乃至于世界文學(xué)史上都是一個(gè)獨(dú)特的存在，其短篇小說集《紅色騎兵軍》集中體現(xiàn)了這一獨(dú)特性。巴別爾的作品被翻譯成多國語言，他本人也被譽(yù)為現(xiàn)實(shí)主義語言大師和文學(xué)巨匠�！都t色騎兵軍》也被譽(yù)為戰(zhàn)爭文學(xué)的絕唱。 《紅色騎兵軍》以巴別爾跟隨布瓊尼統(tǒng)帥的蘇維埃紅軍第一騎兵軍進(jìn)攻波蘭為背景。巴別爾親歷了這場戰(zhàn)爭，他用自己的語言為讀者揭示了這段毀滅性的歷史階段中的點(diǎn)點(diǎn)滴滴。對于戰(zhàn)爭本身和戰(zhàn)士們，巴別爾總持有自己獨(dú)特的視角。他還將飽受戰(zhàn)火蹂躪的土地上人民群眾尤其是猶太人的苦難生活以及哥薩克騎兵的精神風(fēng)貌通過平靜詼諧的文字躍然紙上。在《紅色騎兵軍》中，諷刺性模擬的詼諧語言符號(hào)貫穿始終，是構(gòu)建作品狂歡化特質(zhì)的基本材料，作者的慘死，猶太人的悲劇，哥薩克原始的浪漫，撫今追昔又極大時(shí)空感的跨度，還有貫穿全篇的愛恨交織……《紅色騎兵軍》傳世得以經(jīng)久不衰，不光因?yàn)樗衩氐奶K波戰(zhàn)爭題材，更因?yàn)樗l(fā)人深省的思想內(nèi)涵和耐人尋味的藝術(shù)魅力。 巴赫金是前蘇聯(lián)著名的學(xué)者，被譽(yù)為文藝?yán)碚摷�、美學(xué)家、社會(huì)學(xué)家、語言學(xué)家等�！翱駳g化”理論是巴赫金學(xué)說的重要組成部分，是其畢生研究的核心問題之一。在一定程度上狂歡化理論是俄羅斯民族性格對當(dāng)時(shí)社會(huì)文化生活的反叛，是對理想生活的一種渴求。這一理論成果引起了東西方學(xué)者的廣泛關(guān)注和強(qiáng)烈興趣。而《騎兵軍》中巴別爾的語言風(fēng)格和他對生活場景和其中人物形象的刻畫正迎合了巴赫金狂歡化的用語風(fēng)格。 本論文的題目：巴赫金的狂歡化理論在巴別爾《紅色騎兵軍》中的體現(xiàn) 本論文共分為三部分：引言，正文，結(jié)語。正文由三章構(gòu)成：（1）《紅色騎兵軍》背后的故事（2）狂歡化的語言理論（3）巴赫金的狂歡化理論在巴別爾《紅色騎兵軍》中的體現(xiàn) 引言部分主要包括了論文和基本結(jié)構(gòu)，論文的創(chuàng)新之處，論文的目的和任務(wù)，論文的現(xiàn)實(shí)意義和理論意義。 正文部分分為三章：第一章主要介紹巴別爾的生平及創(chuàng)作，以及《紅色騎兵軍》創(chuàng)作的歷史背景，重點(diǎn)介紹歐洲的反猶主義，蘇波戰(zhàn)爭以及第一騎兵軍。第二章主要介紹巴赫金的狂歡化理論，突出介紹其語言風(fēng)格。第三章主要闡釋巴赫金的狂歡化理論在巴別爾《紅色騎兵軍》中的體現(xiàn)。 結(jié)語部分對論文整體內(nèi)容進(jìn)行概括和總結(jié)，得出研究的結(jié)論和該論文的研究意義。 本論文的研究對象： 巴別爾的《紅色騎兵軍》；巴赫金的狂歡化理論；巴赫金的狂歡化理論在《紅色騎兵軍》中的體現(xiàn) 本論文的理論意義： 《紅色騎兵軍》雖屬短篇，巴別爾卻很好地運(yùn)用了狂歡化的語言風(fēng)格，竭力刻畫著更為復(fù)雜的生活圖景，，有意拉開了敘述者和敘述對象之間的距離。本論文對《紅色騎兵軍》藝術(shù)特色的探討，有助于讀者對作品思想內(nèi)涵的深層理解。另外，我國學(xué)術(shù)界對巴赫金的狂歡化理論缺少專門的研究，這又恰恰是巴赫金研究中欲待填補(bǔ)的一個(gè)空缺。本論文結(jié)合這一理論對《紅色騎兵軍》中狂歡化的語言風(fēng)格做出自己的解讀，也堪稱一次理論視角轉(zhuǎn)換的嘗試。 本論文的現(xiàn)實(shí)意義： 本論文對巴赫金狂歡化理論在巴別爾作品《紅色騎兵軍》中的體現(xiàn)的研究，不僅從一個(gè)新的理論視角解讀了巴別爾的創(chuàng)作特色，加深了讀者對這位經(jīng)典作家的了解，在一定程度上拓展中國的巴別爾研究，促進(jìn)巴別爾研究的發(fā)展，拓寬巴別爾研究的視野。而巴別爾的語言風(fēng)格和他對生活場景和其中人物形象的刻畫迎合了巴赫金狂歡化的用語風(fēng)格。本文對巴別爾作品中的狂歡化語言風(fēng)格進(jìn)行研究，有助于充實(shí)研究者們關(guān)于巴別爾創(chuàng)作風(fēng)格的學(xué)術(shù)研究。 本論文的目的和任務(wù)： 論文的主要目的在于了解狂歡化理論及該理論在巴別爾的作品《紅色騎兵軍》中的體現(xiàn)。在此基礎(chǔ)上，本論文的研究任務(wù)為：1）簡述蘇聯(lián)著名短篇小說家巴別爾及其創(chuàng)作，了解其創(chuàng)作特色；2）淺探巴赫金理論中的狂歡化理論，并依托這一理論研究《紅色騎兵軍》，主要揭示其特殊的語言風(fēng)格。 本論文的研究方法： （1）本論文采用了層層遞進(jìn)的分析方法，首先是對巴別爾生平及其創(chuàng)作的簡要介紹，突出介紹《紅色騎兵軍》，然后闡釋了巴赫金狂歡化理論，最后深層剖析這一理論在小說《紅色騎兵軍》中的體現(xiàn)。（2）引證方法：在行文過程中，本論文引用小說原文中的片段作為論據(jù)，并引入一些名家名篇的觀點(diǎn)，使本論文更具有說服力。 本論文的創(chuàng)新之處： 巴別爾的創(chuàng)作引起了俄羅斯國內(nèi)外研究者的廣泛興趣，他的戰(zhàn)爭小說《紅色騎兵軍》是其創(chuàng)作風(fēng)格的代表。而目前關(guān)于這部小說的語言風(fēng)格的研究卻很少涉及，國內(nèi)外已有的關(guān)于巴別爾的研究幾乎僅限于對其作品的翻譯。這部小說堪稱20世紀(jì)文學(xué)語言的經(jīng)典，其中充分體現(xiàn)了同時(shí)代文藝研究者的哲學(xué)理論，尤其迎合了文論家巴赫金的狂歡化語言理論。本論文旨在從嶄新的角度具體闡述狂歡化語言理論在《紅色騎兵軍》中的體現(xiàn)。 期待專家和教授們的斧正!
[Abstract]:Isaacs Babel, Russian writer, journalist, born Jewish playwright, and his famous works is "the story of Odessa" and in the first cavalry Budyonny leadership as the subject matter of the "Red Cavalry. The writer's childhood hardships, and was the massacre during the period of anti Semitic persecution, and at that time the history of mankind is experiencing the large-scale cavalry massacre There was no parallel in history. and the young Jewish writers into the war witness. The creation of Babel in Soviet history and even in the world history of literature is a unique one, the collection of short stories" Red Cavalry > embodies the unique the characteristics of the works. Babel has been translated into many languages. He is also known as the master of language and literary realism. Red Cavalry "also known as the war literature masterpiece.
< > Red Cavalry to follow Babel Budyonny commander of the Soviet Red Army First cavalry army offensive in Poland as the background. Babel witnessed the war, his own language reveals the devastating historical stage in dribs and drabs for readers. For the war itself and the soldiers, Babel always held their own unique perspective. He will also war-torn land masses especially the Jewish suffering of life and the spirit of the Cossack calm witty text fleshed out. In "Red Cavalry", the second harmonic language parody throughout, is the basic material in the construction works of the carnival characteristics, the author's death, the Jews the original tragedy, romance, and the great sense of time span, and throughout the love and hate. Red Cavalry handed down to the enduring. Not only because of its mysterious Subo War theme, but also because of its thought-provoking ideological connotation and intriguing artistic charm.
Bakhtin is a famous former Soviet Union scholar, known as the literary theorist, esthetician, sociologists, linguists. "Carnival" theory is an important part of Bakhtin theory, is one of the core issues of life. To a certain extent, the carnival theory is the Russian national character on the social and cultural life of rebellion that is a kind of desire for ideal life. This theory has aroused wide attention and strong interest of Western and eastern scholars. "Cavalry > Pakistan Biel language style and his life scenes and the depiction of the characters is to meet the Bakhtin Carnival language style.
The topic of this thesis: the embodiment of Bakhtin's Carnival Theory in Babel < > in the Red Cavalry
This paper is divided into three parts: introduction, text and conclusion. The text consists of three chapters: (1) < > the story behind the Red Cavalry (2) the carnival theory of language (3) of Bakhtin's Carnival Theory in Babel < > in the Red Cavalry
The introduction part mainly includes the paper and the basic structure, the innovation of the paper, the purpose and the task of the paper, the practical significance and the theoretical significance of the paper.
The text is divided into three chapters: the first chapter mainly introduces the life and creation of Babel, and "Red Cavalry" creation of the historical background, focuses on the European anti Semitism, the Soviet Polish war and the first cavalry army. The second chapter mainly introduces Bakhtin's carnival theory, introduces its outstanding language style. Of the carnival the third chapter mainly explains the theory of Bakhtin Babel in < > in the Red Cavalry.
The conclusion part summarizes the whole content of the paper, and draws the conclusion of the study and the significance of the research.
The research object of this paper:
Babel's "Red Cavalry army >"; Bakhtin's carnival theory; the embodiment of Bakhtin's Carnival Theory in the Red Cavalry Army
The theoretical significance of this paper is:
< > Red Cavalry is short, Babel is very good use of Carnival language style, trying to portray a more complex picture of life, deliberately opened between the narrator and narrative object distance. To explore the artistic features of < Red Cavalry > this paper helps the reader on a deep understanding of the works ideological content. In addition, China's academic circles on Bakhtin's carnival theory to the lack of specialized research, which is in the study of Bakhtin for a vacancy to fill. This paper combines the theory to make their own interpretation of "Carnival Style Red Cavalry", also called a theory from the perspective of conversion attempt.
The practical significance of this paper:
This paper studies the theory of Carnival embodied in the works of Babel < > the Red Cavalry of Bakhtin, not only from a new perspective of Babel's creation characteristics, deepen the understanding of the classical writers, Babel China expanded to a certain extent, promote the development of the study of Babel, Babel broadening the research field of vision. While Babel's language style and his life scenes and the characters portrayed to Bakhtin's Carnival language style. In this paper, the work of Babel in the carnival style of language research, help researchers on the writing style of Babel's academic research.
The purpose and task of this paper:
The main purpose of the thesis is to understand the carnival theory and the theory of embodied in the works of Babel < > the Red Cavalry. On this basis, the task of the paper is as follows: 1) the Soviet Union famous novelist Babel and his works, understand its creative features; 2) the carnival theory of Bakhtin's theory, and relying on the theory of "Red Cavalry", mainly to reveal its special language style.
The research methods of this paper are:
(1) this paper uses the analysis method of progressive layers. The first is a brief introduction of Babel's life and creation, the "Red Cavalry", and then explains Bakhtin's carnival theory, finally a deep analysis of this theory is embodied in the novel "Red Cavalry". (2) cited in: in the process, the paper quoted in the original novel fragments as arguments, and introduce some famous views, make the thesis more convincing.
The innovation of this paper:
Babel's creation has aroused wide interest in Russian researchers at home and abroad, his war novel "Red Cavalry" is representative of his writing style. But the current studies on this novel language style is rarely involved, about Babel's research at home and abroad have been almost confined to the translation of this novel. Called the twentieth Century literary language classic, which fully embodies the philosophical theory of literary contemporaries, especially to literary theorist Bakhtin's carnival theory of language. This thesis is intended to reflect the language theory of Carnival in "Red Cavalry > in the detail from a new perspective.
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【學(xué)位授予單位】：遼寧大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2012
【分類號(hào)】：I512.074

【參考文獻(xiàn)】

相關(guān)期刊論文 前3條

1 夏忠憲;巴赫金狂歡化詩學(xué)理論[J];北京師范大學(xué)學(xué)報(bào)(社會(huì)科學(xué)版);1994年05期

2 夏忠憲;拉伯雷與民間笑文化、狂歡化——巴赫金論拉伯雷[J];外國文學(xué)評(píng)論;1995年01期

3 王樹福;;巴別爾出版在中國[J];中國圖書評(píng)論;2008年02期

本文編號(hào)：1581244