本文關(guān)鍵詞： 石黑一雄 現(xiàn)代困境 “失去”與“殘留” 國際化小說家　出處：《浙江大學(xué)》2012年碩士論文　論文類型：學(xué)位論文

【摘要】：日裔英籍作家石黑一雄在世界文壇受到關(guān)注和贊譽(yù)的文學(xué)創(chuàng)作,被村上春樹視為一幅逐漸面世的巨大油畫工程,隨著每一部作品的面世,他的文學(xué)版圖在不斷擴(kuò)大,他一以貫之的主題也日益清晰,這個(gè)主題就是喬伊斯·卡羅爾·歐茨所說的“失去”與“殘留”。本文將聚焦“誰的”失去、又殘留“什么”的主題線索,分析石黑一雄作品對(duì)現(xiàn)代困境的細(xì)膩刻畫和不斷反思,體會(huì)其中展示的深刻人文情懷,并解釋他的文學(xué)創(chuàng)新及美學(xué)意蘊(yùn)。 在石黑一雄的筆下,二次世界大戰(zhàn)以及戰(zhàn)后急劇變化的現(xiàn)代社會(huì),造成了無數(shù)個(gè)體無法挽回的生活環(huán)境“失去”與難以療治的心理陰影“殘留”；尤其是那些沒有能力改變環(huán)境、只能適應(yīng)環(huán)境的普通個(gè)體的命運(yùn),呈現(xiàn)出復(fù)雜多變的心理損傷、價(jià)值觀斷裂和自我迷失。而這些不同層面的個(gè)體困境都反映了社會(huì)現(xiàn)代性的一個(gè)嚴(yán)重后果——現(xiàn)代困境。 在藝術(shù)手法上,石黑一雄主要運(yùn)用人物“殘缺”的回憶和第一人稱“不可靠的”敘述,回顧普通人的生活經(jīng)歷和心路歷程,這一特點(diǎn)也讓眾多仍生活在現(xiàn)代化迷宮中的現(xiàn)代讀者極易產(chǎn)生共鳴和受益良多,因?yàn)檫@些回憶和敘述大都是啟動(dòng)反思和需要不斷重新解釋的。不僅如此,石黑一雄自詡“國際視野”的無國界作家,他在跨文化作家群中的獨(dú)樹一幟,也令其作品具有特殊的跨界研究和經(jīng)驗(yàn)共享價(jià)值。
[Abstract]:Japanese British writer Ishihiro Shih in the world of literary attention and praise of literary creation, by Haruki Murakami as a gradual emergence of a huge oil painting project, with the emergence of each work. His literary landscape is expanding, and his consistent theme is becoming increasingly clear, which is what Joyce Carroll Oates calls "loss" and "residue." this article focuses on "whose loss." The theme clue of "what" remains, analyzes the delicate portrayal and continuous reflection of the modern predicament in Shi Hei-hsiung 's works, experiences the profound humanistic feelings displayed therein, and explains his literary innovation and aesthetic implication. In Ishihiro's works, World War II and the rapid changes in modern society after the war, caused countless individuals irreparable living environment "lost" and the untreatable psychological shadow "residue"; Especially those who have no ability to change the environment, can only adapt to the environment of the fate of ordinary individuals, showing complex and changeable psychological damage. These individual dilemmas at different levels reflect a serious consequence of social modernity-the modern dilemma. In terms of artistic techniques, Ishihiro mainly uses the memory of "incomplete" characters and the "unreliable" narration of the first person to review the life experience and mental process of ordinary people. This characteristic also makes many modern readers who still live in the modern maze easily resonate and benefit a lot, because most of these memories and narrations are initiated reflection and need to be constantly reinterpreted. Ishihiro Ishihiro, who claims to be a writer without national boundaries in International Vision, is unique in cross-cultural writers, which also makes his works of special cross-border research and experience-sharing value.
【學(xué)位授予單位】：浙江大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2012
【分類號(hào)】：I561.074

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