本文關(guān)鍵詞： 揮毫潑墨 福樓拜 甄士隱 義隱 創(chuàng)作觀 說(shuō)大 麻布袋 那就是我 索隱派 個(gè)人作者 　出處：《中國(guó)圖書評(píng)論》2014年06期 　論文類型：期刊論文

【摘要】：正大作家久煉成仙,揮毫潑墨,字里行間,總流露出一種天下情懷、普世追求。奇怪的是,非洲文壇的新秀,一出道,就有如此氣象,原因何在?還是從小說(shuō)說(shuō)起�！犊蓱z可憐水》(For the Mercy of Water)這個(gè)標(biāo)題,讀起來(lái)可憐巴巴,其實(shí)作品的境遇一點(diǎn)也不可憐。出版僅僅一
[Abstract]:Zhengda writers have long been refined into immortals, wielding ink and splashing ink between the lines, always revealing a kind of world feelings, universal pursuit. Oddly, the new talent in the African literary world, as soon as it comes out, has such a phenomenon. Why?... Let's start with the novel. The title for the Mercy of Water reads pitifully. In fact, the situation of the work is not at all pitiful.
【作者單位】： 北京大學(xué)世界文學(xué)研究所;
【分類號(hào)】：I106.4
【正文快照】： 大作家久煉成仙,揮毫潑墨,字里那就是我�！毙牡咨钐�,小說(shuō)家是想脫行間,總流露出一種天下情懷、普世追去隱身衣的,那語(yǔ)氣甚至有些迫不及求。奇怪的是,非洲文壇的新秀,一出待。這種情況,不止福樓拜一人�！耙码[道,就有如此氣象,原因何在? 脫顯”“逼實(shí)救虛”,小說(shuō)才能說(shuō)大,其還，

本文編號(hào)：1457057