本文關(guān)鍵詞：勃洛克抒情詩研究　出處：《上海外國語大學(xué)》2012年博士論文　論文類型：學(xué)位論文

  更多相關(guān)文章： 勃洛克 抒情詩 主題 藝術(shù)特色

【摘要】：勃洛克是俄國象征主義的代表人物，是享譽(yù)世界的抒情大師。勃洛克的抒情詩創(chuàng)作既借鑒了法國象征主義、德國浪漫主義的藝術(shù)經(jīng)驗(yàn)，，又繼承了本國文學(xué)的優(yōu)秀傳統(tǒng)；既是象征主義詩歌的典范，又是對這一文學(xué)流派的超越。 本論文結(jié)合勃洛克創(chuàng)作時期的社會歷史、思想文化背景，在回顧和梳理勃洛克創(chuàng)作道路的基礎(chǔ)上，對勃洛克抒情詩的主題和藝術(shù)進(jìn)行較為深入和系統(tǒng)的探析。論文由緒論、正文、結(jié)語、參考文獻(xiàn)四部分組成。 緒論部分主要回顧了勃洛克及其抒情詩在俄中兩國的研究歷史和現(xiàn)狀，闡述了論文的選題意義、任務(wù)、研究方法和新意。 正文分為四章。第一章由三個小節(jié)組成。第一節(jié)主要結(jié)合當(dāng)時的社會歷史、思想文化背景勾勒出勃洛克抒情詩創(chuàng)作的語境。第二、三節(jié)分別探討勃洛克抒情詩創(chuàng)作的兩大影響源——德國浪漫主義文學(xué)和俄羅斯十九世紀(jì)文學(xué)傳統(tǒng)。 第二章根據(jù)勃洛克對自己抒情詩創(chuàng)作“正題”——“反題”——“合題”三段式的劃分方法，結(jié)合不同時期的代表性詩歌、詩人的書信和日記材料，詳細(xì)描述和概括了勃洛克各個階段抒情詩創(chuàng)作的主題和特點(diǎn)。 第三章和第四章是論文的重點(diǎn)。第三章共分四個小節(jié)，分別剖析了“永恒女性”、“城市”、“夢”、“道路”這四個貫穿性主題及其在勃洛克不同時期創(chuàng)作中的發(fā)展變化，揭示了勃洛克對這些主題的詮釋與俄羅斯文學(xué)傳統(tǒng)和法國象征主義、德國浪漫主義的關(guān)聯(lián)。 第四章共分四個小節(jié)，從抒情主人公、抒情詩分組、抒情詩中的音樂、象征和神話的角度分析了勃洛克抒情詩的藝術(shù)特色，發(fā)掘了勃洛克抒情詩藝術(shù)的獨(dú)創(chuàng)性，進(jìn)而揭示了勃洛克乃至整個俄羅斯象征主義詩歌的詩學(xué)特征。 結(jié)語部分對全文進(jìn)行了歸納和總結(jié)，羅列了主要論點(diǎn)，并指明了今后的研究方向。
[Abstract]:Bullock is a representative figure of Russian symbolism and a world-famous lyric master. His lyric creation not only draws lessons from the artistic experience of French symbolism and German romanticism. Inherited the excellent tradition of national literature; It is not only the model of symbolism poetry, but also the transcendence of this literary school. This paper combines the social history, ideological and cultural background in the period of Bullock's creation, on the basis of reviewing and combing the road of Bullock's creation. The thesis is composed of four parts: introduction, text, conclusion and reference. The introduction mainly reviews the history and present situation of Bullock and his lyric poems in Russia and China, and expounds the significance, task, research methods and new ideas of the thesis. The text is divided into four chapters. The first chapter is composed of three sections. The first section mainly combines the social history at that time, ideological and cultural background to outline the context of Block lyric poetry creation. Second. The three sections discuss the two influential sources of Brock's lyric poems, German Romantic literature and Russian literary tradition of 19th century. The second chapter according to Bullock's creation of his lyric poetry "the title"-"anti-title"-"the theme" three-paragraph division method, combined with the different periods of representative poetry, poets' letters and diary materials. It describes and generalizes in detail the themes and characteristics of the lyric poems in various stages of Bullock's creation. Chapter three and Chapter 4th are the emphases of the thesis. The third chapter is divided into four sections: "Eternal female", "City" and "Dream". The four penetrating themes of "Road" and their development in the creation of Bullock in different periods reveal his interpretation of these themes, Russian literary tradition and French symbolism. The connection of German Romanticism. Chapter 4th is divided into four sections, from the lyric protagonist, lyric poetry grouping, lyric music, symbol and myth of the analysis of the artistic characteristics of Block lyric poetry. It explores the originality of Brock's lyric poetry and reveals the poetic characteristics of Bullock and even the whole Russian symbolism. The conclusion part summarizes and summarizes the full text, lists the main arguments and points out the research direction in the future.
【學(xué)位授予單位】：上海外國語大學(xué)
【學(xué)位級別】：博士
【學(xué)位授予年份】：2012
【分類號】：I512.072

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