本文關(guān)鍵詞：論陌生化在莫里森的《慈悲》中的實現(xiàn)　出處：《河南大學》2012年碩士論文　論文類型：學位論文

  更多相關(guān)文章： 《慈悲》 陌生化 敘事策略的陌生化 語言的陌生化 藝術(shù)感知

【摘要】：作為俄國形式主義運動的一個重要理論，“陌生化”理論由形式主義的代表人物什克洛夫斯基于1917年在其著名的論文《作為手法的藝術(shù)》中提出，這是俄國形式主義運動的綱領(lǐng)性論文。 在這篇文章中，，什克洛夫斯基寫下了一段關(guān)于藝術(shù)的名言:“那種被稱為藝術(shù)的東西的存在，正是為了喚回人對生活的感受，使人感受到事物，使石頭更成其為石頭。藝術(shù)的目的是使你對事物感覺如同你所見的視象那樣，而不是如同你所認知的那樣;藝術(shù)的手法是事物的‘反�；址ㄊ菑碗s化形式的手法，它增加了感受的難度和時延，既然藝術(shù)中的領(lǐng)悟過程是以自身為目的的，它就理應(yīng)延長;”這段文字讓我們看到了什克洛夫斯基對藝術(shù)的目的、藝術(shù)程序以及藝術(shù)是什么等重大問題的回答，而“陌生化”正是解答這些問題的關(guān)鍵。 托尼·莫里森是當今世界文壇上一位杰出的黑人女作家。她的最新一部小說《慈悲》于2008年出版，一經(jīng)問世就被給予了很高的評價。托尼·莫里森在這部小說的創(chuàng)作中充分展現(xiàn)了她在敘事及語言中的反傳統(tǒng)精神，繼承了自己獨特的手法和風格，展示了她劃時代文學大師的地位。本論文立足于文本分析，從陌生化角度出發(fā)，試圖探索并論證《慈悲》中所達到的陌生化審美效果。 本論文首先簡介作家生平及著作，以及國內(nèi)外對莫里森的研究狀況，接著是論文的主體部分: 第一章首先介紹了陌生化的概念并且回溯了這一理論的起源和發(fā)展，接著討論了在《慈悲》中實現(xiàn)陌生化的可能性，這包含了在文學中實現(xiàn)陌生化的方法和莫里森的藝術(shù)觀與陌生化理論的相似之處。 第二章從小說的敘事策略和語言兩部分分析了在這部小說中陌生化效果的實現(xiàn)。在《慈悲》這部小說中，斷層的時間、多重敘事視角和敘事話語的運用打破了傳統(tǒng)小說的情節(jié)發(fā)展模式和敘事規(guī)范�？筛械碾[喻和意象使語言整體具有了強烈的感受性。這些敘事和語言技巧延長了讀者的審美體驗，達到了陌生化的美學效果。 第三章意在討論在小說《慈悲》中實現(xiàn)陌生化的美學影響。這一章探討了作品的獨特性和讀者在閱讀這部小說中獲得的藝術(shù)感知及獲得這一藝術(shù)感知的方法。 通過以上章節(jié)的論述，本論文最后得出結(jié)論:托尼·莫里森通過運用各種技巧，改變傳統(tǒng)敘述方式、創(chuàng)新語言表達技巧，使其小說具有了奇異和新穎的特點。這些陌生化技巧的運用增加了《慈悲》的閱讀和理解難度，延長了讀者的審美感悟過程，使讀者獲得藝術(shù)感知。
[Abstract]:As an important theory of Russian formalism movement, the theory of "defamiliarization" was put forward by the representative figure of formalism, Shklovsky, in his famous paper "Art as a means" in 1917. This is a programmatic paper of the Russian formalism movement. In this article, Shklovsky wrote a famous saying about art: "the existence of something called art is in order to call back people's feelings of life and to make people feel things." The purpose of art is to make things feel as you see them, not as you perceive them; The artistic technique is the 'abnormal' technique of things is the method of complicating form, it increases the difficulty and delay of feeling, since the process of comprehension in art is for its own purpose, it should be prolonged; "this passage shows us Shklovsky's answer to major questions about the purpose of art, the process of art, and what art is, and" strangeness "is the key to answering these questions. Tony Morrison is an outstanding black woman writer in the world today. Her latest novel, Mercy, was published in 2008. When it came out, it was highly valued. In her novel, Tony Morrison fully demonstrated her anticonventional spirit in narrative and language, and inherited her own unique style and style. This paper is based on text analysis, from the angle of defamiliarization, tries to explore and demonstrate the aesthetic effect of defamiliarization achieved in "mercy". This thesis first introduces the author's life and works, as well as the research status of Morrison at home and abroad, and then the main part of the thesis: The first chapter introduces the concept of defamiliarization and traces the origin and development of the theory, and then discusses the possibility of defamiliarization in mercy. This includes the similarity between the method of realizing defamiliarization in literature and Morrison's view of art and the theory of defamiliarization. The second chapter analyzes the realization of the strangeness effect in the novel from the narrative strategy and the language of the novel. The use of multiple narrative perspectives and narrative discourse breaks the plot development model and narrative norms of traditional novels. Perceptible metaphors and images make the language as a whole strongly receptive. These narrative and linguistic techniques extend reading. The aesthetic experience. The aesthetic effect of defamiliarization has been achieved. The third chapter is intended to discuss the aesthetic influence of strangeness in the novel Mercy. This chapter discusses the uniqueness of the work and the artistic perception acquired by the reader in reading the novel and the method of obtaining the artistic perception. Through the above chapters, this paper finally draws the conclusion: Tony Morrison through the use of a variety of techniques, to change the traditional narrative, innovative language expression skills. The application of these defamiliarization techniques increases the difficulty of reading and understanding Mercy, prolongs the process of readers' aesthetic perception and enables readers to acquire artistic perception.
【學位授予單位】：河南大學
【學位級別】：碩士
【學位授予年份】：2012
【分類號】：I712.074

【參考文獻】

相關(guān)期刊論文 前8條

1 王守仁;吳新云;;超越種族:莫里森新作《慈悲》中的“奴役”解析[J];當代外國文學;2009年02期

2 李攀攀;;聆聽母親愛的呼喚——淺析托尼·莫里森新作《慈悲》中的母女關(guān)系[J];河北軟件職業(yè)技術(shù)學院學報;2011年01期

3 代美麗;;回旋曲式——《慈悲》中“愛”的探索之路[J];黑龍江教育學院學報;2010年11期

4 王亞男;;淺析《慈悲》的召喚結(jié)構(gòu)[J];黑龍江教育學院學報;2010年12期

5 王靜;;《慈悲》:距離產(chǎn)生悲劇美[J];牡丹江教育學院學報;2010年06期

6 李秀清;;女性自我書寫與建構(gòu)—評莫里森的最新小說《慈悲》[J];山東省青年管理干部學院學報;2010年04期

7 馮秀平;;從美學角度解析《仁慈》[J];銅陵職業(yè)技術(shù)學院學報;2010年04期

8 尚必武;;被誤讀的母愛:莫里森新作《慈悲》中的敘事判斷[J];外國文學研究;2010年04期

本文編號：1419482