本文關(guān)鍵詞：石黑一雄長(zhǎng)篇小說權(quán)力模式論　出處：《武漢大學(xué)》2012年博士論文　論文類型：學(xué)位論文

  更多相關(guān)文章： 石黑一雄 權(quán)力模式 空間 話語 身體

【摘要】：本文旨在將當(dāng)代著名的日裔英國(guó)小說家石黑一雄放置于全球化進(jìn)程、后現(xiàn)代文化背景和后殖民語境之中,考察其長(zhǎng)篇小說中的權(quán)力運(yùn)作模式。本文運(yùn)用福柯和布迪厄的權(quán)力思想為理論參照,試圖從權(quán)力-空間模式、權(quán)力-話語模式、權(quán)力-身體模式以及權(quán)力之網(wǎng)中的抵抗四個(gè)維度去接近研究客體。 第一章主要分析石黑一雄小說中權(quán)力-空間運(yùn)作模式。這種權(quán)力運(yùn)作模式分別呈現(xiàn)為英國(guó)鄉(xiāng)村空間的等級(jí)分配、老上�？臻g的內(nèi)部區(qū)隔和英國(guó)/日本城市空間的中心與邊緣之爭(zhēng)搶�？臻g不單是權(quán)力發(fā)生的場(chǎng)域,它更參與了生產(chǎn)關(guān)系的生產(chǎn),是其中一個(gè)必要的構(gòu)成要素。同時(shí),藉由空間的分配原則和規(guī)訓(xùn)系統(tǒng),現(xiàn)代社會(huì)變成了一個(gè)“全景敞視監(jiān)獄”。 第二章主要分析石黑一雄小說中權(quán)力-話語運(yùn)作模式。話語存在著普遍的權(quán)力特性,本章首先概括性地說明“真理游戲”的闡釋和建構(gòu)并非不偏不倚,接著具體探討帝國(guó)神話對(duì)他者的想象性釋義與“榮譽(yù)”話語的教化和支配策略,指出這兩類真理話語充斥著權(quán)力素質(zhì)。本章還將通過官方語言的建構(gòu)、藝術(shù)場(chǎng)域中的“自治原則”和“他治原則”的競(jìng)爭(zhēng)、媒介場(chǎng)域中的信息取舍及議題設(shè)置來分析日常話語的控制策略及其內(nèi)含的身份等級(jí)界定。話語不再是我們想象的那樣客觀自然,它承載著并生產(chǎn)著權(quán)力,而權(quán)力則通過話語來隱秘地實(shí)現(xiàn)其目標(biāo)。 第三章主要分析石黑一雄小說中權(quán)力-身體運(yùn)作模式。身體是現(xiàn)代權(quán)力的直接的和最重要的規(guī)訓(xùn)對(duì)象,它受制于權(quán)力的鍛造,服從于隱匿的權(quán)力。本章從被嚴(yán)密監(jiān)視的物質(zhì)身體、規(guī)范化的社會(huì)文化身體來探討被權(quán)力塑造的馴順的身體。這種權(quán)力運(yùn)作模式的最終目的是讓身體變得有用、有效和聽話,并將這種規(guī)訓(xùn)以合法、隱蔽的方式貫穿于整個(gè)社會(huì)的運(yùn)作之中,以達(dá)到控管社會(huì)的目的。 第四章主要探討石黑一雄的權(quán)力抵抗策略,即他的反話語的文學(xué)實(shí)踐。權(quán)力和抵抗如影隨形、不可分離。身為作家的石黑一雄除了冷眼觀察權(quán)力的運(yùn)作模式,他也在文本中對(duì)權(quán)力話語進(jìn)行解構(gòu),這是他所選擇的權(quán)力抵抗方式。石黑一雄在文本中進(jìn)行的反話語實(shí)踐直接指向各種中心話語及其生產(chǎn)和再生產(chǎn)過程：他通過對(duì)西方傳統(tǒng)敘述模式和文學(xué)標(biāo)準(zhǔn)的自我發(fā)掘和質(zhì)疑,挑戰(zhàn)西方的文化權(quán)威性；他通過揭示歷史的斷裂性和碎片性、歷史的主觀性特質(zhì)和意識(shí)形態(tài)蘊(yùn)涵等策略解構(gòu)來自中心權(quán)威的傳統(tǒng)線性歷史進(jìn)步觀,直至展示現(xiàn)代社會(huì)體系作為一個(gè)權(quán)力系統(tǒng)對(duì)個(gè)人的規(guī)訓(xùn)和剝奪。石黑一雄的反話語文學(xué)實(shí)踐雖然缺少殖民地作家那樣的火藥味,但是卻從話語的深度上削弱了中心權(quán)力話語。他主張將原來的權(quán)力中心問題化,卻又并不重新建立一個(gè)中心。這對(duì)于邊緣、非主流或少數(shù)文化群體的文化抵抗來說,是具有重要價(jià)值和意義的。
[Abstract]:This paper aims at the Japanese famous contemporary British novelist Ishiguro Yiyu placed in the process of globalization, the cultural background of modern and post colonial context, the novel of the power operation mode. This paper uses Foucault and Bourdieu's power as a theoretical reference, trying to model from the power space, power discourse model, power model and body the power network resistance in four dimensions to approach the study object.
The first chapter mainly analyzes Ishiguro Yiyu's novels in power space mode of operation. The power operation mode were presented for the British rural spatial grade distribution, for the center and the edge of the old Shanghai city of Japan's space space within the segment and the British /. Space is not only the field of power generation, it is more involved in the relations of production the production is one of the necessary elements. At the same time, through the spatial distribution principle and discipline system, modern society has become a "Panopticon".
The second chapter mainly analyzes the power discourse in the novels of Ishiguro Yiyu mode of operation. There are common characteristics of discourse power, this chapter briefly explains the interpretation and construction of truth is not avoid leaning to either side game ", then discusses the definition of imaginary Empire myth of the other and" honor "discourse of the enlightenment and the dominant strategy, pointed out that the two class the truth is filled with power quality. The construction of discourse in this chapter will be through the official language of the art in the field of" autonomy "and" heteronomy "principle of competition analysis, to set the daily discourse choice of information and issues of media in the field of control strategy and its inherent status defined. Discourse is no longer our imagination as the objective nature, bearing and production power, and power through the hidden discourse to achieve its objectives.
The third chapter mainly analyzes the power in Ishiguro Yiyu's novels. The body is physical mode of operation of modern power directly and the most important discipline, it is subject to the power of the forging, subject to the hidden power. This chapter is closely monitored the physical, social and cultural norms of the body to explore the power shaping good health. The ultimate purpose of power operation mode is to let the body be useful, effective and obedient, and this discipline to legitimate covert manner throughout the entire social operation, in order to achieve the purpose of social control.
The fourth chapter mainly discusses Ishiguro Yiyu's power resistance strategy, namely his literary practice. Anti discourse power and resistance can not be separated. As the shadow follows the form, as a writer Ishiguro Yiyu, in addition to the mode of operation of observing power, he also in the text of discourse deconstruction, this is his choice of power resistance. Anti discourse practice Ishiguro Yiyu in the text directly to the center of all kinds of discourse and its production and reproduction process: through his narrative mode and standard of literature of the Western tradition of self discovery and challenge, challenge the cultural authority of the West; he reveals the fracture and fragmentation of history, historical characteristics and subjective ideological implication strategy of deconstruction of traditional linear history progress from the central authority view, until the display of modern social system as and deprivation of personal discipline in a power system. A black stone Male Chinese learning practice, although the lack of anti colonial writers like gunpowder, but from the words on the depth of weakening the power discourse. He claims to be the center of power of the original, but not to build a center. The edge of resistance or a non mainstream culture and cultural groups, it is of great value and significance.

【學(xué)位授予單位】：武漢大學(xué)
【學(xué)位級(jí)別】：博士
【學(xué)位授予年份】：2012
【分類號(hào)】：I561.074

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