發(fā)布時(shí)間：2018-01-11 00:08

  本文關(guān)鍵詞：淺談芥川龍之介文學(xué)創(chuàng)作的虛無(wú)思想　出處：《遼寧大學(xué)》2012年碩士論文　論文類(lèi)型：學(xué)位論文

  更多相關(guān)文章： 虛無(wú) 鬼才 不滿 解脫

【摘要】：芥川龍之介(1892—1927)是日本著名作家，也可以說(shuō)是新思潮派的代表作家。在貧困的現(xiàn)實(shí)生活中，母親的發(fā)病、父親事業(yè)的失敗以及初戀的失意給他精神上帶來(lái)了極大痛苦，造成了他成年后患上了神經(jīng)衰弱等多種疾病。同時(shí)，這一切又使他倍感孤獨(dú)。在當(dāng)時(shí)資本主義發(fā)展的大背景下，對(duì)利己主義的不滿，對(duì)資本主義現(xiàn)實(shí)的憎惡，如惡魔般侵蝕著他，使其產(chǎn)生一種悲觀厭世、虛無(wú)的思想。1927年，這位日本文壇上的巨匠如櫻花般在其文學(xué)生涯達(dá)其頂峰時(shí)與世長(zhǎng)辭。觀其創(chuàng)作，自1915年第一篇?dú)v史小說(shuō)《羅生門(mén)》問(wèn)世以來(lái)，在短短的12年里，這位天才般的作家，用自己獨(dú)特的手法和新穎的藝術(shù)視角寫(xiě)出了148篇小說(shuō)，還有大量的散文、評(píng)論。這些精美的佳作，技巧純熟、構(gòu)思奇特、語(yǔ)言簡(jiǎn)練、情節(jié)更是引人入勝，使其在日本文壇上享有“鬼才”之稱(chēng)。 芥川龍之介深受懷疑主義、厭世主義、虛無(wú)主義的影響�？v觀芥川龍之介的作品，在思想內(nèi)容上，他極力表達(dá)對(duì)生存狀態(tài)中虛無(wú)的審視和在痛苦困境掙扎后產(chǎn)生的虛無(wú)。芥川龍之介深刻剖析人物的心理狀態(tài)，將下層人們的悲歡離合，通過(guò)其作品進(jìn)行充分哲理化的藝術(shù)加工，再把生活中的現(xiàn)實(shí)折射出來(lái)，并注入新的生命，給今人以借鑒和反省。不過(guò)他雖然努力去尋找時(shí)代和社會(huì)的病根，但卻沒(méi)有力量去解決現(xiàn)實(shí)的丑惡?jiǎn)栴}，于是企圖調(diào)和現(xiàn)實(shí)與理想之問(wèn)的距離，從現(xiàn)實(shí)中尋找理想的可能性，企圖從藝術(shù)中拂去不和諧的人生。他對(duì)資本主義體制、道德和現(xiàn)代社會(huì)種種束縛懷有不滿。其創(chuàng)作思想上從對(duì)人生的解釋、批判、追求、不安轉(zhuǎn)為對(duì)人生、社會(huì)的不滿和憎惡以及對(duì)前途毀滅的意識(shí)。這也正是他對(duì)待人生的態(tài)度，導(dǎo)致最終無(wú)法自拔。 本論文由序論、正文和結(jié)論三部分組成。主要內(nèi)容如下：第一部分是序論。包括先行研究，研究方法，預(yù)期目標(biāo)。在此基礎(chǔ)上說(shuō)明“虛無(wú)思想”的內(nèi)涵，以及本論文的研究方向。 第二部分是正文。首先闡述芥川龍之介的成長(zhǎng)經(jīng)歷及其創(chuàng)作特色。介紹了特殊的成長(zhǎng)環(huán)境對(duì)其形成虛無(wú)主義人生觀的影響。通過(guò)對(duì)芥川龍之介早期、中期、晚期作品的解讀，了解其藝術(shù)風(fēng)格和創(chuàng)作動(dòng)機(jī)，以及各個(gè)時(shí)期作品的思想內(nèi)涵，為探求其作品中的虛無(wú)思想做好鋪墊。然后介紹了當(dāng)時(shí)資本主義制度的特殊時(shí)代背景下，虛無(wú)意識(shí)對(duì)人們的世界觀、人生觀的滲透。即雖然物質(zhì)上豐富了，但是人們的生活方式、思維方式、價(jià)值觀念都發(fā)生了巨大的變化。人與人之間變的冷漠，甚至社會(huì)上到處充斥著金錢(qián)至上的觀念。人們變得茫然，不知道自己究竟想追求什么。自我價(jià)值逐漸喪失。而這種變化在芥川龍之介的在文學(xué)作品中被體現(xiàn)得淋漓盡致。本論文以芥川龍之介的名作《羅生門(mén)》、《鼻》、《芋粥》為中心，分別從人與社會(huì)環(huán)境關(guān)系、人與他人關(guān)系、人與自我關(guān)系三個(gè)方面對(duì)其作品中所產(chǎn)生的虛無(wú)思想進(jìn)行深刻剖析，揭示了人性的本質(zhì)。 然后，從作者的角度出發(fā)，闡述了虛無(wú)思想對(duì)其人生的影響。作者生活中的苦痛，，對(duì)生存的絕望，對(duì)人性的反思，對(duì)藝術(shù)追求的破滅，對(duì)未來(lái)的不安等均來(lái)自于虛無(wú)的思想。為了尋求內(nèi)心的安定，也為了擺脫虛無(wú)思想的控制，尋求從虛無(wú)中徹底解脫，作者不得不采取了極端的方式。留給后人的是對(duì)人生的意義的重新思索。 最后是結(jié)論部分。綜上所論述內(nèi)容得出結(jié)論，并提出今后有待研究的課題。本論文通過(guò)虛無(wú)思想來(lái)探究芥川龍之介的各個(gè)時(shí)期文學(xué)創(chuàng)作的心路歷程，從而得出芥川龍之介是從拘泥于虛無(wú)到擺脫虛無(wú)的結(jié)論。
[Abstract]:Akutagawa Ryunosuke (1892 - 1927) is a famous Japanese writer, also can say is a representative writer of xinsichaopai. In the reality of poverty in life, mother's disease, the cause of the failure of frustrated father and first love to his spirit has brought great pain, causing his adult suffering from neurasthenia and other diseases at the same time. All of this, and made him feel lonely. In the background of capitalist development, the egoism of discontent, the reality of capitalism as demonic hatred, eroding him, which creates an empty.1927 be pessimistic and worldweary, thought, master of the Japanese literary world such as the cherry blossom in his literary career reached its peak died. View its creation, since 1915 the first historical novel "Rashomon" appeared in a short span of 12 years, the talented writer, write your own unique style and original artistic perspective The 148 novels, there are a lot of prose commentary. These exquisite masterpiece, skillful, unique, concise language, the plot is fascinating, so that in the Japanese literary world to enjoy the "Wizard" said.
Akutagawa Ryunosuke was deeply influenced by skepticism and pessimism, nihilism. In Akutagawa Ryunosuke's works, in the ideological content, he tried to express to the review and in pain after struggling the nothingness of the survival state of nothingness. Akutagawa Ryunosuke profound analysis of the psychological states of the characters, the lower people's grief at separation and joy in union art processing, full of philosophic theory by it works, then the reality of life reflected, and inject new life to people in order to reference and reflection. But although he tried hard to find the root cause of the era and society, but have no power to solve the problem of ugly reality, so in an attempt to reconcile the distance between ideal and reality, the possibility of looking for the ideal from reality the attempt from the art of life. He brushed the disharmony of the capitalist system, ethics and modern society have bound their creative thinking dissatisfaction. From the interpretation, criticism, pursuit and unrest of life to the sense of dissatisfaction and hatred for life and society and the sense of future destruction, this is also his attitude towards life, which leads to the ultimate inability to extricate himself.
This thesis is composed of preface, text and conclusion of three parts. The main contents are as follows: the first part is the introduction. Including previous research, research methods, the expected goal. On the basis of the connotation of "nothingness", as well as the research direction.
The second part is the main body. Firstly, the growth experience of Akutagawa Ryunosuke and its creative features. This paper introduces the special growth environment influence the formation of nihilism outlook on it. By the middle of the early, late Akutagawa Ryunosuke, interpretation of works, understand its artistic style and creative motivation, and each time the connotation of the works, in order to pave the way for the search in the works of nihilism. Then introduces the special background of the capitalist system, nihilism on people's world outlook, outlook on life. Although the penetration of material wealth, but the people's way of life, way of thinking, values have undergone tremendous changes. Between people become indifferent. Even the society is full of money supremacy. People become confused, don't know what I want. What the pursuit of self value and the change in the lost gradually. Akutagawa Ryunosuke in the literary works are embodied most incisive. In this paper, Akutagawa Ryunosuke's masterpiece < Rashomon >, < < > > the nose, taro porridge as the center, from the relationship between human and social environment, the relationship between people and others, deeply analyzes three aspects of people and self generated in its work in nothingness thought, reveals the essence of human nature.
Then, starting from the author's point of view, expounds the influence of the nothingness of life. The life of pain, despair of survival, reflection of human nature, the pursuit of art burst, unease about the future are from nothingness thoughts. In order to seek inner peace, in order to get rid of the control of nothingness thought, seek completely free from nothing, the author had to take the extreme way. For posterity is re thinking about the meaning of life.
The last part is the conclusion. To sum up the contents of this conclusion, and put forward the future research topic. This paper through nothingness to explore Akutagawa Ryunosuke's literary creation in different periods of the journey, so that Akutagawa Ryunosuke is from the stick to get rid of the nothingness of the nothingness conclusion.

【學(xué)位授予單位】：遼寧大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2012
【分類(lèi)號(hào)】：I313.074

【共引文獻(xiàn)】

相關(guān)期刊論文 前10條

1 胥琴;;《細(xì)雪》中日式傳統(tǒng)美的解讀[J];安徽文學(xué)(下半月);2010年05期

2 郝周紹;;谷崎文學(xué)之集大成者《細(xì)雪》解讀[J];北方文學(xué)(下半月);2012年04期

3 李攀;;解讀谷崎潤(rùn)一郎藝術(shù)世界的“女權(quán)”思想[J];長(zhǎng)城;2011年12期

4 李攀;;淺析谷崎潤(rùn)一郎筆下的“美”[J];重慶科技學(xué)院學(xué)報(bào)(社會(huì)科學(xué)版);2011年15期

5 郝周紹;;谷崎潤(rùn)一郎“異端”審美意識(shí)淺析[J];太原城市職業(yè)技術(shù)學(xué)院學(xué)報(bào);2012年04期

6 裴永蕾;;沉淪與掙扎——淺析《癡人之愛(ài)》中的“癡人形象”[J];長(zhǎng)城;2013年02期

7 王莉;陶潔潔;;《刺青》中極端美的具象化問(wèn)題[J];長(zhǎng)城;2013年04期

8 李攀;;《癡人之愛(ài)》之“癡”[J];湖北成人教育學(xué)院學(xué)報(bào);2011年04期

9 劉雪寧;;論谷崎潤(rùn)一郎的女性崇拜主義思想[J];黑河學(xué)刊;2011年01期

10 高興蘭;;玩具與神:谷崎潤(rùn)一郎筆下女性形象兩極化傾向及其美學(xué)理念[J];浙江海洋學(xué)院學(xué)報(bào)(人文科學(xué)版);2012年01期

相關(guān)博士學(xué)位論文 前1條

1 王璐;谷崎潤(rùn)一郎與中國(guó)[D];吉林大學(xué);2012年

相關(guān)碩士學(xué)位論文 前9條

1 張二菊;20世紀(jì)二三十年代谷崎潤(rùn)一郎在中國(guó)[D];福建師范大學(xué);2010年

2 戚江虹;谷崎潤(rùn)一郎“東洋回歸”之路[D];華東師范大學(xué);2006年

3 李媛;谷崎潤(rùn)一郎“嗜美”探幽[D];四川師范大學(xué);2007年

4 蔡榕濱;谷崎潤(rùn)一郎在中國(guó)的譯介[D];福建師范大學(xué);2008年

5 裴永蕾;《春琴抄》的獨(dú)特的文學(xué)世界[D];山東師范大學(xué);2009年

6 諸賢女;困惑中的自我建構(gòu)[D];黑龍江大學(xué);2009年

7 陳淵媛;異端者的異端情愛(ài)谷崎潤(rùn)一郎小說(shuō)畸戀分析[D];華東師范大學(xué);2009年

8 鄭培燕;論日本唯美主義文學(xué)的“回歸東洋”現(xiàn)象[D];福建師范大學(xué);2012年

9 胥琴;谷崎潤(rùn)一郎對(duì)近代中國(guó)的誤讀[D];福建師范大學(xué);2012年

本文編號(hào)：1407326