論村上春樹小說中主人公的“自我意識(shí)”
發(fā)布時(shí)間:2018-01-10 07:05
本文關(guān)鍵詞:論村上春樹小說中主人公的“自我意識(shí)” 出處:《遼寧師范大學(xué)》2012年碩士論文 論文類型:學(xué)位論文
更多相關(guān)文章: 村上春樹 自我意識(shí) 異化 荒誕 存在主義
【摘要】:村上春樹是日本當(dāng)代的著名作家,從上個(gè)世紀(jì)七十年代開始便在日本文壇嶄露頭角,之后村上春樹的作品傳入世界各國(guó),不論在亞洲還是歐洲都有一批“村上春樹迷”,不同程度地掀起了一股村上春樹熱。村上春樹的作品風(fēng)格獨(dú)特,既繼承了日本傳統(tǒng)物哀的基調(diào),又融合了西方現(xiàn)代主義的創(chuàng)作特色。村上春樹的青年時(shí)代正是日本經(jīng)濟(jì)起伏的年代,經(jīng)濟(jì)急速的上升和下降使日本人尤其是青年人的心理產(chǎn)生了極大的落差,所以村上春樹特別關(guān)注青年一代的精神世界。對(duì)于青年一代“自我意識(shí)”的解讀是村上春樹小說探索青年一代精神世界的一個(gè)重要主題!白晕乙庾R(shí)”就是以“自我”為對(duì)象進(jìn)行的一系列思考,本文將村上春樹小說中所表達(dá)的“自我意識(shí)”為研究對(duì)象,分析村上春樹小說中主人公“自我意識(shí)”的“自我”內(nèi)涵和表達(dá)手法,,以及“自我意識(shí)”所透露出的哲學(xué)意味,最后從社會(huì)、作家等背景入手簡(jiǎn)單地解讀村上春樹小說的“自我意識(shí)”產(chǎn)生的原因。在村上春樹的小說中主人公往往是一個(gè)一個(gè)孤獨(dú)存在的個(gè)體,而且主人公的感受也是孤獨(dú)的,從這兩個(gè)方面突出“自我”作為主體存在形式的這一內(nèi)涵。除此之外,村上春樹小說中的“自我”還具有作為主體存在意義的這方面內(nèi)涵。這一內(nèi)涵的體現(xiàn)并不是通過具體意義的描述來表達(dá)的,而是通過意義的缺失體現(xiàn)出來的。村上春樹小說中“自我”意識(shí)的表達(dá)主要是通過對(duì)“自我”的迷失、“自我”的找尋、“自我”的束縛以及“自我”的回歸這一系列探索模式的討論反映出來的,而且在表達(dá)方法和作品主題上融入了西方文學(xué)的一些元素。此外,第一人稱的寫作視角也是村上春樹表達(dá)“自我意識(shí)”的一個(gè)重要手法。村上春樹對(duì)于“自我”的關(guān)注并不是單純地停留在文學(xué)的角度,而是具有一定的哲學(xué)意義。首先村上春樹小說中的“自我意識(shí)”與西方的“存在主義”有一定的聯(lián)系;其次村上春樹小說中的“自我”意識(shí)也具有一定的辯證意義,“自我”的雙重內(nèi)涵是對(duì)立統(tǒng)一的關(guān)系。村上春樹之所以對(duì)“自我”如此的關(guān)注并不是偶然,而是有其多方面的原因,本文將從日本當(dāng)代經(jīng)濟(jì)政治對(duì)村上春樹“自我意識(shí)”的影響、村上春樹對(duì)于日本近代“自我意識(shí)”的繼承,還有作家自身的經(jīng)歷這三個(gè)方面進(jìn)行挖掘闡釋。
[Abstract]:Haruki Murakami is a famous contemporary Japanese writer. Since -30s, Murakami's works have come to the fore in the Japanese literary world, and later his works have been introduced to all countries all over the world. Whether in Asia or Europe, there are a number of "Murakami Spring Tree fans", which to varying degrees set off a wave of Murakami Spring Tree craze. Murakami's work style is unique, both inheriting the tone of mourning in Japan. Haruki Murakami's youth was precisely the era of Japanese economic ups and downs, the rapid rise and decline of the economy made the Japanese, especially the young people, a great psychological gap. Therefore, Murakami pays special attention to the spiritual world of the younger generation. The interpretation of the "self-consciousness" of the younger generation is an important theme in Murakami's novels to explore the spiritual world of the young generation. A series of reflections on the object of "self". This paper takes the "self-consciousness" expressed in Murakami's novels as the research object, and analyzes the connotation and expression technique of the protagonist's "self-consciousness" in Murakami's novels. And the philosophical implications of "self-consciousness", finally from the society. From the background of writers, we can simply explain the causes of Murakami's "self-consciousness" in his novels, in which the protagonist is often a lonely individual. And the protagonist's feeling is also lonely, from these two aspects outstanding "self" as the main body existence form this one connotation. In addition. The "ego" in Murakami's novels also has the connotation of the meaning of existence as the subject, which is not expressed by the description of the specific meaning. The expression of "self" consciousness in Murakami's novels is mainly through the loss of "self" and the search for "self". The bondage of the "self" and the return of the "self" are reflected in the discussion of a series of exploration modes, and some elements of western literature are incorporated in the expression method and the theme of the work. The first person's perspective of writing is also an important way for Murakami to express "self-consciousness". Murakami's concern for "self" is not simply a literary point of view. First of all, the "self-consciousness" in Murakami's novels has a certain connection with "existentialism" in the West. Secondly, the consciousness of "self" in Murakami's novels also has certain dialectical significance, the dual connotation of "ego" is the relation of unity of opposites, and it is no accident that Murakami pays so much attention to "self". But there are many reasons, this article will be from the contemporary Japanese economic and political impact on Murakami's "self-consciousness", Murakami's inheritance of modern Japanese "self-consciousness". There are three aspects of the writer's own experience.
【學(xué)位授予單位】:遼寧師范大學(xué)
【學(xué)位級(jí)別】:碩士
【學(xué)位授予年份】:2012
【分類號(hào)】:I313.074
【參考文獻(xiàn)】
相關(guān)期刊論文 前7條
1 江琴;;自我概念的詮釋——論詹姆斯的“自我”[J];法制與社會(huì);2006年23期
2 劉源;曹雅娟;;淺析薩特的自在存在和自為存在[J];科教導(dǎo)刊(中旬刊);2011年02期
3 王春風(fēng);常玉華;;哲學(xué)自我意識(shí)概念的邏輯演變[J];內(nèi)蒙古民族大學(xué)學(xué)報(bào)(社會(huì)科學(xué)版);2005年06期
4 宋榮;高新民;;不可回避的非存在問題[J];科學(xué)技術(shù)哲學(xué)研究;2009年05期
5 司強(qiáng);;康德哲學(xué)中的“先驗(yàn)自我意識(shí)”概念[J];石河子大學(xué)學(xué)報(bào)(哲學(xué)社會(huì)科學(xué)版);2011年04期
6 尚一鷗;;村上春樹年譜(1949-2007)[J];日本學(xué)論壇;2008年01期
7 劉春波;劉艷;;日本私小說“自我意識(shí)”的特性[J];作家;2009年20期
本文編號(hào):1404298
本文鏈接:http://sikaile.net/wenyilunwen/wxchuangz/1404298.html
最近更新
教材專著