本文關(guān)鍵詞：權(quán)利的顛覆與含納：《貓的搖籃》的新歷史主義解讀　出處：《黑龍江大學(xué)》2012年碩士論文　論文類型：學(xué)位論文

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【摘要】：庫(kù)爾特·馮尼古特是美國(guó)后現(xiàn)代文學(xué)史上舉足輕重的小說(shuō)家。他一生創(chuàng)作了14部長(zhǎng)篇小說(shuō)和大量的短篇小說(shuō)、散文、戲劇。國(guó)內(nèi)外文學(xué)評(píng)論界對(duì)馮尼古特作品的研究要遠(yuǎn)遠(yuǎn)遜色于對(duì)同時(shí)代的托馬斯·品欽的作品的研究。其中對(duì)他的第四部長(zhǎng)篇小說(shuō)《貓的搖籃》的研究在僅有的研究成果中所占比重更是微乎其微。雖然小說(shuō)蘊(yùn)含的豐富的主題思想正日益成為評(píng)論家關(guān)注的焦點(diǎn)，但就目前的研究成果來(lái)看，小說(shuō)中各主題思想之間的內(nèi)在關(guān)聯(lián)還不曾被探討。本文以此為切入點(diǎn)，借用新歷史主義批評(píng)方法的三個(gè)關(guān)鍵詞——權(quán)力、顛覆和含納對(duì)小說(shuō)的各主題思想之間的關(guān)系展開(kāi)深入分析，力求為該小說(shuō)提供一種新的理解。 本文由緒論、正文和結(jié)語(yǔ)三部分組成。緒論部分簡(jiǎn)要介紹了馮尼古特和他的14部長(zhǎng)篇小說(shuō)，同時(shí)回顧了國(guó)內(nèi)外評(píng)論界對(duì)《貓的搖籃》的研究。正文分為四章。第一章是關(guān)于新歷史主義理論的相關(guān)概述：它的歷史觀、理論主張及關(guān)鍵詞的含義；在第二、三章中作者緊密聯(lián)系小說(shuō)的故事情節(jié)，分別用權(quán)力和顛覆解釋了小說(shuō)的多重主題思想及其之間的關(guān)系。作者用這前后對(duì)應(yīng)的兩章內(nèi)容揭示了馮尼古特對(duì)兩性地位、對(duì)科技發(fā)展、對(duì)軍政強(qiáng)權(quán)、對(duì)宗教本質(zhì)的根本態(tài)度；在第四章中作者在含納一詞的啟發(fā)下，透過(guò)故事情節(jié)的表象，深刻地剖析了這些看似荒謬的情節(jié)編排和聽(tīng)似合理的創(chuàng)作靈感實(shí)則暴露了馮尼古特及其作品的時(shí)代局限性；結(jié)論部分作者先是總結(jié)了論文的主要內(nèi)容，而后闡述了個(gè)人對(duì)馮尼古特及其作品的簡(jiǎn)要評(píng)價(jià)。
[Abstract]:Kurt Vonnegut is an important American postmodern novelists. He wrote 14 novels and numerous short stories, essays, dramas of literary criticism at home and abroad are far inferior to the contemporary Thomas Pynchon's works on the works of Foni Gut. The study of his fourth novels < > the cat's cradle for research only in proportion is very little. Although the novel contains rich theme is increasingly becoming the focus of attention of the critics, but the current research of inherent relationship among the various themes in the novel thought hasn't been discussed. This article as a starting point, using the new historicism approach the three key words: power, subversion and in-depth analysis of the novel contains between each theme, and strive for the The novel provides a new understanding.
This paper consists of introduction, body and conclusion of three parts. The introduction part briefly introduces Foni Gut and his 14 novels, and reviews the research of domestic and foreign critics of "cat's cradle". The text is divided into four chapters. The first chapter is an overview of the relevant theory of New Historicism: its history, theory keywords proposition and meaning; in the second, third chapter, the author is closely related to the plot of the novel, with power and subversion respectively explains the relationship between novels and between multiple themes. The author uses the corresponding before and after the two chapters of Feng Ni reveals the paleo gender status, the development of science and technology, the military and political power, the basic attitude of religion nature; in the fourth chapter the author in containing the word inspiration, through the story of the appearance, analyzes these seemingly absurd plot arrangement and plausible inspiration in It exposes the limitations of Foni Gut's works and his works. In the conclusion part, the author first summarizes the main contents of the thesis, and then expounds his personal comments on Foni Gut and his works.

【學(xué)位授予單位】：黑龍江大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2012
【分類號(hào)】：I712.074

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本文編號(hào)：1394752