本文關(guān)鍵詞：《羅森克蘭茲與吉爾登斯特恩已死》的荒誕性分析　出處：《中南大學(xué)》2012年碩士論文　論文類(lèi)型：學(xué)位論文

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【摘要】：湯姆·斯托帕德被稱(chēng)為英國(guó)最聰明,最幽默的戲劇家之一�！读_森克蘭茨與吉爾登斯特恩已死》是斯托帕德第一部贏得廣泛關(guān)注的戲劇作品,借助《哈姆雷特》中兩個(gè)不起眼的小角色,羅森克蘭茲與吉爾登斯特恩,斯托帕德呈現(xiàn)了一部荒誕的悲喜劇。基于文本細(xì)讀和批評(píng)回顧,本文作者發(fā)現(xiàn),《羅森克蘭茲與吉爾登斯特恩已死》是一部獨(dú)特的荒誕派戲劇作品。本文擬運(yùn)用法國(guó)哲學(xué)家阿爾貝·加繆的荒誕哲學(xué),探究《羅森克蘭茲與吉爾登斯特恩已死》劇中獨(dú)特的荒誕性。 本文導(dǎo)論部分首先介紹斯托帕德和《羅森克蘭茲與吉爾登斯特恩已死》戲劇,然后概括國(guó)內(nèi)外對(duì)該劇的研究,最后論述加繆的荒誕主義和該劇的關(guān)系。正文部分首先以劇中的情節(jié)為切入點(diǎn),探討《羅森克蘭茲與吉爾登斯特恩已死》中情節(jié)的荒誕性,認(rèn)為劇中出現(xiàn)的無(wú)情節(jié)性,戲中戲和情節(jié)的混亂,都是斯托帕德特意用來(lái)呈現(xiàn)加繆荒誕主義中世界的無(wú)序性和扭曲感。隨后本文著重論述劇中語(yǔ)言的荒誕性。作為荒誕戲劇反傳統(tǒng)的顯著特征,語(yǔ)言被剝奪了其原有的工具性,劇中大量的沉默和無(wú)理性對(duì)話的出現(xiàn),呈現(xiàn)加繆荒誕主義里人類(lèi)與無(wú)理性的世界互動(dòng)的無(wú)力感。再次,本文對(duì)劇中人物身上展示的人類(lèi)共有的屬性,即存在,死亡和人與人之間關(guān)系,進(jìn)行了剖析,重點(diǎn)探究劇中人物在荒誕世界中的種種表現(xiàn),認(rèn)為斯托帕德對(duì)加繆的荒誕哲學(xué)進(jìn)行了戲劇性的解讀。最后,本文闡釋了劇中意象呈現(xiàn)出的荒誕性。通過(guò)挖掘硬幣,船,和舞臺(tái)三個(gè)意象在劇中的深層含義,本文作者發(fā)現(xiàn),斯托帕德在《羅森克蘭茲與吉爾登斯特恩已死》劇中,并不是消極地揭露一個(gè)荒誕不經(jīng)的世界,而是在于讓觀眾在無(wú)序的世界里感受到一絲希望,對(duì)荒誕世界進(jìn)行勇敢的反抗,這也正是加繆的荒誕主義所強(qiáng)調(diào)的。 通過(guò)對(duì)情節(jié),語(yǔ)言,人物和意象在斯托帕德的著作《羅森克蘭茨與吉爾登斯特恩已死》的具體分析,本文作者認(rèn)為,《羅森克蘭茲與吉爾登斯特恩已死》是一部獨(dú)特的荒誕戲劇,是加繆荒誕哲學(xué)思想戲劇化的體現(xiàn)。從這一角度解讀《羅森克蘭茲與吉爾登斯特恩已死》,能為國(guó)內(nèi)對(duì)斯托帕德的研究提供一個(gè)案例,同時(shí)也展示出斯托帕德對(duì)傳統(tǒng)戲劇的顛覆以及斯托帕德式的荒誕戲劇的魅力。
[Abstract]:Tom Stoppard is described as one of Britain's smartest and most humorous dramatists. "Rosenkranz and Gilden Stern are dead." it was Stoppard's first drama to win wide attention. With the help of two minor characters in Hamlet, Rosencland and Gilden Stern, Stoppard presents an absurd tragicomedy. Based on a close reading of the text and a critical review, the author finds out. Rosencrantz and Gilden Stern are a unique absurd dramatic work. This paper intends to use the absurd philosophy of French philosopher Albert Camus. A probe into the unique absurdity of Rosencrantz and Gilden Stern. The introduction to this paper first introduces Stoppard and the Drama of Rosencrantz and Gilden Stern, and then summarizes the domestic and foreign studies of the play. At last, the author discusses the relationship between Camus' absurdity and the play. Firstly, the text takes the plot of the play as the starting point to explore the absurdity of the plot in Rosenkranz and Gilden Stern. The inexorable standoff of the play, the confusion of the play and the plot. All of them are used by Stoppard to present the sense of disorder and distortion of the world in Camus' absurdity. Then this paper focuses on the absurdity of the language in the play, which is a remarkable feature of the anti-tradition of absurd drama. Language is deprived of its original instrumentality. The emergence of a great deal of silence and irrational dialogue in the play presents a sense of powerlessness between human beings and the irrational world in Camus' absurdity. In this paper, the characters on the show on the common attributes of human beings, that is, existence, death and the relationship between people, analyzed, focusing on the characters in the drama in the absurd world of all kinds of performance. Finally, this paper explains the absurdity of the image in the play. By digging into the coin, the ship, and the stage, the paper explains the deep meaning of the three images in the play. The author finds that Stoppard's "Rosencrantz and Gilden Stern is dead" is not a negative revelation of a world of absurdity. It is to make the audience feel a glimmer of hope and brave resistance to the absurd world in a disorderly world, which is also emphasized by Camus's absurdity. Through the concrete analysis of plot, language, characters and images in Stoppard's book Rosenkranz and Gilden Stern are dead, the author believes that. Rosencrantz and Gilden Stern are a unique absurd drama, which is the embodiment of Camus' absurd philosophy. From this angle, Rosen Cranz and Gilden Stern are dead. It provides a case for the study of Stoppard in China, and also shows Stoppard's subversion of traditional drama and the charm of Stoppard's absurd drama.
【學(xué)位授予單位】：中南大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2012
【分類(lèi)號(hào)】：I561.073

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