本文關(guān)鍵詞：小說情節(jié)設(shè)計中的動作體系　出處：《復旦大學》2014年碩士論文　論文類型：學位論文

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【摘要】：本論文以研究小說情節(jié)設(shè)計規(guī)律為目的,提出動作體系原理,選擇數(shù)篇結(jié)構(gòu)方面出色的短篇或長篇小說作為研究對象,旨在探討小說作者創(chuàng)作的一般方法。自亞里士多德的《詩學》問世以來,寫作有其規(guī)律、原則和技巧都是不言而喻的,沒有一個想到什么就寫什么的作者能夠找到捷徑獲得成功。動筆前了解故事的終點與讀者的反應是對寫作者最基本的要求。普遍存在的一種誤解是,創(chuàng)作規(guī)律是一種創(chuàng)作公式,或者說,是一把神奇的萬能鑰匙,一旦作者掌握它就能夠隨心所欲地進行創(chuàng)作。不少寫作學習者幻想著文學創(chuàng)作有既定公式,當他們發(fā)現(xiàn)這把神奇的萬能鑰匙不存在,就徹底否定創(chuàng)作規(guī)律的存在,把決定作品質(zhì)量的決定性因素歸咎于作者個體的天賦與靈感。學習小說的創(chuàng)作規(guī)律也許還不足以讓寫作者創(chuàng)作出偉大的作品,但已經(jīng)可以寫出良好的作品。本文將深入探討各種結(jié)構(gòu)類型的小說在寫作前如何建立動作體系,并且在這種動作體系的基礎(chǔ)上創(chuàng)作出優(yōu)質(zhì)小說。第一章主要討論小說情節(jié)設(shè)計規(guī)律的重要性。在解構(gòu)主義廣泛發(fā)展的現(xiàn)今,現(xiàn)代小說開始反情節(jié),人們普遍認同小說創(chuàng)作進入了新的階段,敘述故事的策略變得更加豐富且復雜,甚至連情節(jié)本身存在的合理性都遭到了質(zhì)疑。但這并不表示情節(jié)應該從小說中消除。任何優(yōu)秀的小說都不會以記錄流水賬為方式單純地拼湊文字。情節(jié)設(shè)計規(guī)律不像作者的思想高度和生活閱歷那樣需要長期積累,也不像作者的語言那樣極具個性化特色。情節(jié)設(shè)計的規(guī)律是通過學習即能掌握的小說創(chuàng)作技巧。第二章通過對幾篇具體的小說進行分析,展現(xiàn)由動機、危機、懸念、變化和偶然推動的小說及其動作體系的基本面貌,并輔以圖表的方式更直觀地為寫作者梳理優(yōu)秀小說作品的結(jié)構(gòu)脈絡,使寫作者對各種小說的創(chuàng)作技巧有所體悟。第三章選取《烏克蘭拖拉機簡史》這部小說的部分章節(jié)進行分析,討論了在人物塑造中內(nèi)心動作與外部動作相符與相異的作用,將動作體系細化到最基本的組成部分。最后的結(jié)語部分,將總結(jié)如何在建立動作體系結(jié)構(gòu)的基礎(chǔ)上進行小說創(chuàng)作,以及如何利用對小說情節(jié)的技巧性設(shè)計掌控讀者的反應。小說創(chuàng)作是可習得的,也是具有其基本規(guī)律的,通過怎樣的動作產(chǎn)生如何的故事變化,以至于對情節(jié)的推動產(chǎn)生影響,是創(chuàng)作者必須掌握的基本功。
[Abstract]:This paper aims to study the plot design rules, action system principle, the structure of the article select the number of outstanding short stories and novels as the research object, aims to explore the general method of the author of the novel creation. Since the advent of Aristotle < > poetics, writing has its own rules, principles and techniques are not self-evident. A what they think about what the author can find a shortcut to success. Before you start to understand the story of the end point and the reader response is to write the basic requirements. A common misconception is that the law of creation is a kind of creative formula, or that is a magic key, once the author master it it can work freely. Many learners writing fantasy formula for literary creation, when they found the magic master key does not exist, is completely negative creation The existence of the law, the decisive factor for the quality of the work attributed to individual talent and inspiration. The author's creation of learning may not be enough to let the writer create great works, but can write good works. This paper will discuss the various types of novel structure how to establish system of action before writing. And to create high-quality novels based on this action system. The first chapter mainly discusses the importance of the plot design rules. In the extensive development of deconstruction nowadays, modern novels begin to plot, people recognized novel creation has entered a new stage in general, narrative strategies become more abundant and complex, even the rationality of the plot itself there have been questioned. But this does not mean that the plot should be eliminated from the novel. Any good novels are not to record the running account for the way Simply put together the text. The plot design rule is not the author's thoughts and life experience that highly requires long-term accumulation, as the author's language as highly personalized features. The plot design rules by learning to grasp the writing skills. In the second chapter, based on a novel specific analysis, manifested by motivation, crisis. The suspense, the basic appearance of change and chance driven fiction and its action system, and by way of chart and more intuitive for structure of writer carding of excellent works, the writer of fiction creation skills are realized. Chapter third chapter selects "the novel history > Ukraine tractor are analyzed. Discussed in the characterization of inner action and external action consistent with the different role, action system to refine the basic components of the end portion, Will summarize how fiction based on action on the structure of system, and how to use the design techniques of the plot of the novel to control the response of the readers. Novels can be learned, but also has its basic rules, how to change the story generated by what action, that have an impact on the development of plot, is the basic work creators must master.

【學位授予單位】：復旦大學
【學位級別】：碩士
【學位授予年份】：2014
【分類號】：I106

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本文編號：1363154