本文關(guān)鍵詞：李商隱與卡夫卡的比較研究　出處：《集美大學(xué)》2012年碩士論文　論文類型：學(xué)位論文

  更多相關(guān)文章： 卡夫卡 李商隱 孤獨 荒謬 象征 真與幻

【摘要】：本文通過比較文學(xué)中的平行研究，對沒有事實聯(lián)系的不同國家的兩位作家、作品及文學(xué)現(xiàn)象進行比較研究。其可比性是建立在文學(xué)本身的特性上，即文學(xué)共有的規(guī)律，文學(xué)是人學(xué)，人心文心是相通的。卡夫卡和李商隱有著近乎相似的心靈世界，兩位作家在個性、特點、情感經(jīng)歷及共同的文學(xué)主題等方面有相似之處。本文從具體作品入手進行比較，試圖從孤獨、荒謬的文學(xué)主題，象征、悖論的藝術(shù)手法及真與幻的融合這四個方面對李商隱和卡夫卡進行平行研究。 李商隱和卡夫卡的許多作品都以孤獨為主題，，他們都在表達孤獨中尋找自己并釋放自己。李商隱作品中的孤獨是內(nèi)在的，對生命本身的一種沉思，是他對自我生命狀態(tài)的深刻的悲哀�？ǚ蚩ǖ墓陋毷峭庠诘模瑏碜杂谌后w關(guān)系，是自我與他者的陌生與敵對。而造成孤獨的原因是相同的，即時代環(huán)境與社會對個人的異化。 李商隱與卡夫卡作品中都使用象征的藝術(shù)手法，本文主要探討了兩位作家內(nèi)斂的個性與象征創(chuàng)造的關(guān)系；以及由于東西方民族、社會、傳統(tǒng)文化不同的特點，象征所暗示的內(nèi)容的差異。李商隱的象征表現(xiàn)為一種內(nèi)心體驗或一種特別的情感，卡夫卡的象征則多為抽象的哲理。兩位作家的作品多具象征意味，呈現(xiàn)出多義性特征。 李商隱與卡夫卡在作品中常使用悖論的藝術(shù)手法，通過悖論表現(xiàn)人生的悲劇本質(zhì)及生存境遇的荒謬。相同的是他們都通過語言的矛盾及悲與喜的對比來構(gòu)成悖論，不同的是李商隱的悖論往往導(dǎo)致無奈和悲戚，而卡夫卡的小說中的悖論常是玩笑的嘲諷的，他的悲劇是以喜劇的形式來展現(xiàn)的。 李商隱與卡夫卡都擅于將夢幻融入現(xiàn)實，使人借夢幻了解現(xiàn)實。相同的是他們在作品中不強調(diào)具體地夢境內(nèi)容。他們都通過時空轉(zhuǎn)換來展現(xiàn)夢幻情景，但又有各自的特點，李商隱多用傳說及典故中的人物，而卡夫卡則通過人物事件情節(jié)的不合邏輯來制造夢幻氛圍。 兩位作家經(jīng)歷不同，對自我心靈的書寫卻有著“神”似之處，這種神似使他們的作品有相似的審美體驗。由于時代，文化背景，語言及表達形式的不同，其差異是明顯的，這些是共同的文學(xué)主題所展現(xiàn)的民族文化心理及其審美情趣的差異。
[Abstract]:Through the parallel study in comparative literature, the two writers of different countries have no relationship to the comparative study of works and literary phenomena. The comparability is based on the characteristics of literature itself, which is the common law of literature, literature is a human study, the heart of Oncidium are interlinked. Kafka and Li Shangyin a similar spiritual world, the two writers in personality, characteristics, similarities and common themes in the literature of emotional experience and so on. This paper starts from the concrete works for comparison, attempts from the lonely, absurd literature theme, artistic symbol, paradox and truth and the four aspects of the integration of the Li Shangyin magic Kafka and parallel study.
Many of Li Shangyin's and Kafka's works are as lonely as the theme, they are lonely in search of their expression and release themselves. In the works of Li Shangyin alone is inside, a meditation on life itself, he is the self life state of profound sorrow. Kafka's loneliness is external, from the relationship between groups, the self and the other is strange and hostile. Due to the loneliness of the reasons is the same, namely the era environment and society on the individual alienation.
The symbol of the art use Li Shangyin and Kafka's works, this paper mainly discusses the relationship between personality and symbol of the two writers restrained creation; and because of the eastern and western nation, society, different characteristics of traditional culture, the difference symbol implied by the content. As a symbolic representation of Li Shangyin's inner experience or a special the emotion, the symbol of Kafka is more abstract philosophy. The two writers more symbolic, showing the characteristics of polysemy.
Li Shangyin and Kafka often use the paradox in the works of art, through the tragedy of nature and circumstances of life performance survival paradox of absurdity. The same is all of them through the language and contradiction of sadness and joy compared to constitute the paradox, the difference is that Li Shangyin's paradox often leads to frustration and grief, and the paradox in Kafka's novels often joke irony, his tragedy is to show in the form of a comedy.
Li Shangyin and Kafka are good at fantasy into reality, so that people understand the reality. The same dream by what they don't specifically emphasize the content of dreams in his works. All of them through the conversion of time and space to show the dream scenario, but they also have their own characteristics, Li Shangyin used the characters in the legends and allusions, and Kafka through the characters and events the plot is illogical to create fantasy atmosphere.
The two writers have different experiences, the heart has a self written "God" is similar to the spirit, make their works have similar aesthetic experience. Because of the age, cultural background, language and different forms of expression, the difference is obvious, the difference is the national cultural psychology and aesthetic taste of the common theme of literature show.

【學(xué)位授予單位】：集美大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2012
【分類號】：I106-03

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