本文關鍵詞：阿爾托戲劇理論中的“重影”探究　出處：《西南大學》2012年碩士論文　論文類型：學位論文

  更多相關文章： 重影 阿爾托 戲劇理論 來源 呼喚

【摘要】：阿爾托在其影響最大的戲劇理論著作《戲劇及其重影》中提到的“重影”概念,是他戲劇理論的核心,同時也是了解阿爾托包括小說、詩歌、隨筆在內整個創(chuàng)作的一條線索。本文主要研究“重影”概念的形成,“重影”的體系、來源及如何呼喚“重影”第一部分主要考察了”double"從出現到被譯為“重影”的過程,說明了在“替身”、“兩重性”、“雙重性”、“影子”、“復象”、“重影”等眾多詞匯中選擇“重影”一詞的原因。也反映了國內對”double"意義的理解的深化。第二部分“重影的系統(tǒng)”探究了在個體和多重自我、人和永恒幽靈、戲劇和生活中出現的三組有遞進關系的不同重影,并通過《貝殼與僧侶》等劇例詳細論述了戲劇演出的當下是三組重影的交迭。第二部分結合阿爾托的特殊經歷,討論了“重影”的來源。首先它來自極端體驗。阿爾托在電療中的瀕死體驗,出院后的瘋迷和幻覺,直接促進了“重影”的提出。同時,原始文化、象征主義、超現實主義和雅里劇團等土壤也為“重影”系統(tǒng)的發(fā)展提供了豐富營養(yǎng)。第四部分主要討論呼喚“重影”的方法。除通過身體語言呼喚外,制造一個空的空間也是呼喚“重影”的重要途徑。通過研究“重影”概念和“重影”體系成形的過程、其來源及如何呼喚“重影”,再輔助阿爾托特殊的身心經歷,我們可以深入挖掘他戲劇理論的內核。
[Abstract]:Artaud's "ghost" concept mentioned in his most influential drama theory drama and its ghosting is the core of his drama theory. It is also a clue to understand Artaud's whole creation, including novels, poems and essays. This paper mainly studies the formation of the "ghost" concept, "ghosting" system, and how to call the "ghost" the first part is mainly on the "double" from appear to be translated as "the process of ghost", explained in the "double", "duality", "duality", the "shadow" and "image", "ghost" and other words in the selection of "ghost" is a word of reason. It also reflects the deepening of the understanding of the meaning of "double" in China. The second part of the "double" of the individual and multiple self, and eternal ghosts, drama and the life of the three groups have a progressive relationship different ghosting, and through the "shell" and other operas and monks cases discussed in detail the drama of the three group of double crossover. The second part, based on Artaud's special experience, discusses the source of "heavy shadow". First, it comes from extreme experience. Artaud's near death experience in electrotherapy, the crazy fan and hallucination after discharge, directly promoted the "heavy shadow". At the same time, primitive culture, symbolism, surrealism and Drama Troupe "Jari soil heavy shadow system provides rich nutrition. The fourth part mainly discusses the method of calling the "heavy shadow". In addition to the call of the body language, the creation of an empty space is also an important way to call for "heavy shadow". By studying the concept of "ghost" and the forming process of "ghost image" system, its source and how to call "ghost" and Artaud's special physical and mental experience, we can dig deeper into the core of his drama theory.
【學位授予單位】：西南大學
【學位級別】：碩士
【學位授予年份】：2012
【分類號】：I565.073

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