本文關(guān)鍵詞：海明威短篇小說(shuō)的敘事藝術(shù)　出處：《華中師范大學(xué)》2012年碩士論文　論文類型：學(xué)位論文

  更多相關(guān)文章： 海明威 短篇小說(shuō) 敘事結(jié)構(gòu) 敘事視角 敘事時(shí)間 審美效果

【摘要】：厄納斯特·海明威是二十世紀(jì)美國(guó)文學(xué)發(fā)展史上一位享有崇高地位的文學(xué)巨匠,他以自己獨(dú)特的創(chuàng)作實(shí)踐成為對(duì)后世影響力最為深遠(yuǎn)的作家之一。海明威的小說(shuō)歷來(lái)吸引了眾多研究者的目光,他們?cè)谖墨I(xiàn)研究,作家生平研究,影響研究,作品的整體研究以及單個(gè)作品的研究等方面都取得了重大成果。但是關(guān)于他的短篇小說(shuō)的研究,一直以來(lái)卻缺乏應(yīng)有的規(guī)模和深度。短篇小說(shuō)是海明威的創(chuàng)作整體中非常重要的一部分,同他的中長(zhǎng)篇相比,這些短篇在敘事手法上更加靈活多樣,也更能代表海明威在敘事藝術(shù)上所取得的成就。海明威的作品不僅有著眾人所知的簡(jiǎn)潔明快、干凈利落、畫(huà)面感強(qiáng)等卓越的敘事技巧,同時(shí)還有其獨(dú)特的文本形態(tài)和生成方式。本文主要立足于海明威短篇小說(shuō)的文本基礎(chǔ),以敘事理論為指導(dǎo),從敘事結(jié)構(gòu)、敘事視角、敘事時(shí)間三個(gè)方面切入,深入分析海明威短篇小說(shuō)的敘事藝術(shù),并重點(diǎn)闡述了其敘事藝術(shù)所引發(fā)的審美效果。論文第一章論述海明威短篇小說(shuō)多樣化的敘事結(jié)構(gòu),結(jié)合《弗朗西斯·麥康伯短暫的幸福生活》等文本,分析了簡(jiǎn)潔明了的單線結(jié)構(gòu),充滿張力的環(huán)式線性結(jié)構(gòu)和錯(cuò)綜交織的復(fù)線性結(jié)構(gòu)在小說(shuō)中的具體應(yīng)用；第二章論述敘事視角在海明威短篇小說(shuō)中的運(yùn)用,對(duì)外聚焦、內(nèi)聚焦和各種視角的靈活切換進(jìn)行了分析；第三章論述有關(guān)敘事時(shí)間的兩個(gè)具體問(wèn)題：敘述時(shí)間定點(diǎn)延伸和逆時(shí)序；第四章是本文的重點(diǎn),論述海明威應(yīng)用各種敘事藝術(shù)所引發(fā)的審美效果,包括：敘述空白及其審美效果、“冰山”理論及其追求的含蓄深遠(yuǎn)意境、復(fù)調(diào)手法的應(yīng)用及其審美效果等。通過(guò)上述分析,本文力圖進(jìn)一步拓展海明威研究的范圍,更系統(tǒng)、更全面加強(qiáng)對(duì)海明威短篇小說(shuō)敘事藝術(shù)的研究,由此增強(qiáng)對(duì)海明威的全面了解,并希望可以有所突破。
[Abstract]:Ernest Hemingway is a great master of literature in the history of the development of American Literature in the twentieth Century. With his unique creative practice, he became one of the most influential writers in the later age. Hemingway's novels have always attracted the attention of many researchers. They have made great achievements in literature research, research on writers' life, research on influence, overall research of works and research of single works. But the study of his short stories has always been lacking in scale and depth. Short story is a very important part of Hemingway's creation. Compared with his middle length, these short stories are more flexible in narrative techniques, and better represent Hemingway's achievements in narrative art. Hemingway's works are not only known for his excellent narrative skills, such as succinct, neat, and strong sense of images, but also their unique textual forms and ways of creation. This paper is mainly based on the text of Hemingway's short stories, the narrative theory, starting from the three aspects of narrative structure, narrative perspective, narrative time, narrative art, in-depth analysis of Hemingway's short stories, and focuses on the aesthetic effect caused by its narrative art. The first chapter discusses Hemingway "s narrative structure diversification, combined with" Francis Macombe short of a happy life "text, analysis of the single structure concise, specific application of tension filled ring type linear structure and interwoven complex linear structure in the novel; the second chapter discusses the narrative perspective in in Hemingway's short stories foreign, flexible switching focus, focus and perspectives are analyzed; the third chapter discusses the two specific issues related to the narrative time: narrative time point extension and inverse sequence; the fourth chapter is the focus of this paper, including the aesthetic effect, caused by the application of all kinds of narrative art on Hemingway: narrative blank and its aesthetic effect," the iceberg theory and its implication in pursuit of artistic conception, polyphony aesthetic effect and its application. Through the above analysis, this paper tries to further expand the scope of Hemingway's research, and systematically and comprehensively strengthen the research on narrative art of Hemingway's short stories, thereby enhancing the overall understanding of Hemingway and hoping to make some breakthroughs.
【學(xué)位授予單位】：華中師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2012
【分類號(hào)】：I712.074

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