本文關(guān)鍵詞：舞蹈意境初論，由筆耕文化傳播整理發(fā)布。

        意境是中國(guó)傳統(tǒng)美學(xué)中的一個(gè)核心概念，也是中國(guó)傳統(tǒng)藝術(shù)理念中最具特色的一個(gè)組成要素�！耙饩场钡漠a(chǎn)生受到中國(guó)傳統(tǒng)哲學(xué)的深切影響，與中國(guó)傳統(tǒng)文化有著深厚的血脈聯(lián)系，并且鮮明地表現(xiàn)在各個(gè)門類之中。因此，深入了解和挖掘“意境”在各個(gè)藝術(shù)門類中的特點(diǎn)，對(duì)于更深切的把握中國(guó)傳統(tǒng)藝術(shù)理念并彰顯其當(dāng)代價(jià)值有著重要意義。從中國(guó)藝術(shù)發(fā)展的歷程來(lái)看，人們探討最多的是與詩(shī)歌、與繪畫有關(guān)的意境理論，而在其它藝術(shù)門類中的意境探討則并不突出。之所以出現(xiàn)這種情況，主要是跟詩(shī)歌與繪畫長(zhǎng)期占據(jù)藝術(shù)領(lǐng)域的主流有關(guān)。從總體上說(shuō)，作為成長(zhǎng)于中國(guó)傳統(tǒng)藝術(shù)文化土壤中的審美范疇，意境的應(yīng)用范圍應(yīng)該是更為寬廣的，尤其是在已經(jīng)步入現(xiàn)代的當(dāng)下，深入挖掘其它藝術(shù)形式所蘊(yùn)含的意境要素，探索其內(nèi)在的意境構(gòu)成特點(diǎn)，對(duì)于我們?cè)谛碌臅r(shí)代環(huán)境下重新發(fā)揚(yáng)傳統(tǒng)文化、促進(jìn)藝術(shù)創(chuàng)造和更新有著重大意義。因此，本文將研究的重點(diǎn)放在對(duì)舞蹈意境的探索上，探討舞蹈意境的理論內(nèi)涵、構(gòu)造特點(diǎn)、美學(xué)特征，并為當(dāng)下的舞蹈藝術(shù)實(shí)踐提供指導(dǎo)，凸顯其當(dāng)代價(jià)值。具體來(lái)說(shuō)，本文主要包括如下幾個(gè)方面的內(nèi)容：一、舞蹈意境的內(nèi)涵分析。本章在全面掌握中國(guó)傳統(tǒng)意境概念的基礎(chǔ)上深入探討舞蹈意境的獨(dú)特內(nèi)涵和深層意蘊(yùn)，在把握舞蹈藝術(shù)自身獨(dú)特的藝術(shù)特點(diǎn)的基礎(chǔ)上指出，舞蹈意境的內(nèi)涵包括主客統(tǒng)一——舞蹈的情感世界與肢體審美形式的內(nèi)在貫通；情景交融——舞蹈內(nèi)外本體世界的圓融相交；虛實(shí)相生——現(xiàn)實(shí)的舞蹈世界與宇宙元?dú)獾某饺诤系葞讉�(gè)方面。二、舞蹈意境的生成過(guò)程。本章在前面論述的基礎(chǔ)上進(jìn)一步探索舞蹈意境的生成特點(diǎn)，突出舞蹈意境在生成方面所具有的獨(dú)特性，由此展現(xiàn)舞蹈意境與其它藝術(shù)形式中的意境之間的區(qū)別。具體來(lái)說(shuō)，舞蹈意境的生成過(guò)程主要包括形式美的導(dǎo)引、情感的滲透以及舞臺(tái)設(shè)計(jì)的推動(dòng)等方面。三、舞蹈意境的文化價(jià)值。本章在充分挖掘舞蹈藝術(shù)的內(nèi)涵、特征及其生成特點(diǎn)的基礎(chǔ)上全面開(kāi)掘舞蹈藝術(shù)所具有的價(jià)值和意義，從舞蹈藝術(shù)與傳統(tǒng)文化的融合與對(duì)抗當(dāng)下舞蹈藝術(shù)中的非藝術(shù)性問(wèn)題這兩個(gè)方面展現(xiàn)舞蹈意境的內(nèi)在意蘊(yùn)及其對(duì)舞蹈藝術(shù)發(fā)展的功用。當(dāng)下研究界對(duì)于舞蹈意境的研究幾乎還是空白狀態(tài)。舞蹈作為一門實(shí)踐操作性較強(qiáng)的藝術(shù)，在長(zhǎng)期以來(lái)的發(fā)展過(guò)程中對(duì)技能的訓(xùn)練和重視遠(yuǎn)遠(yuǎn)超過(guò)了對(duì)舞蹈藝術(shù)本身的研究和總結(jié)，尤其是對(duì)于中國(guó)古典傳統(tǒng)文化與舞蹈藝術(shù)之間的關(guān)聯(lián)性以及傳統(tǒng)文化、美學(xué)理念對(duì)于現(xiàn)代舞蹈發(fā)展的所具有的啟示性研究，在舞蹈藝術(shù)領(lǐng)域內(nèi)并未得到應(yīng)有的重視。在當(dāng)下愈來(lái)愈注重舞蹈藝術(shù)中的技能性要素的狀況下，要想真正提升舞蹈中的深度內(nèi)涵，使其擔(dān)當(dāng)起提升人們精神境界的責(zé)任，引領(lǐng)人們進(jìn)入超越的自由之域，與傳統(tǒng)文化的結(jié)合是一條不錯(cuò)的選擇。在博大精深的中國(guó)傳統(tǒng)文化中，，意境作為長(zhǎng)期滋潤(rùn)中國(guó)傳統(tǒng)藝術(shù)的審美范疇，在提升藝術(shù)作品的超越性方面有著卓越的功效，浸潤(rùn)著中國(guó)傳統(tǒng)藝術(shù)精神的精華。因此，我們當(dāng)下的舞蹈研究，應(yīng)該在舞蹈意境方面加大自身研究的力度，使舞蹈意境的研究深入到我們的舞蹈藝術(shù)內(nèi)部，真正成為能夠引領(lǐng)當(dāng)代舞蹈藝術(shù)發(fā)展的新的時(shí)代范疇，同時(shí)也使舞蹈藝術(shù)在當(dāng)代社會(huì)中成為能夠完善人們心靈、造就完善人格的美的藝術(shù)，真正將自身的地位提高到與國(guó)民素質(zhì)進(jìn)步相關(guān)聯(lián)的層面上來(lái)，為現(xiàn)代完善人格的建構(gòu)貢獻(xiàn)出自己的力量。

    Artistic conception is one of the core concepts in traditional Chinese aesthetics,and the most distinguishing element of the traditional art theory. It appeared under thedeep influence of traditional philosophy and thus has close connection with ourenduring culture. Each category of art is found with evident feature of this conception.So a better understanding about the “artistic conception” in each category issignificant for us to master traditional art in a deeper level and to discover its currentvalue.In the course of Chinese art, it appears that poem and painting related theories ofartistic conceptions are most frequently discussed while others are less popular. Themain reason is the dominant role of poem and painting in the field of art. In general,however, artistic conception should be applied to a larger scale for it is part of theaesthetic category which grows up in the soil of traditional Chinese art culture. Inmodern times, it is especially important to further explore the artistic conceptionsimplicated in other forms of art and their constitutional features to rejuvenate anddevelope our traditional arts. So the modern value of this paper is showed by puttingits emphasis on exploring artistic conception of dance and its theory connotation aswell as constitutional and aesthetic features, and on guiding dance practices.Specifically, this paper include as follows:1）Connotation analysis of the artistic conception of dance. On basis of acomprehensive grasp of traditional artistic conception, this chapter further discussesthe unique connotation and deep implication of this concepts, and points out that thisconception includes the following meanings: the unification of subjectivity andobjectivity (the internal communication of emotional world of dance and the aestheticform of the body), the fusion of feelings with the natural settings (the interaction ofthe inside and outside of the noumenon),and the complementation of false and truth(the transcendental fusion of the realistic world of dance and the vitality of theuniverse)2）The generation process of artistic conception of dance. On basis of the above mentioned, this chapter further describes the generation characteristics of artisticconception of dance. Through the description of the uniqueness of its generationcharacteristics, it makes clear the difference between the artistic conception in danceand that in other forms of art. Specifically, the generation process mainly includesguiding the formal beauty, building emotional atmosphere and promoting stagedesign,etc.3）The cultural value of artistic conception of dance. This chapter carries on thedescription by comprehensively exploring the conception’s value and meaning. Itpresents two things—the integration of dance art with the traditional culture and itsopposition to the current inartistic phenomenon—to show the internal meaning of theconception and its function for the development of dance art.Currently,there is little research on the artistic conception of dance. Danceemphasizes practice, so over the long period of development, skills and trainings indance are given much more weight than studies and reflections on the art itself. Inparticular, studies on how the classic traditional culture correlates to dance art andhow the culture and aesthetic theory inspire the development of modern dance art arenot readily available.To undertake the responsibility of uplifting people’s moralshackles and guide them into a free spiritual zone, dance art have to combine with thetraditional culture,which is a better choice to get rid of the current “skill-first fever”.Artistic conception, as an aesthetic category of the traditional Chinese culture, hashelped improve the aesthetic effect of art and has been the essence of traditional artspirit. So, studies concerning the artistic conception of dance should be strengthenedso as to touch the inner part of this art and to lead its development. Also, by furtherstudy, dancing will play a more active role in helping improve people’s heart andcreate the beauty of perfect personality, and at same time it will be lifted to a newheight where it can promote a people’s quality and where it can make its contributionto the personality construction of modern people.

舞蹈意境初論

中文摘要6-8Abstract8-9導(dǎo)論10-15    一、選題緣由及其價(jià)值10-11    二、研究現(xiàn)狀11-13    三、研究?jī)?nèi)容13    四、本論文的創(chuàng)新之處13-14    五、本論文的研究思路與方法14-15第一章 意境的發(fā)展歷程及其美學(xué)特征15-22    第一節(jié) “意境”的發(fā)展歷程15-18    第二節(jié) 意境的的美學(xué)內(nèi)涵18-22        (一) “意象”與“意境”19-20        (二) “意境”與“境界”20-22第二章 舞蹈意境內(nèi)涵分析22-29    第一節(jié) 主客統(tǒng)一——舞蹈的情感世界與肢體審美形式的內(nèi)在貫通22-24    第二節(jié) 情景交融——舞蹈內(nèi)外本體世界的圓融相交24-26    第三節(jié) 虛實(shí)相生——現(xiàn)實(shí)的舞蹈世界與宇宙元?dú)獾某饺诤?6-29第三章 舞蹈意境的生成過(guò)程29-36    第一節(jié) 形式美的導(dǎo)引29-31    第二節(jié) 情感的滲透31-33    第三節(jié) 舞臺(tái)設(shè)計(jì)的推動(dòng)33-36第四章 舞蹈意境的價(jià)值分析36-42    第一節(jié) 促進(jìn)舞蹈藝術(shù)與中國(guó)傳統(tǒng)文化的融合，彰顯中國(guó)特色36-38    第二節(jié) 凸顯舞蹈本身的藝術(shù)性，使舞蹈回歸情感本質(zhì)38-42結(jié)語(yǔ)42-44注釋44-46參考文獻(xiàn)46-49攻讀碩士學(xué)位期間發(fā)表論文49-50致謝50-51

  本文關(guān)鍵詞：舞蹈意境初論，由筆耕文化傳播整理發(fā)布。