本文關(guān)鍵詞：中國芭蕾舞劇作品中音樂與舞蹈的民族性融合，，由筆耕文化傳播整理發(fā)布。

中國芭蕾舞劇作品中音樂與舞蹈的民族性融合

中國芭蕾舞劇作品中音樂與舞蹈的民族性融合

芭蕾舞劇是西方藝術(shù)的舶來品,經(jīng)過一個多世紀的繁衍與發(fā)展,芭蕾舞劇藝術(shù)在中國歷經(jīng)起伏與變遷,有傳統(tǒng)性的傳承,也有突破性的創(chuàng)新。1959年被視為中國版《天鵝湖》的中國第一部芭蕾舞劇《魚美人》的誕生,不僅開始了中國芭蕾舞劇民族性創(chuàng)作的成功探索,而且也為中國芭蕾舞劇民族性創(chuàng)作指引了發(fā)展方向。近現(xiàn)代涌現(xiàn)出一系列中國芭蕾舞劇的經(jīng)典之作,如《二泉映月》、《精衛(wèi)》、《末代皇帝》、《梅蘭芳》、《大紅燈籠高高掛》、《牡丹亭》、《夢紅樓》等等,均有機地結(jié)合了中國民族性藝術(shù)特色和西方浪漫主義芭蕾風(fēng)格,使中國芭蕾舞劇的發(fā)展有了一個質(zhì)的飛躍,這對于中國舞蹈藝術(shù)事業(yè)的發(fā)展產(chǎn)生了積極和深刻的影響。舞劇創(chuàng)作中的音樂與舞蹈是不可或缺的兩個重要組成部分,在中國芭蕾舞劇的音樂與舞蹈創(chuàng)作中,如何將中國民族特色的音樂與舞蹈的碩博在線論文網(wǎng)素有機地與西方芭蕾舞劇創(chuàng)作相結(jié)合,并且具有中國芭蕾舞劇的創(chuàng)作特點,“民族性融合”是眾多藝術(shù)家們共同面臨的創(chuàng)作不足。任何一門藝術(shù)都是綜合性的產(chǎn)物,西方的芭蕾舞劇的產(chǎn)生是受西方傳統(tǒng)文化、生活習(xí)俗等因素的影響,那么對于這樣一個西方藝術(shù)產(chǎn)物,中國的藝術(shù)家們應(yīng)該如何將其吸收、融合到屬于自己的藝術(shù)氛圍中呢?能做的不是轉(zhuǎn)變,而是發(fā)展,創(chuàng)新性的發(fā)展,只有精通才能把握,只有透徹地掌握西方芭蕾舞劇的精髓,才能使芭蕾舞蹈語匯與中國民族舞蹈語匯融會貫通,創(chuàng)作出具有強烈民族性和創(chuàng)新意識的中國芭蕾舞劇。從中國近現(xiàn)代創(chuàng)作出的芭蕾舞劇作品中可以看出,一大批優(yōu)秀的芭蕾舞劇作品脫穎而出,更有一部分在劇本、音樂、舞蹈等創(chuàng)作方面不盡人意的作品未在藝術(shù)大潮中存活下來,理由主要在于編導(dǎo)們沒有把握好芭蕾舞劇創(chuàng)作的基點與創(chuàng)新,沒有能夠?qū)⒅形鞣轿幕木枞跒橐粻t,沒有將芭蕾舞劇民族性創(chuàng)作的船舵掌握好,以至于整艘藝術(shù)大船淹沒于汪洋的藝術(shù)大潮之中。本文從中國芭蕾舞劇中音樂與舞蹈民族性創(chuàng)作的發(fā)展與探索、中國芭蕾舞劇創(chuàng)作中音樂與舞蹈民族性融合的近況淺析淺析及中國芭蕾舞劇創(chuàng)作中音樂與舞蹈民族性融合的發(fā)展趨勢這三方面來進行闡述,從現(xiàn)有的藝術(shù)實踐創(chuàng)作的實例淺析淺析中得出研究結(jié)論。全文共分為三個章節(jié)來進行論述:一、中國芭蕾舞劇中音樂與舞蹈民族性創(chuàng)作的發(fā)展與探索。通過對西方芭蕾在東方土壤上成長的過程與中國三大著名芭蕾舞劇發(fā)展的歷程的敘述,淺析淺析了中國芭蕾舞劇創(chuàng)作中舞蹈與音樂的民族性融合,并對影響芭蕾舞劇成敗的音樂與舞蹈兩個創(chuàng)作碩博在線論文網(wǎng)素進行研究。二、中國芭蕾舞劇創(chuàng)作中音樂與舞蹈民族性融合的近況淺析淺析。通過對音樂民族性創(chuàng)作和舞蹈民族性創(chuàng)作的深入淺析淺析與研究,來說明音樂與舞蹈在芭蕾舞劇創(chuàng)作中的作用,及如何將具有中國民族特色的藝術(shù)風(fēng)格融入其中。三、中國芭蕾舞劇創(chuàng)作中音樂與舞蹈民族性融合的發(fā)展趨勢。通過對中國近現(xiàn)代創(chuàng)作的兩大經(jīng)典芭蕾舞劇——《魚美人》和《大紅燈籠高高掛》的深刻淺析淺析,闡述了中國芭蕾舞劇的發(fā)展應(yīng)該是以繼承傳統(tǒng),堅持中國芭蕾舞劇創(chuàng)作中音樂與舞蹈的民族性融合為基礎(chǔ),以與時代同步,發(fā)展中國芭蕾舞劇創(chuàng)作中音樂與舞蹈的民族性融合為動力。中國芭蕾舞劇的發(fā)展和中國芭蕾舞劇的民族性創(chuàng)作既離不開對西方芭蕾舞劇藝術(shù)的潛心學(xué)習(xí)與研究,又要始終堅持結(jié)合自身的文化底蘊與民族風(fēng)格來進行創(chuàng)新性發(fā)展,創(chuàng)作出與時代同步的民族性的經(jīng)典芭蕾舞劇作品。也只有這樣中國芭蕾舞劇藝術(shù)才能形成學(xué)派體系,才能形成良性的發(fā)展軌跡,才能成功地走向世界舞臺,并且能夠在世界的芭蕾舞劇藝術(shù)中占領(lǐng)一席之地。

【Abstract】 Ballet is the foreign goods from western.With the multiplication and development of one century,ballet have been through repeatedly the fluctuation and the vicissitude in China.Not only has the traditional inherition but has the unprecedented innovation.In 1959 ,the first Chinese ballet ballet Fish Beautiful Woman was born.It was regarded as The Swan Lake of chinese version.It didn’t only started the successful exploration of chinese ballet with national characteristic creation but also has directed the developing direction for the chinese ballet with national characteristic creation. There are a series of chinese ballet works in modern times.For example, Two Reflecting Founts, Jing Wei,Last years Emperor,Mei Lanfang, Scarlet Lantern Hangs High ,Peony Pavilion,Dream of Red Chamber and so on.They unified the chinese national characteristic artistic feature and the western romanticism ballet style organically,it makes the chinese ballet have a development and a qualitative leap,It has had positive and the profound influence regarding as the art enterprise development of chinese dance.Music and dance are the most important parts in dancing creation.In the creation of chinese ballet,it is the comon problem for many artists to combine the music and dance that have chinese national characteristic with the creation of western ballet and make them own the characteristicof chinese ballet. the creation of dance and music chinese ballet.Every art is the synthetic production.The production of western ballet is affected by western traditional culture and life custom,so it is important for the artists of China to absorb and combine the production of western art into our own art atmosphere.All we can do is develop it with innovation not transform it.We can grasp it if we master.Of course,we can make the words of ballet and chinese national dance together if master the pith of western ballet clearly.We do that in order to create chinese ballet with intense national and innovative consciousness.In modern times,we can see many excellent ballet were born and some dramas,musics and dances that are not excellent didn’t exist.Because the directors didn’t hold the cardinal point and innovate.they didn’t combine the pith between China and western and didn’t master the national creation of ballet and it didn’t exist at last.In this chapter,I will elaborate three points in the creation of chinese ballet.They are the develop current situation of chinese ballet’s music and dance with national characteristic creation,the current situation of national fusion in the music and dance and the developing trend of chinese ballet in music and dance creation.We can get the research conclusion from the analysis of existing artistic practice creation example.This chapter divides into three parts to carry on the elaboration:The First part: the develop of chinese ballet’s music and dance with national characteristic creation.It thoroughly analyse the created present situation of chinese ballet through narration between the developed of western ballet in the Eastern soil and the developing process of the Chinese three big famous ballets,and also to research the music and dance which affected the ballet’s success or failure. The Second part: the current situation of national fusion in the music and dance in the chinese ballet. To Explain the function of the music and dance in ballet’s creation,Through thorough analysis and research of national characteristic music creation and national characteristic dance creation, and how to combine the Chinese national characteristic artistic style in it.The Third part: the developing trend of chinese ballet in music and dance creation.Through the analysis of the two big chinese classical ballet in modern creation(Fish Beautiful Woman and Scarlet Lantern Hangs High ),It Elaborated that the Chinese ballet’s development should inherits the tradition,and persisted the foundation of chinese ballet creation in music and the dance with national characteristic fusion and take national characteristic fusion of developing the chinese ballet creation in the music and dance as the power.The development of chinese ballet already cannot leave the concentrated study and the research on western ballet art and must persist innovative development of own culture and the national style in order to create the national characteristic classical ballet works.If we do like these,the Chinese ballet art can form the school of thought system, can form the benign developing path ,can trend to the world stage successfully and seizes the small space in world ballet art.

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  本文關(guān)鍵詞：中國芭蕾舞劇作品中音樂與舞蹈的民族性融合，由筆耕文化傳播整理發(fā)布。