【摘要】：碑志作為明代石刻主體,蘊含著豐富的歷史文化信息,尤其包含著大量的古代書法文獻(xiàn)內(nèi)容,對于明代書法史的研究和書法文獻(xiàn)的整理都有著重要的學(xué)術(shù)價值。本文首先對明代的石刻類型進(jìn)行了梳理,然后調(diào)查了解甘肅麥積區(qū)石刻遺存的現(xiàn)狀,最后以甘肅麥積區(qū)典型石刻書法為案例,著重研究了這些石刻書者的身份、書體風(fēng)格及其書法的藝術(shù)價值,以期對明代民間書法藝術(shù)的整體面貌起到拋磚引玉的作用。
[Abstract]:As the main body of stone carving in the Ming Dynasty, the inscription contains rich historical and cultural information, especially a large number of ancient calligraphy documents, which has important academic value for the study of the history of calligraphy in the Ming Dynasty and the collation of calligraphy documents. This paper first combs the types of stone carving in Ming Dynasty, and then investigates and understands the status quo of stone carving remains in Maiji District of Gansu Province. Finally, taking the typical stone carving calligraphy in Maiji District of Gansu Province as an example, this paper focuses on the identity of these stone engravers. The style of calligraphy and the artistic value of calligraphy are expected to play an important role in the whole appearance of folk calligraphy in Ming Dynasty.
【作者單位】： 陜西理工大學(xué)藝術(shù)學(xué)院;
【分類號】：J292.1
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本文編號：2464892