清末民初匾額書法特點及其意味研究
發(fā)布時間：2019-04-21 10:30
【摘要】：在我國匾額被視為中華民族獨特的民俗文化精品,它反映的是當時的政治、經(jīng)濟、文化、藝術(shù)、民風民俗等,這些都是中華名族優(yōu)秀傳統(tǒng)文化體系當中不可缺少的重要組成部分且具有極高的理論意義和實用價值。目前針對匾額的書法特點及其意味研究就國內(nèi)外的發(fā)展來看非常稀少,且大多只是停留在對匾額工藝制作層面上的研究,例如:雕刻、漆藝、紋飾,建筑應(yīng)用等。然而在匾額當中其最直接的藝術(shù)表現(xiàn)形式是書法,書法的優(yōu)劣決定了一塊匾額的雅與俗。匾額上的書法大多出自于那些名人名家之手,精湛的書法技藝自不必多說,其文辭淳樸精煉,寓意深邃,使得匾額有了自己精神上的追求,并給人以深刻的啟迪與教誨。因此在研究匾額文化當中不僅僅只是注重于其外在的工藝表現(xiàn)形式,更是要對匾額當中的書法特點,以及它所要表達出的意味進行深入的研究與探討。論文以清末民初這段時期的實物資料為基礎(chǔ),以古今文獻專著為依據(jù),對匾額當中的書法特點及其意味進行了系統(tǒng)的解析。首先第一章,引言當中主要是對匾額書法就目前的學術(shù)發(fā)展研究現(xiàn)狀進行了回顧,并介紹了本次研究的內(nèi)容與方法等。第二章,是對匾額書法的起源與發(fā)展進行了簡單的梳理。第三章,是對清末民初時期匾額書法所處的社會背景進行分析,其中包括科舉制度的影響,清末碑學的興起,以及毛筆的革新對書法創(chuàng)作的影響。第四章,主要針對匾額書法特點進行研究,其中重點談?wù)摿颂瓶诨始邑翌~當中興盛的主要原因以及匾額當中的顏風盛行,其次再對匾額當中的碑派書風以及該如何學習碑派大字進行了論說。第五章,重點針對匾額書法意味研究,如:點題意味、教育意味、商業(yè)意味等。最后是結(jié)語部分,是對整篇文章的分析與總結(jié),并提出尚有的遺存問題。
[Abstract]:In China, the plaque is regarded as a unique fine piece of folk culture of the Chinese nation, which reflects the politics, economy, culture, art, folk customs and so on at that time. These are the indispensable and important parts of the excellent traditional culture system of the famous Chinese ethnic groups, and have high theoretical significance and practical value. At present, the research on calligraphy characteristics and meaning of plaque is very rare in terms of the development at home and abroad, and most of them only stay on the level of making plaque, such as carving, lacquer art, decoration, architectural application and so on. However, the most direct form of artistic expression in the plaque is calligraphy, calligraphy determines the elegance and vulgarity of a plaque. Most of the calligraphy on the plaque comes from the hands of famous and famous people. There is no need to say more about the exquisite art of calligraphy. Its simple and concise writing and profound meaning make the plaque have its own spiritual pursuit and give people profound enlightenment and instruction. Therefore, in the study of plaque culture, it is not only to pay attention to its external forms of artistic expression, but also to study and discuss the calligraphy characteristics of plaque and the meaning of its expression. Based on the material data of the late Qing Dynasty and the beginning of the Republic of China and the monographs of ancient and modern literature, the paper systematically analyzes the characteristics and meaning of calligraphy in plaques. In the first chapter, the introduction mainly reviews the present research status of inscribed inscription on academic development, and introduces the contents and methods of this research. The second chapter, is to the plaque calligraphy origin and the development has carried on the simple comb. The third chapter analyzes the social background of inscribed inscription in the late Qing Dynasty and the beginning of the Republic of China, including the influence of imperial examination system, the rise of the study of steles in the late Qing Dynasty, and the influence of the innovation of brushwork on calligraphy creation. The fourth chapter mainly focuses on the characteristics of inscribed inscription, which focuses on the main reasons why Tang Kai flourished in the royal plaque and the popularity of Yan Feng in the plaque. Secondly, it discusses the style of inscription and how to learn the inscription of inscription. The fifth chapter focuses on the study of calligraphy meaning of plaque, such as: point meaning, education meaning, business meaning and so on. The last part is the conclusion, which is the analysis and summary of the whole article, and puts forward the remaining problems.
【學位授予單位】：廣州大學
【學位級別】：碩士
【學位授予年份】：2017
【分類號】：J292.1
本文編號：2462110
[Abstract]:In China, the plaque is regarded as a unique fine piece of folk culture of the Chinese nation, which reflects the politics, economy, culture, art, folk customs and so on at that time. These are the indispensable and important parts of the excellent traditional culture system of the famous Chinese ethnic groups, and have high theoretical significance and practical value. At present, the research on calligraphy characteristics and meaning of plaque is very rare in terms of the development at home and abroad, and most of them only stay on the level of making plaque, such as carving, lacquer art, decoration, architectural application and so on. However, the most direct form of artistic expression in the plaque is calligraphy, calligraphy determines the elegance and vulgarity of a plaque. Most of the calligraphy on the plaque comes from the hands of famous and famous people. There is no need to say more about the exquisite art of calligraphy. Its simple and concise writing and profound meaning make the plaque have its own spiritual pursuit and give people profound enlightenment and instruction. Therefore, in the study of plaque culture, it is not only to pay attention to its external forms of artistic expression, but also to study and discuss the calligraphy characteristics of plaque and the meaning of its expression. Based on the material data of the late Qing Dynasty and the beginning of the Republic of China and the monographs of ancient and modern literature, the paper systematically analyzes the characteristics and meaning of calligraphy in plaques. In the first chapter, the introduction mainly reviews the present research status of inscribed inscription on academic development, and introduces the contents and methods of this research. The second chapter, is to the plaque calligraphy origin and the development has carried on the simple comb. The third chapter analyzes the social background of inscribed inscription in the late Qing Dynasty and the beginning of the Republic of China, including the influence of imperial examination system, the rise of the study of steles in the late Qing Dynasty, and the influence of the innovation of brushwork on calligraphy creation. The fourth chapter mainly focuses on the characteristics of inscribed inscription, which focuses on the main reasons why Tang Kai flourished in the royal plaque and the popularity of Yan Feng in the plaque. Secondly, it discusses the style of inscription and how to learn the inscription of inscription. The fifth chapter focuses on the study of calligraphy meaning of plaque, such as: point meaning, education meaning, business meaning and so on. The last part is the conclusion, which is the analysis and summary of the whole article, and puts forward the remaining problems.
【學位授予單位】：廣州大學
【學位級別】：碩士
【學位授予年份】：2017
【分類號】：J292.1
【參考文獻】
相關(guān)期刊論文 前10條
1 盛辰超;;民國時期的儒學思潮及其對民國政治的影響[J];文史博覽(理論);2016年07期
2 杜海軍;;論摩崖榜書的文學特性[J];求是學刊;2015年04期
3 付新菊;鄭付忠;;論明清建筑的書法裝飾之風[J];藝術(shù)教育;2012年04期
4 周梅清;;匾額——折射歷史文化的一面鏡子[J];清遠職業(yè)技術(shù)學院學報;2011年05期
5 吳峰天;;古匾牌的仿制與制作技術(shù)[J];中國文物科學研究;2007年04期
6 馮榮;;科舉制度的廢除對清末民初社會的影響[J];長春師范學院學報;2007年01期
7 陳進;;梁宅的楹聯(lián)匾額[J];東方博物;2006年03期
8 宋志明;論清代儒學的再整理[J];文史哲;2005年05期
9 呂偉;書法與匾[J];書畫藝術(shù);2004年04期
10 張自中;匾額趣談[J];文史天地;2003年11期
相關(guān)重要報紙文章 前1條
1 張興軍;;科舉匾額的文化守望[N];北京日報;2008年
相關(guān)博士學位論文 前3條
1 黃文華;關(guān)中地區(qū)明清建筑楹聯(lián)研究[D];西安建筑科技大學;2013年
2 韋淵;清代唐楷：帖學到碑學的橋梁[D];浙江大學;2013年
3 李豐春;傳統(tǒng)旌表活動與基層社會的控制[D];上海大學;2008年
相關(guān)碩士學位論文 前2條
1 張寶倩;論明代書家對楷書的繼承與發(fā)展[D];山西師范大學;2014年
2 李衛(wèi)森;康有為榜書思想研究[D];河北大學;2009年
，本文編號：2462110
本文鏈接：http://sikaile.net/wenyilunwen/shufayishu/2462110.html
