【摘要】：正今人論黃庭堅書學思想,其核心乃一"韻"字,這個思想是清人劉熙載《書概》中說出的。他說:"黃山谷論書,最重‘韻'字。蓋俗氣未盡者,皆不足言韻也"。而黃庭堅的原話是在《題絳本法帖》中說的:"觀魏晉聞人論事,皆語少而意密,大都猶有古人風澤,略可想見。論人物要是韻勝為尤難得,蓄書者能以韻觀之,當得仿佛。"由此看來,黃庭堅對魏晉人的風尚是心儀向往
[Abstract]:The core of Huang Tingjian's thoughts on calligraphy is a rhyme, which is expressed by Liu Xizai in Qing Dynasty. He said: "Huangshan Valley book, the heaviest 'rhyme' character. Cover the vulgar unfinished, are not enough rhyme." Huang Tingjian's original words are said in "inscription on this Law": "the Wei and Jin dynasties heard people's opinions, all languages are few and secret, most of them are still ancient style, slightly conceivable." It is especially rare for a character to win a rhyme, and he who has a book can view it with rhyme, as if. " From this point of view, Huang Tingjian's popularity towards the Wei and Jin people is a yearning for the people of Wei and Jin dynasties.
【作者單位】： 陜西省美術博物館;
【分類號】：J292.1

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