清末民初海派書家結(jié)社活動對書法藝術(shù)的影響
發(fā)布時間：2019-03-19 19:47
【摘要】： 海派書法的出現(xiàn)與上海城市的形成有著密不可分的關(guān)系。鴉片戰(zhàn)爭后,1843年11月17日上海開埠并迅速成為中國最具活力的大都市。在她獨有的東方文化底蘊和西方現(xiàn)代特征的魅力感召下,全國各地大批文人墨客聚集到上海避難謀生,海派書法就是在這樣的環(huán)境下孕育而生的。書家在商業(yè)化環(huán)境中,書法創(chuàng)作的目的必然從舊式文人的遣興托志轉(zhuǎn)向應世謀生。書法家依靠個人力量在動蕩的社會里很難維系生活,于是他們開始頻繁的結(jié)社組織活動。本文以十九世紀四十年代到二十世紀二三十年代為研究范圍,以結(jié)社整體研究和書家個案研究為研究方法,對雅集模式到現(xiàn)代化社團的嬗變和參與結(jié)社的重要海派書家的活動進行整理分析,并總結(jié)歸納出它們對海派書法產(chǎn)生的影響。最后對海派書家結(jié)社的商業(yè)化和海派書法的市場化進行總結(jié)分析。希望本課題的研究對更深入地研究海派書法有所幫助。
[Abstract]:The appearance of Shanghai style calligraphy is closely related to the formation of Shanghai city. After the Opium War, Shanghai opened its port on November 17, 1843 and quickly became China's most dynamic metropolis. Inspired by her unique oriental culture and the charm of western modern characteristics, a large number of literati from all over the country gathered to take refuge in Shanghai for a living. It was in this environment that Shanghai-style calligraphy was bred. In the commercialized environment, the aim of calligraphy creation must change from the old-style literati's will to make a living in the world. Calligraphers rely on their personal strength to sustain themselves in a turbulent society, so they begin to organise frequently. This paper takes the 1940s to the 1920s and 1920s as the research scope, and takes the whole association study and the calligrapher's case study as the research methods. This paper analyzes the evolution of Yazi model to modern societies and the activities of important Shanghai calligraphers who participate in association, and sums up their influence on the calligraphy of Shanghai School. Finally, the commercialization of the association of Shanghai calligraphers and the marketization of Shanghai calligraphy are summarized and analyzed. It is hoped that the study of this topic will be helpful to the further study of the calligraphy of the Shanghai School.
【學位授予單位】：華東師范大學
【學位級別】：碩士
【學位授予年份】：2010
【分類號】：J292.2
本文編號：2443841
[Abstract]:The appearance of Shanghai style calligraphy is closely related to the formation of Shanghai city. After the Opium War, Shanghai opened its port on November 17, 1843 and quickly became China's most dynamic metropolis. Inspired by her unique oriental culture and the charm of western modern characteristics, a large number of literati from all over the country gathered to take refuge in Shanghai for a living. It was in this environment that Shanghai-style calligraphy was bred. In the commercialized environment, the aim of calligraphy creation must change from the old-style literati's will to make a living in the world. Calligraphers rely on their personal strength to sustain themselves in a turbulent society, so they begin to organise frequently. This paper takes the 1940s to the 1920s and 1920s as the research scope, and takes the whole association study and the calligrapher's case study as the research methods. This paper analyzes the evolution of Yazi model to modern societies and the activities of important Shanghai calligraphers who participate in association, and sums up their influence on the calligraphy of Shanghai School. Finally, the commercialization of the association of Shanghai calligraphers and the marketization of Shanghai calligraphy are summarized and analyzed. It is hoped that the study of this topic will be helpful to the further study of the calligraphy of the Shanghai School.
【學位授予單位】：華東師范大學
【學位級別】：碩士
【學位授予年份】：2010
【分類號】：J292.2
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