【摘要】：正康有為的執(zhí)筆理論與實際的操作存有不相符的地方,這一現(xiàn)象在清代的碑派書家中具有普遍性。在具體的實踐中,在不同的社會場合中,書家們亦會采取不同的操作方式和衍說策略,體現(xiàn)出在社會生活中的自覺行為與藝術世界里的自我呈現(xiàn)的矛盾性。同時,通過對這一現(xiàn)象的挖掘,有助于我們反思歷代藝術家的衍說標準與方式,并從側(cè)面管窺藝術家理想形象的建構與接受規(guī)律。
[Abstract]:Kang Youwei's writing theory is not consistent with the actual operation, this phenomenon is universal in the Qing Dynasty tablet school bookmakers. In concrete practice, in different social situations, the calligraphers also adopt different operation methods and derivation strategies, which reflect the contradiction between the conscious behavior in the social life and the self-presentation in the art world. At the same time, through the excavation of this phenomenon, it is helpful for us to reflect on the development standards and ways of the artists of all ages, and to see the construction and acceptance of the ideal image of the artist from the side.
【作者單位】： 首都師范大學中國書法文化研究院;
【分類號】：J292.1
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本文編號：2443343