【摘要】："全國(guó)中青年書法家作品展覽"(簡(jiǎn)稱"中青展"),自第二屆始一直是由《中國(guó)書法》主辦或承辦的,它在中國(guó)當(dāng)代書法史上的作用、價(jià)值與定位是當(dāng)代書法史研究課題中十分重要的組成部分,這是因?yàn)榛钴S在當(dāng)代書壇的中青年書家及部分已經(jīng)步入老年的書家中,有許多是在"中青展"的活動(dòng)中嶄露頭角并成為風(fēng)云人物。尤其值得關(guān)注的是,在每一屆"中青展"的評(píng)選過(guò)程中,組織者都會(huì)強(qiáng)調(diào)相應(yīng)的學(xué)術(shù)品格,或盡量有意識(shí)地強(qiáng)化其在當(dāng)代中青年書法創(chuàng)作中的引領(lǐng)作用�？梢哉f(shuō),"中青展"在上世紀(jì)八、九十年代,給書法界帶來(lái)了許多的驚喜與歡愉,也給我們帶來(lái)了不少思考、反省甚至批評(píng)。在《中國(guó)書法》創(chuàng)刊三十周年之際,我們選發(fā)歷屆"中青展"獲獎(jiǎng)作品,以期引起大家的關(guān)注,并從文藝批評(píng)的角度,對(duì)"中青展"進(jìn)行深入地剖析與檢驗(yàn)。
[Abstract]:The National Exhibition of the works of Young and Middle-aged calligraphers ("Youth Exhibition" for short), which has been hosted or hosted by the Chinese calligraphy since the second session, has played an important role in the history of contemporary Chinese calligraphy. The value and orientation is a very important part of the study of the history of contemporary calligraphy. This is because the young and middle-aged calligraphers who are active in the contemporary calligrapher and some of the bookmakers who have entered the old age. Many have come to the fore and become figures in the China Youth Show. It is especially worth paying attention to, in the selection process of each "Chinese Youth Exhibition", organizers will emphasize the corresponding academic character, or consciously strengthen its leading role in the creation of contemporary young and middle-aged calligraphy. It can be said that in the 1980s and 1990s, the "China Youth Exhibition" brought many surprises and pleasures to the calligrapher community, and also brought us a lot of thinking, reflection and even criticism. On the occasion of the 30th anniversary of the publication of Chinese calligraphy, we selected and issued the winning works of the Chinese Youth Exhibition in order to arouse everyone's attention, and analyze and test the Chinese Youth Exhibition in depth from the point of view of literary and art criticism.
【分類號(hào)】：J292.2

【相似文獻(xiàn)】

相關(guān)期刊論文 前10條

1 茹桂;《中國(guó)書法經(jīng)典百品》序[J];西北美術(shù);2000年01期

2 孫大星;從“和而不同”看中國(guó)書法與儒學(xué)精神[J];畢節(jié)師范高等�？茖W(xué)校學(xué)報(bào)(綜合版);2001年02期

3 黃君;;二十一世紀(jì)中國(guó)書法蠡測(cè)[J];書法之友;2002年11期

4 王勇;中國(guó)書法之“氣”[J];福建省社會(huì)主義學(xué)院學(xué)報(bào);2003年03期

5 張士鈞;中國(guó)書法的民族文化精神[J];上饒師范學(xué)院學(xué)報(bào)(社會(huì)科學(xué)版);2003年02期

6 張渝;;涌入20世紀(jì)90年代的中國(guó)書法回眸[J];中國(guó)書畫;2004年12期

7 ;中國(guó)書法海外藏品選[J];中國(guó)書畫;2004年09期

8 鄭利權(quán);論大眾傳媒對(duì)當(dāng)代中國(guó)書法的影響[J];金華職業(yè)技術(shù)學(xué)院學(xué)報(bào);2004年01期

9 尉天池;中國(guó)書法的國(guó)際交流[J];w攣胖蕓，

本文編號(hào)：2434473