《停云館帖》研究
發(fā)布時間：2018-11-29 07:40
【摘要】：《停云館帖》是明中期的一部大型私家刻帖,共十二卷,由文征明選集,其子文彭、文嘉進(jìn)行摹勒,然后請當(dāng)時的優(yōu)秀刻工章簡甫等人刊刻。明中期,帝王在政策上放松了對政治、經(jīng)濟(jì)、文化的鉗制,蘇南地區(qū)書畫藝術(shù)得到蓬勃發(fā)展,促使明中期刊刻法帖的活動場面呈現(xiàn)出前所未有的繁榮。本文將《停云館帖》置于明中期歷史背景下,在研究方法上注重考證,通過對法帖的整體觀照,從不同角度進(jìn)行全面的研究�！锻Ｔ起^帖》的問世主要有兩個原因,一是與明朝政治、經(jīng)濟(jì)、文化的繁榮息息相關(guān);二是明中期豐富的法書收藏和頻繁的書畫往來。這兩個原因促使了明中期刻帖之風(fēng)興盛。在法帖的編刻體例上,與之前的官刻帖存在著差異,以明中期為界點,明中期之前的編刻體例是以帝王法帖開頭的,明中期以后則是以書學(xué)發(fā)展脈絡(luò)來安排的,并且刻帖中收錄了刊刻者本人書作,這在刻帖史上是前所未有的。版式設(shè)計,明朗清晰,在選帖上,按照時代順序,書法作品選取以藝為先,體現(xiàn)了文征明個人的書學(xué)思想�！锻Ｔ起^帖》刊刻的完成對后世刻帖以及后世學(xué)書者產(chǎn)生了深遠(yuǎn)的影響。
[Abstract]:"stop Cloud Museum posts" is a large private engraved in the middle of Ming Dynasty, a total of 12 volumes, selected by Wen Zhenming, his son Wen Peng, Wen Jia to copy, and then asked the excellent engraving work Zhang Jianfu and others. In the middle of Ming Dynasty, the emperor relaxed the political, economic and cultural constraints, and the art of calligraphy and painting in southern Jiangsu developed vigorously, which prompted the activity scene of printing laws in the middle of Ming Dynasty to present an unprecedented prosperity. Under the background of the history of the middle Ming Dynasty, this paper focuses on textual research in the research methods, and makes a comprehensive study from different angles through the overall reflection of the French posts. There are two main reasons for the coming out of the "stop Cloud Guild posts". Firstly, it is closely related to the prosperity of Ming Dynasty politics, economy and culture. The second is the rich collection of French books and frequent calligraphy and painting exchanges in the middle of Ming Dynasty. These two reasons made the style of engraving post flourish in the middle of Ming Dynasty. There is a difference between the compilation and engraving style of the French posts and the official inscriptions before them. They take the middle Ming Dynasty as the boundary point, the compilation style before the middle Ming Dynasty begins with the imperial law posts, and after the middle Ming period they are arranged in the context of the development of calligraphy. And engraved in the collection of the publisher's own books, this in the history of engraving is unprecedented. Layout design, clear and clear, in the selection of posts, according to the order of the times, calligraphy works to choose art first, The completion of the publication has a profound influence on the post of the later generations and the scholars of the later generations.
【學(xué)位授予單位】：曲阜師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：J292.1
本文編號：2364354
[Abstract]:"stop Cloud Museum posts" is a large private engraved in the middle of Ming Dynasty, a total of 12 volumes, selected by Wen Zhenming, his son Wen Peng, Wen Jia to copy, and then asked the excellent engraving work Zhang Jianfu and others. In the middle of Ming Dynasty, the emperor relaxed the political, economic and cultural constraints, and the art of calligraphy and painting in southern Jiangsu developed vigorously, which prompted the activity scene of printing laws in the middle of Ming Dynasty to present an unprecedented prosperity. Under the background of the history of the middle Ming Dynasty, this paper focuses on textual research in the research methods, and makes a comprehensive study from different angles through the overall reflection of the French posts. There are two main reasons for the coming out of the "stop Cloud Guild posts". Firstly, it is closely related to the prosperity of Ming Dynasty politics, economy and culture. The second is the rich collection of French books and frequent calligraphy and painting exchanges in the middle of Ming Dynasty. These two reasons made the style of engraving post flourish in the middle of Ming Dynasty. There is a difference between the compilation and engraving style of the French posts and the official inscriptions before them. They take the middle Ming Dynasty as the boundary point, the compilation style before the middle Ming Dynasty begins with the imperial law posts, and after the middle Ming period they are arranged in the context of the development of calligraphy. And engraved in the collection of the publisher's own books, this in the history of engraving is unprecedented. Layout design, clear and clear, in the selection of posts, according to the order of the times, calligraphy works to choose art first, The completion of the publication has a profound influence on the post of the later generations and the scholars of the later generations.
【學(xué)位授予單位】：曲阜師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：J292.1
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相關(guān)博士學(xué)位論文 前1條
1 黃朋;明代中期蘇州地區(qū)書畫鑒藏家群體研究[D];南京藝術(shù)學(xué)院;2002年
相關(guān)碩士學(xué)位論文 前2條
1 王文濤;明代江南私家叢帖刊刻活動研究[D];南京藝術(shù)學(xué)院;2014年
2 聶國強(qiáng);從王世貞《_州山人四部稿》談吳門隸書[D];中央美術(shù)學(xué)院;2011年
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