北碑書法創(chuàng)作與審美論
發(fā)布時間:2018-11-27 17:09
【摘要】:正若從鄧石如北碑楷書算起,北碑書法的創(chuàng)變已經(jīng)經(jīng)歷了兩百多年的風(fēng)風(fēng)雨雨。在北碑書法變革歷程中,破舊立新,始終是貫穿其中的主線。一方面,北碑書家們必須拋棄不適合北碑書寫的已有的楷書用筆技巧,另尋新法。另一方面,又需要對北碑的結(jié)體進(jìn)行改造,以立新風(fēng)。最重要的是,北碑書家們不得不接受鑒賞家們的評判,并最大可能地爭取社會的普遍認(rèn)同,尤其是在審美價值方面。
[Abstract]:If from Deng Shiru Beibei regular script, the creation of Beibei calligraphy has experienced more than 200 years of ups and downs. In the course of the reform of Bei calligraphy, breaking the old and creating new is always the main line running through it. On the one hand, Beibei calligraphers must abandon the existing standard script writing techniques that are not suitable for Bei writing and seek new methods. On the other hand, it is necessary to reform the structure of the north tablet in order to set up a new wind. Most importantly, Beibei calligraphers have to be judged by connoisseurs and strive for the greatest possible social acceptance, especially in terms of aesthetic value.
【分類號】:J292.1
[Abstract]:If from Deng Shiru Beibei regular script, the creation of Beibei calligraphy has experienced more than 200 years of ups and downs. In the course of the reform of Bei calligraphy, breaking the old and creating new is always the main line running through it. On the one hand, Beibei calligraphers must abandon the existing standard script writing techniques that are not suitable for Bei writing and seek new methods. On the other hand, it is necessary to reform the structure of the north tablet in order to set up a new wind. Most importantly, Beibei calligraphers have to be judged by connoisseurs and strive for the greatest possible social acceptance, especially in terms of aesthetic value.
【分類號】:J292.1
【參考文獻(xiàn)】
相關(guān)期刊論文 前1條
1 ;于右任論書(節(jié)選)[J];青少年書法;2009年08期
【共引文獻(xiàn)】
相關(guān)期刊論文 前10條
1 孫海洋;黃世民;;論王,
本文編號:2361510
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