【摘要】：近代海派印學(xué),吳昌碩與趙叔孺各樹一幟。沙孟海曾以吳之雄渾比之"太陽",從趙之秀美方以"太陰",二氏為近現(xiàn)代海上印壇一時(shí)之"瑜亮"。然而在二人身后,吳昌碩聲名大振,趙叔孺之名卻漸趨不顯,經(jīng)歷了由"吳趙對(duì)峙"到"吳顯趙晦"的轉(zhuǎn)變。究其原因,筆者認(rèn)為,吳昌碩與趙叔孺不同的處世方式為內(nèi)因,而清末民初傳統(tǒng)審美突變?yōu)橥庖颉?br/>[Abstract]:Modern Shanghai School of impressionism, Wu Changshuo and Zhao Shunru each set a school. Sha Menghai once compared Wu's power to the sun, from Zhao Zhixiu to "Taiyin", Ershi as the modern sea printing world "Yu Liang." However, after the two men, Wu Changshuo became famous, but Zhao Shunru's name gradually declined, going through the transformation from Wu Zhao confrontation to Wu Xian Zhao Hui. The author thinks that Wu Changshuo and Zhao Shunru's different ways of dealing with the world are the internal cause, while the traditional aesthetic mutation in the late Qing Dynasty and the early Republic of China is the external cause.
【分類號(hào)】：J292.4
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本文編號(hào)：2264810