【摘要】：正畫(huà)家陳丹青在他的《退步集》中說(shuō),當(dāng)代中國(guó)油畫(huà)展是油畫(huà)家畫(huà)給油畫(huà)家看的。那么關(guān)于書(shū)壇,劉一聞在十屆國(guó)展中曾就國(guó)展書(shū)法的現(xiàn)狀,說(shuō)過(guò)一段,大約的意思就是作品總是在炫技,在技術(shù)上甚至有的還不讓古人,但就是品格不高,是無(wú)靈魂的東西,此言直指當(dāng)代書(shū)壇死穴。我想作為國(guó)展評(píng)委的劉一聞還是說(shuō)的客氣的、厚道的。其實(shí)當(dāng)代的一些名家也是"失魂落魄"的。我也曾請(qǐng)教過(guò)劉一聞:您落筆時(shí)想過(guò)是寫(xiě)給誰(shuí)看的嗎?自己、書(shū)畫(huà)家還是普通藝術(shù)愛(ài)好者或者其他?劉一聞回答:想寫(xiě)出自己想說(shuō)的,無(wú)關(guān)他人。
[Abstract]:Chen Danqing, the real painter, said in his "Backsliding Collection" that the contemporary Chinese oil painting exhibition is for oil painters to see. I think Liu Yiwen, as a judge of the National Exhibition, is polite and kind. In fact, some famous contemporary scholars are also "lost soul." I also asked Liu Yiwen: Did you ever think about whom you were writing for? You, calligrapher and painter, or ordinary art lovers or others? Answer: want to write what you want to say, irrelevant to others.
【分類(lèi)號(hào)】：J292.1;J292.4

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